Tag Archives: Fiction

MERRY CHRISTMAS & WHATSUP FOR 2019 WITH GARRY RODGERS’ WRITING

First off, a very Merry Christmas to each and every one of you. And if you’re offended by the “C” word, I’m not sorry. I’m actually offended by the politically and culturally correct crowd who can’t say Christmas. Having worked in different levels of government, I’ve experienced these onion skins. I don’t know what makes these twits tick, but how anyone gets upset by hearing “Christmas” seriously baffles me. For example, some idiot city councilor in Victoria, British Columbia near my home recently got his knickers knotted because somebody gave him a potted poinsettia and he made a big deal because that was too close to Christianity for him. “F” him, I say.

Enough of that rant. So, 2018 was a busy writing year for me, though you wouldn’t know it by the sheer number of books I didn’t publish. This was a swing time where I did an enormous amount of research for forthcoming projects. I also wrote a pile of commercial website content pieces for my daughter’s writing agency. And, from time to time, I managed to pen a few blog posts. But most of this year was prepping for whatsup in 2019. Here’s what’s about to happen with Garry Rodgers and the DyingWords brand in the coming year.

The biggest news—by far—is that Adam Croft is taking me on as a personal understudy. If you don’t know who Adam is, he’s one of the world’s top-selling crime & psychological thriller writers. At one point in 2018, Adam Croft held the #1 best-selling spot on all of Amazon, right ahead of JK Rowling. Adam will work with me on all parts of my indie writing business from craft to marketing. This will take my writing career to an entirely new level, and I am absolutely honored to be one of five select students Adam will tutor.

Another interesting venture is entering the CBC Books 2019 Short Story Competition. My piece is The Old Stone Butter Church. It’s inspired by an epiphany experienced inside an abandoned 140-year-old stone church on southern Vancouver Island. The first prize is 6-grand in cash plus a 2-week writing residency at the prestigious Banff Center for Fine Arts. Wish me luck. The coin will help offset Adam’s fee for tolerating me.

The Lindsay Buziak murder is one of Canada’s highest-profile unsolved homicides. It’s also one of the most solvable, given the circumstances. Someone knows something and they’ll eventually talk – as long as the suspect tree shakes. Eleven years ago, Lindsay was a vibrant 24-year-old Victoria, B.C. real estate agent stabbed to death while showing a vacant high-end house. There is no doubt Lindsay Buziak’s death was a planned killing and the case is as murky as a pail of used engine oil. The suspect list reaches from her beefcake boyfriend at the scene, his mother, one of Lindsay’s closest friends, into an international organized crime cartel, and upward to the highest levels of a corrupt government scandal. This year I’m helping to shake the suspect tree with a proposed book on the case facts called Someone Knows Something – The Shocking Story of Lindsay Buziak’s Unsolved Murder.

I’m almost finished the manuscript for Sun Dance – Why Custer Really Lost the Battle of the Little Bighorn. This started 2 years ago with a root cause analysis for a blog post. I found an angle to one of the most researched and written-about North American historical events that no one seems to have dug into. That’s the psychological impact Chief Sitting Bull’s sun dance ceremony had on psyching his warriors to annihilate the U.S. 7th Cavalry in 1876. It covers the events leading to, during, and the fallout after this famous event. I’m out of the rabbit hole now and will shop Sun Dance to traditional publishers.

Continuing on my based-on-true crime books like In The Attic and Under The Ground, I’m 2/3 of the way through the manuscript for From The Shadows. It’s about a family of 6 — 3 generations — who were savagely murdered with their bodies concealed. It resulted in one of Canada’s most-encompassing homicide investigations. From The Shadows should be ready for indie publishing in the spring of 2019. If anyone’s interested in a free advanced reading copy (ARC) in digital form, give me a shout.

Next up for 2019 are two more based-on-true crime books where I was involved in the investigations. One is On The Floor which is about the most cold-blooded execution murders I ever saw. The husband and wife owners of a gun store were robbed of a horde of assault weapons and handguns, then laid on the floor and shot in the back of their heads. On The Floor follows the investigation through the biker world and the Asian drug triads before ending in an extraordinary gunfight with the perpetrators. Watch for On The Floor in the summer of 2019.

