Tag Archives: Creative

SCRAPS OF WISDOM — KEEPING A COMMONPLACE BOOK

Creative writing stands upon two concrete, foundational pillars. Ideas and information. As a metaphor, information is cement and ideas are the mixer. You can’t build a story or construct an article without either. And there’s a long-used tool that lets you blend ideas and information within one toolbox. The box contains scraps of wisdom—keeping a commonplace book.

Just as it sounds, it’s storing your scraps of ideas and bits of information in one common place. This creative support isn’t new. It’s been used over the millennia by great thinkers and writers like Marcus Aurelius, Leonardo da Vinci, Charles Darwin, Ralph Waldo Emerson, Virginia Woolf, Ayn Rand, John Locke, H.P. Lovecraft, Mark Twain, and Isaac Newton to name a few. Many creatives today retain a commonplace to fuel and inspire them, and many swear it’s their main receptacle of wisdom.

I started the DyingWords blog thirteen years ago. After creating five hundred posts, writing twenty-one book publications, and penning several thousand content pieces for commercial websites, my commonplace book has grown into three volumes cut & pasted full of quotes, sayings, anecdotes, observations, jokes, memes, proverbs, prayers, affirmations, formulas, sermons, remedies, pictures, drawings, topics, discoveries, examples, situations, comments, captures, notes, insights, lyrics, phrases, and even recipes. All are little scraps that arise through information and maybe will morph into big ideas.

I’m going to open my commonplace book and show you a random selection of what’s inside. You never know, you might find a takeaway you can build upon. First, let’s look at the big picture of what commonplace books are. And, equally important, what commonplace books are not.

The best descriptor I could find of a commonplace book is a Personal Knowledge Management System. If you Google “commonplace book” or ask ChatGPT, you’ll find oodles of links and helpful tips on a centralized, personally curated, and continuously maintained collection can be—personally curated being the operative phrase. This is not the sort of database you can buy at Staples (although you can buy binders like I use for mine).

At the core, your commonplace book is like a strainer. It’s a tool for storing and sifting whatever you come across that seems interesting, pertinent, or might come handy in the future. By the way, you don’t have to be a creative writer to keep a commonplace. It works for recipes, sports cards, dried insects or leaves, bus tickets, celebrity autographs, and even biological samples if you’re into it.

Seriously, commonplace books are private spaces for private thoughts. They are not daily logs, narrative journals, to-do lists, or drafts of work-in-place. Commonplace books are simply scrapbooks but generally lean toward one theme. In my case, they contain ideas and information I can use to develop projects and better understand the world.

The word “commonplace” traces back to ancient Greece where a law courts speaker or politician would keep an assortment of arguments in a “common place” for easy reference. The Romans called them locus communis meaning “a theme or argument of general application” such as a statement of proverbial wisdom. But the commonplace book would only come into its own during the European Enlightenment when an exploding volume of printed media collided with changing political and societal norms. Commonplace books provided a private place for people to note information and store it to help work out thoughts and ideas.

In 1706, philosopher John Locke described his archival process in a book titled A New Method of Making Common-Place-Books. This set the standard for what would become a mainstream storage and organizational system that allowed their keeper to act in the external world more effectively by isolating truly important material. In Locke’s words and vernacular of the times, We extract only those Things which are Choice and Excellent, either for the Matter itself, or else for the Elegancy of the Expression, and not what comes next.

A fundamental structure of commonplace books is they’re not structured in any order—not a flowing or chronological narrative such as recording in a personal journal. Rather, they’re a random collection of come-across snippets that relate to the beholder and are meaningful in some or many ways.

Most creatives understand the value in writing down ideas. There’s a cognitive link between discovering information and transposing it by hand to a page. Capturing and retaining words and images then storing in in a repository frees up mental horsepower for thinking and creating. Material in a commonplace book becomes an extension of the mind—a backup of what can be profound as a personal compass or a guide—a mental sketchbook.

