Author Archives: Garry Rodgers

About Garry Rodgers

After three decades as a Royal Canadian Mounted Police homicide detective and British Columbia coroner, International Best Selling author and blogger Garry Rodgers has an expertise in death and the craft of writing on it. Now retired, he wants to provoke your thoughts about death and help authors give life to their words.

FORENSIC BLOODSTAIN PATTERN ANALYSIS

AA43Bloodstain Pattern Analysis is the forensic interpretation of human blood evidence in crime scene investigations. It’s used to recreate actions that caused the bloodshed. Because blood has chemical properties that behave according to specific laws, trained analyists can examine the size, shape, and distribution of bloodstains to draw conclusions of what did—or did not—happen.

Bloodstain Pattern Analysis (BPA) applies the sciences of anatomy, biology, chemistry, mathematics, and physics to answer questions like:

  • Where’d the blood come from?
  • Who’d it belong to?
  • How’d it get there?
  • What caused the wound(s)?
  • From what direction was the victim assailed?
  • How were the victim and perpetrator positioned?
  • How many victims and perpetrators were there?
  • What movements were made after the bloodshed?

AA24You’ve seen the CSI shows where investigators, dressed in their ‘bunny suits’, photograph drops, streaks, smears, and pools of blood, then swab for DNA and String the room back to Area of Convergence points. Well, that’s pretty much how it happens, except today most Stringing is done by 3D computerization.

Bloodstain pattern interpretation is nothing new. It’s been around two hundred years and became increasing sophisticated as technology advanced. I’ve been involved in a number of BPA examinations during my time as a cop and coroner. One that really stands out was when Billy Ray Hennessey axe-murdered his ex-girlfriend and her new lover. The room looked like a bomb went off in a red paint factory. I’ll tell you more about it at the end of this article. First, let’s look at how blood behaves.

Blood has three components that are suspended in plasma.

AA25Erythrocytes are your red cells that transfer oxygen through hemoglobin. It’s what gives blood the red color. Leukocytes, your white cells, are your body’s defenders and support your immune system in fighting infection and disease. Platelets are formed in your bone marrow and play a major role in hemostasis, or plugging up breaches in vessels.

Blood composition is about 55% plasma and 45% formed elements, or cells, which remain suspended due to agitation caused by your circulatory system. That’s called viscosity—it’s density or internal friction. Once blood leaves your body’s pressurized containment, it’s subject to the forces of gravity and surface tension which dictates its resting shape. That can be in drops, streaks, or pools.

Crime scene bloodstains take different forms due to factors like velocity and distance of travel, amount of blood flow, angle of impact, and type of surface or target it lands on. There are eight categories of bloodstain patterns:

AA26Single Drop – These stains are typically from a vertical fall and under low velocity, like when your cut your finger and blood drips to the floor. Blood molecules are very cohesive. They attract and bind in a surface tension that makes a sphere. The drop stays in a ball until it strikes an object or a force acts on it. This is called bleed-out.

AA21Impact Spatter – These result from forceful impacts between an object and wet blood, causing the blood to break into little droplets. Greater force produces smaller droplets. The study of impact staining provides huge insight into the relative positions of individuals and objects involved in the crime. There are three sub-categories of impacts:

  1. Low Velocity Impact Spatter (LVIS)

AA4Also called Passive Impact Spatters, these are the largest bloodstain drops with a diameter of 4mm or greater. They travel at a slow speed, no greater than 1.5 m/s. They’re associated with being struck by a large, blunt instrument such as a chair or leaking from an open wound. They’re also formed when a large amount of blood has been transferred to another surface and the excess drips down.

  1. Medium Velocity Impact Spatter (MVIS)

AA1These spatters are associated with an intense beating like from a club, a hammer, a gun butt, or a bag of frozen pork chops. (Yes, I once had a homicide case where a guy’s head was caved-in with a bag of frozen pork chops.) MVIS drops are less than 4mm and get propelled at speeds between 1.5 and 7.5 m/s. The further from the target surface that blood is expelled, the larger the drops will be.