Beside The Road is next in line. It should be ready in 2019’s fall. Carrying on in the based-on-true crime theme, this story captures a bizarre case where we found a decomposing body down a bank beside a road. This case ticked off all the forensic investigative aid boxes before identifying who it was and the one-in-a-million cause of death. Beside The Road is the weirdest homicide I ever experienced.

If there’s time left, I have a bunch of working titles on the list. There’s no material shortage out there and it makes for great based-on-true crime stories like By The Book, At The Cottage, Behind The Badge, Off The Grid, and Through The Ice. Realistically, these are 2020 or 2021 undertakings because of another previous project taking shape from a 2018 effort.

This year I developed an outline for a screenplay. It’s suitable for a 10-part series, and it’s based on an emotion-evoking true crime investigation I headed. The working title is The Battered Woman. It follows the path of a battered wife’s fight against “the system” after she repeatedly shot her passed-out husband and evoked the battered woman syndrome defense. We’ll see where this goes.

That’s a wrap on an ambitious agenda. I still plan on doing a blog post every second Saturday morning and will keep experimenting with topics. It seems my pieces on analyzing high-profile events are the most popular. However, I have a few interesting guests in the lineup for interviews. Stay tuned to find out who.

Merry Christmas, everyone! May you have more Christmas eats and drinks than humanly healthy. May you have good Christmas times with great friends around you. And may my books make you sleep with one eye open—at 3 am on Christmas morning—when Billy Ray slips down from your attic with his ax.

~Garry

MARRED – NEW PSYCHOLOGICAL THRILLER FROM SUE COLETTA

AA8Marred is the new psychological thriller from New Hampshire crime writer, Sue Coletta, who is my close internet friend and cohort. Sue’s an exceptionally talented writer with a great sense of humor. In fact, she’s silly enough to drop by the DyingWords shack for a chat about herself and her newest novel which just came online for prerelease on Amazon and other digital retailers. Great to see you! *waves at Sue* Tell us… What’s Marred all about? And what’s with the woman hanging from the barn rafters on the cover?

Hey Garry. *waves back* I think the best thing I can say is what’s on Marred’s jacket blurb.

When a serial killer breaks into the home of bestselling author, Sage Quintano, she barely escapes with her life. Her husband, Niko, a homicide detective, insists they move to rural New Hampshire, where he accepts a position as Grafton County Sheriff. Sage buries secrets from that night—secrets she swears to take to her deathbed.

Three years of anguish and painful memories pass, and a grisly murder case lands on Niko’s desk. A strange caller begins tormenting Sage—she can’t outrun the past.

When Sage’s twin sister suddenly goes missing, Sage searches Niko’s case files and discovers similarities to the Boston killer. A sadistic psychopath is preying on innocent women, marring their bodies in unspeakable ways. And now, he has her sister.

Cryptic clues. Hidden messages. Is the killer hinting at his identity? Or is he trying to lure Sage into a deadly trap to end his reign of terror with a matching set of corpses?

Ooooo… Chilling! How much of yourself is in Sage Quintano, your protagonist?

I think all our characters have pieces of us. Don’t you?

AA1I used three main characters in Marred, alternating their point of views. I gave Sage Quintano parts of my heart and soul, the mushy part of me; her love for animals, family, writing, that sort of thing. But Sage lived through a brutal assault, which crushed her spirit. Deputy Frankie Campanelli, my snarky character, says things I only wish I could say. But at one time she would be a better representation of who I am. I’ve mellowed with age. Even Sheriff Niko Quintano, Sage’s husband, has a piece of me. His hard outer layer protects him from heartbreak, but when he loves he goes all in 100%.

When Marred is adopted into a screenplay, who do you want as the main characters? Now, c’mon. Every writer wants to see their book on the screen.

AA3Of course I do! When I wrote my first novel I would spend hours daydreaming about the screenplay version. Marred is my fourth novel, though, so I haven’t given it much thought. Let’s see. For Sage, Gillian Anderson, if she colored her hair sable brown. Jessica Alba for Frankie. She too would need to color her hair, dark with auburn highlights. Robert Downey Jr. for Niko, with short-cropped hair.

I used to own a hair salon, which is why I’m concentrating on the hair here.

You’re a bloody good writer, Sue. How were you as a student?

Aww. *blush* Thank you. As a student I was too busy socializing to worry about grades. Therefore, I got B’s and C’s rather than the A’s I should have gotten.