I’ll relate my personal story of developing a commonplace book. Ten years ago, I was working with my writing mentor. That was back before he was famous, and I still had some color in my hair. He asked, “Do you keep a commonplace book?” I replied, “What’s that?” He said, “It’s a scrapbook where you store bits of wisdom for future reference and motivation.”

That hit home about putting my scraps of wisdom into a book. Till then, I had yellow, sticky Post-it notes stuck about my studio. I had pictures and photocopies and cut-outs and banners of relevant stuff here and there and all over the place. It was a mess and growing messier by the week.

I’m not sure where the idea came from, but I went to Staples and bought a three-ringed binder and some clear sheet protectors along with a roll of Scotch tape. For what seemed like hours, I peeled and pasted my relevant stuff onto the sheets and made sure there was no particular order—just a random bunch of, well, relevant stuff.

It’s now grown to three binders and nearly ready for a fourth. Usually, I see an image or a quote on the net or in my email and I either screenshot or highlight it, transfer into a Word.doc, print it, and then simply scissor it out and tape it onto the clear sheet. It’s just like playing with paper dolls.

I’m not saying my binder method is right for you or anyone else. I’ve read that others use index cards. Some store digitally. And a few use a plain old notebook. Whatever works to store and retrieve your scraps of wisdom.

Enough about this. I’m sure you’d like to snoop through my three commonplace volumes. Welcome to my writing and recording studio. Here’s some random snips!

 

HOW TO IMPROVE YOUR CREATIVITY

A8Creativity is the phenomenon of finding imaginative ideas and turning them into reality. It’s the process of bringing something new and original into existence. The results can be intangible products, like theories and songs, or tangible products such as inventions and the new crime-thriller novel I’m struggling to create. Creativity appears to come easier to some folks than others and we tend to see high achievers as gifted, natural creators rather than nurtured normals.

But is that so? Are there a chosen few, born with greater creative ability? Or can creativity be learned—a skill that can be taught, practiced, and mastered?

A2Back in the Greek and Roman days, creativity was seen as facilitated by a muse who connected individual human minds to the gods. Daemons were the Greek equivalent of guardian angels. They accompanied a soul from birth to death, some being highly creative which manifested themselves in outstanding and intuitive people like Socrates, Plato, and Aristotle. Romans saw these paranormal intermediaries as Geniuses—disembodied messengers from a heavenly intelligence, delivering divine wishes to mortals.

The Renaissance era disagreed. Creative individuals were enlightened, they posed. Creativity came from within the self and gifted ones—DaVinci, Beethoven, and Shakespere—were born intellectually superior with unique abilities to create. They were the geniuses; being able to connect directly with a plane of higher intelligence rather than having an imaginary genius translate for them.

B2Today’s neuroscience has another view on this. It sees creativity as a complex psychological process that occurs via the brain’s ventral striatum and amygdala and can be enhanced through neuroplasticity, or rewiring the brain through practiced behavior.

In other words, a planned and continual workout program for your brain can definitely improve your creativity.

Improving creativity starts with a foundation of subject knowledge, learning a discipline, and mastering a proper way of thinking. You build on your creative ability by experimenting, exploring, questioning assumptions, using imagination, and synthesizing information. Learning to be creative is like learning a sport. You need a desire to improve, develop the right muscles, and be in a supportive environment.

You need to view creativity as a practice and understand five key behaviors:

1. Associating—drawing connections between questions, problems, or ideas from unrelated fields.
2. Questioning—posing queries that challenge common wisdom.
3. Observing—scrutinizing the behavior of others in, around, and outside your sphere.
4. Networking—meeting people with both common and different perspectives.
5. Experimenting—constructing interactive experiences and provoking unorthodox responses to see what insights emerge.

A3Read this as — listen, watch, ask, mingle, and stir. Sir Richard Branson has a mantra that’s bred into the corporate DNA of his Virgin staff — A-B-C-D — Always Be Connecting Dots. Branson swears that creativity is a practice and if you practice these five behaviors every day, you will improve your skills in creativity and innovation.