  1. High Velocity Impact Spatter (HVIS)

AA2This stain pattern is caused by gunshots, explosions, or contact with high-speed objects like having your throat cut with an electric carving knife. (Had one of those, too.) They’re evident by masses of tiny droplets less than 2mm in diameter and occur at velocities far in excess of 7.5 m/s. There’s no mistaking this type of bloodstain. The angle of impact is evident by an elongated shape – the longer the stain, the longer the angle from vertical.

AA19Cast-Off Stains – COS are common in scenes such as Billy Ray Hennessey’s axe-murders where straight and curved lines of blood are made on the walls and ceiling by the centrifugal force of back-and-forth swings. They produce tear-shaped or oblong stains with ‘tails’ that point in the direction of travel. By reversing the line of travel, the path can be traced or stringed to its area of convergence.

 

AA18Transfer Bloodstains – These are generally patches and smears of blood deposited secondary to the main, violent event. They say a lot about sequence. It can be when a victim tried to crawl away, the body was dragged, the perpetrator placed a bloody hand on a wall, or when he hid the axe in a closet like Billy Ray did. Tell you more about him soon.

AA20Projected Pattern  This is from arterial damage, such as severed carotids, femorals, radials, and brachials where pressurized blood ejaculates via the still-beating heart. You’ll see groups of big to small splotches, usually in an arc pattern. Very common in stabbings.

Pooling – Usually occurs once the victim is unconscious and passively exsanguinates. That’s the fancy term for bleeding to death. Something telling to a Bloodstain Pattern Analyst is where large pools of blood occur in different locations—no doubt the body’s been moved.

AA28Insect Stains – Not long after death, the bugs show up. They land in the bloodstains and make little tracks all over the place. These are easily confused with HVIS to the untrained eye and known in the industry as Flyspeck.

Expiration Stains – These are incidental bloodstains associated with injuries to the respiratory and abdominal tracts where a gasping victim expels through the mouth or nose. They appear diluted, more brownish in color due to mixture with saliva or mucous, and look like a fine mist.

Examination of a bloody crime scene is a slow and methodical procedure.

AA3The area is still-photographed from wide, medium, and close-up angles as well as videoed. Each stain pattern is marked, catalogued, and a swab taken for serology or DNA typing. The patterns are then Strung to their Point Of Origin, or area of convergence, and a complex application of trigonometry begins to tell a compelling tale of just what went down.

The visual absence of blood can be misleading.

Criminals occasionally clean up a scene or there may be only a small bit of blood emitted. Chemical reactive agents like luminol and phenolphthalein can be applied which visualize latent stains. Light spectrum tools, such as LumiLights, are also used to amplify spots not visible to the naked eye.

AA40Getting back to Billy Ray Hennessey — This guy hid in his ex’s attic with an axe for two and a half days, waiting to catch her screwing a new beau. Sure enough, she brought one home from the bar. At 3:00 am, Billy Ray crept down from the hatch, snuck into the bedroom, and chopped them to pieces. Like I said, the crime scene looked like a bomb exploded in a red paint factory.

It took us three days to catch Billy Ray. He did the right thing and fessed-up, then reenacted the murders on video. It was the coldest thing I’ve seen. Billy Ray described what he did as if he were watching Jason or The Shining, going through repeated motions of chopping, and back-swinging, and chopping some more. He demonstrated with a 2×2 stick as a prop. (We were nervous about giving him a real axe.) He showed how he modified body positions after death, where he hid his axe in the closet, and where he cleaned himself up.

Billy Ray did the right thing again. He pleaded guilty, receiving two life sentences.

AA30During the three days that we hunted for Billy Ray, the Forensic Identification team had sealed the crime scene and independently conducted their Bloodstain Pattern Analysis. Once Billy Ray was done, we (the detective team) compared notes with the forensic team and — unbeknownst to what Billy Ray reenacted — the forensic folks got it bang-on. They’d reconstructed how many blows each victim received, various positions everyone was in, and… who fought back.

I’ve been sold on the science ever since.