Ever take an IQ test?

No, but I’ve always wanted to.

What’s your typical writing day like?

AA7Crazy. I start early in the morning, around 4-5 a.m. Read for a while, then get to work by 7 a.m. and continue until 7 p.m., on average. Sometimes later. During the day I take a half hour to have lunch with my husband and two 15 min breaks, or one 30 min. break, to exercise.

Do you have a set process?

Writing process? Absolutely. First, I plan my novel. I use an Excel spreadsheet based on the principals in Story Engineering, Save the Cat, and a few other milestones from other craft books. Once I have my milestones mapped out, I write my scenes. Each scene should either setup the next one or pay it off. Each day I start by editing the scenes I wrote the day before, and then I continue on. This way, by the time I finish the first draft I have less overall editing to do. I realize that’s not the norm, but it works for me. Then I start my editing. First by searching for writing tics, words and phrases I tend to overuse, and then I do an overall read for continuity, hanging plot threads, clues, etc. I send it off to my critique partner and beta readers. Once I get it back I work on the suggestions/comments. One final read-through and it’s ready to go to the publisher.

You held out for a traditional publishing contract rather than going indie like a bunch of the rest of us. Why’d you make that choice?

AA2For a few reasons, actually. Number one, it’s always been my dream to be traditionally published. Number two, when you’re traditionally published more opportunities open up for you. Like going for prestigious awards, for example. Number three, I wanted to work with a team…cover designer, editor, proof reader, etc., without having to absorb the cost. It was a long, hard road, but well worth it.

How was your experience in working with a publishing house?

Great. Everyone has been so nice. It’s a fantastic feeling to know I have a talented team backing me, as well as offering support and encouragement. And, y’know, no more sending out query letters and hoping for a request.

What motivates you to get up in the morning?

AA4I love what I do. I get to kill people for a living and get away with it. What’s not to love?

Will you ever tell where you hide the bodies?

Never!

Hey – Would you attend an autopsy with me?

Sure. As long as it’s not mine.

Ha Ha! What’d you write before turning to crime?

Years ago, I wrote children’s stories. Odd combination, I know, but the stories were bursting to get out. I wrote a dozen or so. Someday I might publish them. Never refuse the muse.

Who’s your biggest writing-craft influences?

AA13Larry Brooks and Brandilyn Collins for craft advice. For authors, who I’ve learned from through reading their thrillers, Larry Brooks, Karin Slaughter, Lee Child, Thomas Harris, Katia Lief, I could go on and on.

Karin Slaughter. Love that crime writin’ name. What do you enjoy about the writing business?

The writing community rocks. I’ve never met so many caring, supportive people in my life.

Is there any one secret to great storytelling?

AA15Structure. It controls pace, creates empathy for your characters, aka rootability, and provides the reader a vicarious experience.

Hmmm… Great answer. What’s the best piece of life advice you’ve received and where’d you get it?

My mom told me repeatedly, “You can have anything you want out of life as long as you apply yourself and work hard. Dream big, because the sky’s the limit.”

Do you fit your Zodiac sign?

To a tee. I’m a double Libra, sun and moon.

Any tattoos?

Three. Back of my left shoulder, right ankle, and inside the right hip bone.

AA4Inside the hip bone? That musta hurt. Now, what’s the Top 3 on your bucket list?

I want to take a cruise to somewhere exotic. Visit Australia and smuggle home a Quokka. And hit #1 on the New York Times Bestsellers List. Not necessarily in that order.

Where do you see yourself in a year? In five? In ten?

In one year I hope to have three of my novels released. I’d love to win the John Creasey New Blood Dagger Award for Marred. Wouldn’t the cover look great here? In five years, I hope to hit the NYTBL. In ten, drop from exhaustion. LOL

AA5So what do you want your dying words to be?

I loved, laughed, cried, danced, and shared my experiences with the world through my books.

Nice! Hopefully that won’t be said for a long, long time. Lots more writing to leave behind, ya know. Speaking of time. What’s your biggest time-vulture?

Facebook. I can’t get enough of hilarious animal pics and videos. Like this…

AA6

Awesome!  Okay, now it’s time to take the DyingWords 10-step psychological profile. You must answer all questions honestly, otherwise I’ll sic the hounds. And no phoning a friend. Ready?