Now, if these five behaviors put you in the right direction for improving creativity, then there must be behaviors to avoid. I found eight:

1. Lack of courage—being fearful of taking chances, scared of venturing down new roads, and timid about taking the road less traveled. Fear is the biggest enemy of creativity. You need to be courageous and take chances.
2. Premature judgement—second-guessing and early judgment of outcome severely restrict your ability to generate ideas and freely innovate. Let your initial path expand and follow it to its inevitable destination.
3. Avoidance of failure—you can’t be bold and creative if you fear failure. Creativity requires risk and making mistakes. They’re part of the process.
4. Comparing with others—this robs your unique innovation and imagination. Set your own standards. Be different. Something new is always different.
5. Discomfort with uncertainty—creativity requires letting go and the process doesn’t always behave rationally. Accept that there’s something akin to paranormal in real creativity.
6. Taking criticism personally—feedback is healthy, even if it’s blunt and harsh like 1&2-Star Amazon reviews. Ignore ridicule. Have thick skin, a tough hide, and don’t let criticism get to you.
7. Lack of confidence—a certain level of uncertainty comes with any new venture. Some self-doubt is normal but if it becomes overwhelming and long-lasting, it will shut down your creative abilities. The best way to create is to first connect with your self-confidence.
8. Analysis paralysis—overthinking renders you unable to make a decision because of information overload. “Go with your gut” is the answer to analysis paralysis.

A9

Aside from positive and negative behaviors, there is one overall and outstanding quality that drives successfully creative people.

Passion…

Passion is the secret to creativity. It’s the underlying feature that’s laced the successes of all prominent creators in history.

A10Passion is a term we’ve heard over and over again. Chase you passion, not your pension. But few understand what passion implies. The word comes from the Latin root “pati which means “to suffer. Passion is what perseveres in getting to your goal despite fear, discomfort, unhappiness, and pain. It’s the determination—the motivation—to push through suffering for the sake of the end result. And this passionate feeling of motivation has its source in your brain.

B11A study released in the Journal of Neuroscience identified the ventral striatum, in connection with the amygdala, as the brain’s emotional center that controls the motivation feeling—the higher degree of motivation you feel, the higher the activation will be in this part of your brain. So that intense feeling of motivation you feel when you are in a creative state—that feeling of euphoria when engaging in something you feel truly worthwhile and meaningful to you—is real and is something physiological occurring in your brain. It’s one of the least researched areas of psychology, yet has the biggest impact on your creativity.

I sense you’re wondering if there’s a trick—a method to stimulate your ventral striatum and amygdala—in improving your creativity. Well, yes there is. It’s long been known and practiced by the greats:

Relaxation, along with definite purpose.

Relax. Put your thoughts and desires out to the ether. Relax and wait. Creative ideas will come.

A13I’m a life-long student of the Napoleon Hill Philosophy of Personal Achievement which is the psychology behind the world’s best self-help book, Think and Grow Rich. Hill clearly outlines the path to unlimited creativity which he postulates comes from the source of Infinite Intelligence that we all can tap. In order to get creative ideas from Infinite Intelligence, first you must know what you want, then you must relax and let Infinite Intelligence deliver ideas or answers to you.

Relaxation can be done in many ways. Meditation. Workout. Vacation. Change of environment. Retail therapy. Long showers. Reading. Music. Deep breathing. Long walks in nature. Maybe a stiff drink or two. The methods are varied but whatever you choose, it needs to put you in a headspace receptive to creative ideas.

A11Napoleon Hill didn’t have the anatomical knowledge of how the ventral striatum and amygdala worked, but he sure understood that definite purpose, motivation, and relaxation opened the doors of creativity. Hill described this part of the brain as being like a radio transmitter and receiver which exchanged creative thought with Infinite Intelligence.

So, if I can give one single piece of advice on how to improve your creativity it’s to read, understand, and practice the seventeen principles of success Napoleon Hill outlined in Think and Grow Rich.

Click Here for a previous blog post I wrote on the Napoleon Hill’s science of personal achievement.

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A post script to this DyingWords article—while I was researching this piece, I came across a TED Talk with well-known author, Elizabeth Gilbert. Her presentation on creativity for writers is a fascinating look at the process. Click Here to watch it.