*   *   *

Here links to more information on Forensic Bloodstain Pattern Analysis:

A Simplified Guide To Bloodstain Pattern Analysis

The Forensics Library – Bloodstain Pattern Analysis

Principles Of Bloodstain Pattern Analysis – Theory and Practice

Bloodstain Pattern Analysis – Crime Scene Reconstruction

HOW TO WRITE DEADLY CRIME FICTION

grodgers-write-deadly-fiction-cover-online-use-3debook-sml[1]Crime fiction is the second largest-selling book genre, slightly behind romance. It’s a craft an author must have passion for, as well as having the writing skills and subject knowledge to make their story believable—and hold their reader’s interest. Passion has to pre-exist in the writer but, thankfully, the techniques can be learned. I’m betting that 808 Killer Tips on How to Write Deadly Crime Fiction will help.

The No BS series of crime fiction guides is a project I’m passionately working on. It started as a self-teaching venture when I began fiction writing. I quickly found that, although I might be an adequate technical writer, I knew little about the tricks of the fiction trade.

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grodgers-write-deadly-cover-online-use-3dbook-sml[1]I researched and developed a list of pointers—mostly notes to self—on some of the most important tips. Thinking it would be helpful to others, I published it as a pdf under the title Dead Write with 99 tips and offered it as sign-up bait for my blogsite. It’s now matured as Guide One with a more professional look as 101Killer Tips on Writing Deadly Crime Thrillers. It’s still available free on this site.

The series goes beyond diction and syntax. It gives writers a unique look into the real side of crime writing based on my actual experience and a hell of a lot of research—never mind help from a gem of a source.

AA2My friend and fellow crime writer, Sue Coletta, generously offered to critique and edit the guides. Sue is an accomplished author on her own with a new crime thriller Marred hitting the shelves on November 11, 2015. Sue recently renovated her website and it’s an excellent source of information for crime writers and fans. Visit Sue at www.suecoletta.com and get her own free tips: 60 Ways To Murder Your Fictional Characters.

grodgers-deadly-selfedit-cover-online-use-sml[1]Guide Two is How to Self-Edit Deadly Crime Thrillers. Researching this has taken my writing knowledge to a whole new level and I hope it does the same to others. What’s opened my eyes is how the process of editing actually works. The takeaway—it’s as vital to learn editing skills as it is to develop writing skills. Editing is revision. Re-Vision.

Writing Deadly Crime Scenes is the third guide. It deals with what really goes on behind the ‘Scenes’. People. Places. Processing. It gives you tips on how crime scene investigators recognize evidence and how you can accurately portray the scenes in your books. The guide has sections on legal requirements, responsibilities of investigative roles, and how personalities intertwine on the CSI ‘food chain’.

grodgers-write-deadly-dialogue-cover-online-use-3debook-sml[1]Deadly Dialogue goes beyond the do’s and don’ts of fiction dialogue. It gives a look at how cops and crooks think, hence how they talk. There’s tips on formatting dialogue so your novel will read like a crime book and not like some soap-opera script. There’s also a glossary of crime terms to get it just right.

Guide Five is on Characters. Let’s set this straight. Plot is all about characters doing something to forward the story and their own development. It makes you think about development of your characters on three levels. One dimensional that have no names. Two dimensional with an occasional appearance as supporting cast. And the three dimensional stars of the show that your reader needs to love or hate.

grodgers-write-deadly-forensics-cover-online-use-3dbook-sml[1]With Guide Six, the series takes a scientific turn and looks at the world of Forensics which no crime story can ignore. You’ll get tips on fingerprinting and footwear impressions. A tour through the lab. Recognize bloodstains and semen stains. Microanalysis. Fires. Explosions.Trace evidence and toolmarks. Entomology, serology, and odontology. It covers psychiatric profiling and you’ll take a ride on the polygraph. (Tough to compress this into 101 single tips.)

You’ll get a bang out of Guide Seven. It’s all about Firearms where you’ll get tips on ballistics, lands, grooves, and striations. It covers types and terminology as well as ammunition and actions. You’ll learn about yield thresholds and fragmentation, the difference between GSW and GSR, and how to snipe off a suspect. You’ll never again call a cartridge a bullet, or a primer a casing, and you’ll know where to turn to for help.

grodgers-write-deadly-autopsies-cover-ebook-interior-1024px[1]Guide Eight takes on Autopsies and the role of forensic pathology. You’ll bag some bodies and slice some Y-incisions; cross-section organs with the tools of the trade and meet with who’s who in the morgue. Experience the stages of mortis (changes in death) and understand why things smell the way they do. How to Write Deadly Accurate Autopsies helps you write convincing causes of death and backs it up with scientific support from the lab.