  1. Pantster or plotter?  Plotter.
  1. Window or aisle?  Window.
  1. Print or digital?  Digital.
  1. Harley or Honda?  Harley.
  1. Coffee or tea?  Tea.
  1. Coyote or Roadrunner?  Coyote.
  1. Burial or Cremation?  Burial.
  1. Fine-tip pen or bold?  Bold.
  1. Handcuffs or leg-irons? Handcuffs.
  1. Orangutan or gorilla? Gorilla.

AA16Okay. Just a sec… have to plug them into the DyingWords Psycho-Analyzer… twirl the dials… press the button… wait a minute… and… hmmm… Yep! Saw this comin’. Says because you’re a methodical plotter, fearless with your view, progressive in technology, aggressive as a Hog rider yet refined as a tea drinker, persistent as Wile E. Coyote, choose longevity over being a flash in the pan, are bold with words, keep your hands cuffed to the keyboard, and have hide thicker than a frickin’ gorilla…

You’ll make a great best-selling, crime-thriller writer! Imagine that?

*Sue rolls eyes*

Alright, moving on. With Marred about to be released, what’s your next project?

Wings of Mayhem. About a forensics specialist who moonlights as a cat burglar and mistakenly steals a killer’s trophy box. Oops!

AA17Double Oops. You’ve got a great website, Sue. Tell us about it.

My site—www.suecoletta.com—is dedicated to crime. I post informative articles to help crime writers’ stories ring true, writing tips, editing tips, and feature guests from law enforcement and forensics fields. I also have a Crime Writer’s Resource, which anyone can use. But the site is not only for writers. For instance, I have the Crime Lovers Lounge. Subscribers will get a secret key code that will unlock— You’ll have to subscribe to see what I have in store. More on that coming soon. If you’re a writer with murder in your plot, grab a free pdf 60 Ways to Murder Your Fictional Characters.

AA19It’s been a long haul for you with it’s just-rewards finally happening. Tell us about your journey.

Actually, I’m wrote an entire post about my journey for Molly Greene. You can read it at: http://www.molly-greene.com.

I just did. Wow! What a story of determination and preserverence. You certainly earned your stripes. Now, last and most important, when and where can we get Marred?

To celebrate the pre-release, Marred is on sale for only 99 cents at these fine retailers. More retailers will become available in the coming weeks. Marred will automatically be delivered on 11/11/15.

Amazon US      Amazon UK      Smashwords

Thanks so much, Sue. Best wishes for Marred looking down from the top of the charts. I’ve had a sneak-peek at the ARC and it’s a top-notch, thrilling read. Great job!

*   *   *

AA9Sue Coletta is a member of Mystery Writers of America and Sisters in Crime as well as the author of five novels. A 4K-word excerpt of Marred will be published in the upcoming anthology, Murder, USA. Her other titles will be available soon. Sue is also editing the How-To / No BS Guide Series on Crime Fiction Writing that are in progress. Connect with Sue on her social media sites:

Web/Blogsite  –  http://suecoletta.com/

Twitter –  https://twitter.com/SueColetta1

Pinterest –  http://www.pinterest.com/SueColetta1

Facebook – http://www.facebook.com/SueColetta1

Goodreads – http://www.goodreads.com/SueColetta

Amazon – http://www.amazon.com/Sue-Coletta/e/B015OYK5HO

Google+  –  http://www.plus.google.com/u/0/+SusanColetta/posts/

AA8

HOW TO WRITE DEADLY CRIME FICTION

grodgers-write-deadly-fiction-cover-online-use-3debook-sml[1]Crime fiction is the second largest-selling book genre, slightly behind romance. It’s a craft an author must have passion for, as well as having the writing skills and subject knowledge to make their story believable—and hold their reader’s interest. Passion has to pre-exist in the writer but, thankfully, the techniques can be learned. I’m betting that 808 Killer Tips on How to Write Deadly Crime Fiction will help.

The No BS series of crime fiction guides is a project I’m passionately working on. It started as a self-teaching venture when I began fiction writing. I quickly found that, although I might be an adequate technical writer, I knew little about the tricks of the fiction trade.