All eight guides will be condensed into one resource titled How to Write Deadly Crime Fiction — A No BS Guide with 808 Killer Tips. The individual guides will be available online as eBooks with an internal link to printing it as a pdf. The big guy, 808, will be in both digital and print-on-demand.

Guides Two through Eight will be out in the fall of 2015, date TBA. In the meantime, help yourself to Guide One: How to Write Deadly Crime Thrillers — A No BS Guide With 101Killer Tips. I’d appreciate your feedback, so please comment with your thoughts and suggestions.

grodgers-website-banner-crime

How to Write Deadly Crime Thrillers — A No BS Guide With 101 Killer Tips.

PS – If you’re already a subscriber to DyingWords and want the new guide, email me at garry.rodgers@shaw.ca and I’ll send you the pdf direct.

CAN YOU BEAT THE POLYGRAPH?

A1The polygraph, or lie detector, is a forensic investigative tool that’s used as an aid to verify the truthfulness of a person’s statements. Polygraph examinations— properly conducted by trained professionals on competent subjects with a clear issue— are remarkably accurate, but they’re not foolproof. Yes. They’ve been known to be beaten. The question is—can you?

Polygraph examination interpretation is not admissible as evidence in court. They’re not a replacement or shortcut for a proper investigation and a thorough interview of the subject. Statistics show that the majority of people who undergo polygraph examinations are found to be truthful. Perhaps the term Lie Detector should be replaced with Truth Verifier.

A3In my policing career, I’ve been involved in well over a hundred polygraph examinations, including getting hooked up myself for a test drive. (Turns out I’m a terrible liar—not sure how I’m gonna make out with this new career as a fiction writer.) The subjects I’d had polygraphed were a mixture of suspects, witnesses, complainants, and victims. I’d say that sixty percent of the subjects were truthful, thirty percent were lying, and ten percent were inconclusive.

It makes sense, when you think about it, that the majority are truthful because they know it will work to their advantage. I can’t think of the number of times I’ve had subjects refuse to take the test, giving excuses everywhere from “Those things are rigged to frame me” to “I heard you get testicle cancer from it”.

Before giving you some tips on how to pass a polygraph when you’re dead-ass lying, let’s look at what the thing is and how it works.

A2The word polygraph comes from the Greek word polugraphos which means “to sniff-out bullshit”. (Go ahead—call me a liar). Polygraphs have been around since the 1920s and have evolved from clunky paper-reel with ink-pen devices to modern laptops with automated scoring systems. Clinically, the process is known as psychophysiological detection of deception.

The instruments are a combination of medical devices that monitor a subject’s physiological responses to a set of questions designed to put the subject under the stress; the stress associated with deception. The involuntary bodily functions include heart rate, blood pressure, respiration, galvanic skin conduction, and perspiration.

A4Polygraphic theory dictates that a subject will show a spike in some, or all, of these functions when asked a question and forced to knowingly lie. In a criminal investigation, the examination questions are formed between the polygraphist and the subject during an extensive pre-test interview.

There are four categories of questions—all must be answered  “Yes” or “No”. Three categories are control questions and one is issue questions.

Category One is where the subject conclusively knows they’re truthful:

Q — Is your name Garry Rodgers?  “Yes”
Q — Are you a retired police officer?  “Yes”
Q — Did you make the Amazon Top Ten list? “Yes”

Category Two is asking the subject ambiguous questions:

Q — Is there life after death?  “Yes”
Q — Did the chicken come before the egg? “No”
Q — Are you going to make the Top Ten list again?  “Dude, let me tell ya…”

Category Three has the subject intentionally lie:

Q — Were you kidnapped by aliens?  “Yes”
Q — Did you ever ride a camel?  “No”
Q — Are you going to try make the Top Ten list again?  “No”

Category Four deals with the issues:

Q — Did you murder Jimmy Hoffa?  “No”
Q — Do you know who murdered Jimmy Hoffa?  “No”
Q — Did  murdering Jimmy Hoffa help you get on the Top Ten list?  “It’s not how it looks…”

A7Only “Yes” or “No” answers are acceptable during a polygraph examination because the issue has to be clear in the subject’s mind. Black and White. All clarification is worked-out in the pre-test interview. The subject is never surprised by the question, but the question order is completely unknown. This creates an atmosphere of anxiety as the subject waits to hear the questions that really matter.

The biggest concern that I’ve heard from people who are asked to submit to a polygraph is “What happens if I’m nervous?”

A8This is expected. Anyone, police officers included, would experience anxiety when being examined. Part of a polygraphist’s skill is to build a rapport with the subject and put them at relative ease before the questioning starts. One of the reasons in building this rapport is to get the subject to volunteer information that the investigation hasn’t uncovered. I’ve seen subjects give critical facts because the right questions weren’t asked during the investigation and I’ve seen subjects fall apart and confess before being strapped into the chair.

The key to successful polygraph examinations is the skill of the examiner. The polygraph is just a tool—an extension of the examiner’s mind and voice.

A6So — given there’s proven science and skill behind polygraphs — how can you beat one?

Like I said, given a professional examiner, a competent subject, and a clear issue, polygraph results are remarkably accurate. There’s always exceptions and here’s some tips on how to pass the graph.

  • Prepare well in advance.
  • Research and understand the process so you won’t feel oppressed. The examiner will take every advantage of your ignorance.
  • Know the issue(s) and know what the examiner is looking for.
  • Talk to someone who has experienced a test.
  • Approach the test as an extreme job interview. ‘Dress for the job’. Arrive on time. Sober. Rested. Do not reschedule. Make a good first impression.
  • Know that you’re going to be video recorded.
  • Understand the test starts right when you arrive and ends when you leave. It’s not just the time you’re hooked to the machine.
  • Be on guard. There will be trick questions in the pre-test. It’s part of the process.
  • Listen carefully to what the examiner says and respond accordingly. Do not try and monopolize the conversation.
  • The examiner is not your friend, despite how nice she comes across in the pre-test. Her job is to get to the truth. Remember—you’re dealing with a highly trained professional who knows psychology. If her exam shows you’re deceitful, she’ll go for your jugular in the post-test.
  • Recognize the relevant and irrelevant control questions. Focus on what’s relevant and do not offer more information than what’s pertinent to the issue.
  • Play dumb. Don’t try to impress the examiner that you’ve studied up. You’ll only look stupid.
  • Breathe normally. Shortness of breath naturally triggers the other body functions to accelerate and it will increase nervousness.
  • Take lots of time to answer.
  • Think of something mentally stressful when answering a control question—like the time when you were a kid and your dog was hit by the train. That will raise the ‘normal’ graph peaks.
  • Think of something calming when answering issue questions—like getting a new puppy. That will flatten stress peaks.
  • Keep your eyes open during the questions. The examiner will ask you to close them because this significantly alters your sensory awareness and puts you at a disadvantage. This is very important.
  • Bite your tongue during every question except the truthful control ones. This levels the playing field.

So, who’s got away with taking a lie detector?

A10I call her The Mother From Hell. I investigated a bizarre case of Munchausen Syndrome by Proxy—a rare form of child abuse where a parent causes harm to their child to bring attention to themselves. This woman repeatedly complained that her infant daughter was choking, then was caught by hospital staff with her hands on the girl’s neck. She denied it. We polygraphed her. She blew the needles off the machine and confessed. The Mother From Hell got off in court because they ruled her confession inadmissible due to it being elicited under oppression from the polygraph examination.

A12Gary Ridgway, The Green River Killer from Seattle, strangled over fifty women in the 1980’s. He was on police radar early in the serial killing investigation, ‘passed’ a polygraph, and got warehoused as a suspect. He went on to kill many more before being caught on DNA.

Can you beat the polygraph?

The best advice I can give is don’t take one.