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grodgers-write-deadly-cover-online-use-3dbook-sml[1]I researched and developed a list of pointers—mostly notes to self—on some of the most important tips. Thinking it would be helpful to others, I published it as a pdf under the title Dead Write with 99 tips and offered it as sign-up bait for my blogsite. It’s now matured as Guide One with a more professional look as 101Killer Tips on Writing Deadly Crime Thrillers. It’s still available free on this site.

The series goes beyond diction and syntax. It gives writers a unique look into the real side of crime writing based on my actual experience and a hell of a lot of research—never mind help from a gem of a source.

AA2My friend and fellow crime writer, Sue Coletta, generously offered to critique and edit the guides. Sue is an accomplished author on her own with a new crime thriller Marred hitting the shelves on November 11, 2015. Sue recently renovated her website and it’s an excellent source of information for crime writers and fans. Visit Sue at www.suecoletta.com and get her own free tips: 60 Ways To Murder Your Fictional Characters.

grodgers-deadly-selfedit-cover-online-use-sml[1]Guide Two is How to Self-Edit Deadly Crime Thrillers. Researching this has taken my writing knowledge to a whole new level and I hope it does the same to others. What’s opened my eyes is how the process of editing actually works. The takeaway—it’s as vital to learn editing skills as it is to develop writing skills. Editing is revision. Re-Vision.

Writing Deadly Crime Scenes is the third guide. It deals with what really goes on behind the ‘Scenes’. People. Places. Processing. It gives you tips on how crime scene investigators recognize evidence and how you can accurately portray the scenes in your books. The guide has sections on legal requirements, responsibilities of investigative roles, and how personalities intertwine on the CSI ‘food chain’.

grodgers-write-deadly-dialogue-cover-online-use-3debook-sml[1]Deadly Dialogue goes beyond the do’s and don’ts of fiction dialogue. It gives a look at how cops and crooks think, hence how they talk. There’s tips on formatting dialogue so your novel will read like a crime book and not like some soap-opera script. There’s also a glossary of crime terms to get it just right.

Guide Five is on Characters. Let’s set this straight. Plot is all about characters doing something to forward the story and their own development. It makes you think about development of your characters on three levels. One dimensional that have no names. Two dimensional with an occasional appearance as supporting cast. And the three dimensional stars of the show that your reader needs to love or hate.

grodgers-write-deadly-forensics-cover-online-use-3dbook-sml[1]With Guide Six, the series takes a scientific turn and looks at the world of Forensics which no crime story can ignore. You’ll get tips on fingerprinting and footwear impressions. A tour through the lab. Recognize bloodstains and semen stains. Microanalysis. Fires. Explosions.Trace evidence and toolmarks. Entomology, serology, and odontology. It covers psychiatric profiling and you’ll take a ride on the polygraph. (Tough to compress this into 101 single tips.)

You’ll get a bang out of Guide Seven. It’s all about Firearms where you’ll get tips on ballistics, lands, grooves, and striations. It covers types and terminology as well as ammunition and actions. You’ll learn about yield thresholds and fragmentation, the difference between GSW and GSR, and how to snipe off a suspect. You’ll never again call a cartridge a bullet, or a primer a casing, and you’ll know where to turn to for help.

grodgers-write-deadly-autopsies-cover-ebook-interior-1024px[1]Guide Eight takes on Autopsies and the role of forensic pathology. You’ll bag some bodies and slice some Y-incisions; cross-section organs with the tools of the trade and meet with who’s who in the morgue. Experience the stages of mortis (changes in death) and understand why things smell the way they do. How to Write Deadly Accurate Autopsies helps you write convincing causes of death and backs it up with scientific support from the lab.

All eight guides will be condensed into one resource titled How to Write Deadly Crime Fiction — A No BS Guide with 808 Killer Tips. The individual guides will be available online as eBooks with an internal link to printing it as a pdf. The big guy, 808, will be in both digital and print-on-demand.

Guides Two through Eight will be out in the fall of 2015, date TBA. In the meantime, help yourself to Guide One: How to Write Deadly Crime Thrillers — A No BS Guide With 101Killer Tips. I’d appreciate your feedback, so please comment with your thoughts and suggestions.

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How to Write Deadly Crime Thrillers — A No BS Guide With 101 Killer Tips.

PS – If you’re already a subscriber to DyingWords and want the new guide, email me at garry.rodgers@shaw.ca and I’ll send you the pdf direct.