Tag Archives: Writing

WHY FIFTY SHADES IS PHENOMENALLY POPULAR WITH (some) WOMEN

The Fifty Shades of Grey trilogy never was, and never will be, nominated for Pulitzer or Nobel literature prizes. But you can’t argue with Fifty Shades’ incredible commercial success as ebook, print, audio, and film products. It’s been ten years since author EL James released this tale of tension between virginal Anastasia Steele and billionaire bad boy Christian Grey. The passing decade hasn’t stopped the intrigue surrounding the story series. That’s due to the one main reason why Fifty Shades is phenomenally popular with (some) women.

I admit something. I’ve never read the books or seen the films. And I’m not going to. I have absolutely no interest in getting involved in bondage and discipline, dominance and submission, or sadism and masochism (BDSM). The only things I’m ever going to tie up are my shoes, and I can get all the pain I need by accidentally pricking myself with the pin from a Remembrance Day poppy.

The reason I’m writing this is curiosity. I got curious about Fifty Shades’ phenomenal popularity when bumping into a fellow writer the other day. She asked what I was up to—my work-in-progress or WIP as it’s called in the accounting biz. I told her about my series-in-development, City Of Danger.

“Wow!” she said. “Cool concept. Who’s your target market?”

“Educated women, like you, looking for a thrill who’ll pay the bill,” I said.

She giggled. “You could have another Fifty Shades of Grey on your hands. Just add some sex. Kinky sex.” Then she winked and walked away.

She got me thinking. When I got home, I asked Rita (my wife), “Did you ever read Fifty Shades of Grey?”

Rita gave me the over-her-shoulder look. “No. I don’t want to read a badly-written piece of smut.”

“Do you know anyone who has?”

“Melissa read it.”

I smiled. “Melissa would. What’d she think?”

“She liked it.”

“Because…”

“She said it was pornography for women. Mommy porn.”

So down fifty grey rabbit holes I went, researching this popular (some) women’s phenomenon. Part was to unlock the secret of success—how I could cast its spell of marketing magic over the City Of Danger. Part was because I had a DyingWords blog post deadline looming, and I needed an interesting topic. Fifty Shades fulfilled both.

First stop was at Amazon to check some figures. Zon’s stats say the print and ebook versions sold over 150 million copies and that was as of October 2017. If EL James, whose real name is Erika Leonard, made two bucks profit per book (like I do) that put her in the 300-million club not counting film, audio, and translation rights. Not a bad return on a writing investment.

Amazon reviews and ratings count. Trust me. I have twenty products published on Amazon and a few 1-Stars to prove it. Fifty Shades of Grey, the first in the series, has 56,514 ratings/reviews for an average 4 out of 5 stars. 59% are 5. 11% are 4. 9% are 3. 7% are 2. 14% are 1. Amazon doesn’t allow Zero-Star ratings or I’d be able to tell you about mine.

My experience with reviews and written ratings is there’s a love/hate relationship between the reader and the writer. If readers go, “Meh… it was okay…” they rarely bother to mark up a score. The lovers will gush out a praise and carry on reading your other books, while the haters will bitch-slap you and leave.

Seeing as Fifty Shades, Volume One, has 59% of 56,514 people loving it, that’s 31,647 and a half people who didn’t think it was a badly-written piece of smut. I know from my Amazon stats that maybe one in a thousand downloaders leave a rating and far less leave a written review. Takeaway here is Fifty Shades of Grey has something big going for it.

I had to have a look. I clicked Look Inside and read the opening. It starts with Anastasia looking in a mirror. Reflection like this—says every writing guru who ever gurued writing—is a bad way to hook a reader. I moved past this because, in my experience, writing gurus should be making money by writing intriguing books rather than guruing others on how to write indigesting books.

My next impression was that 50SOG (as the interwebbers call it) is in first-person, present-tense. It’s not my style but, then, I’m a Frederick Forsyth fan, not a Fan Fiction fan. Moving on. Dialogue? Passable. Characterization? Anastasia developed right away as a main character. Plot? I could see this was heading somewhere that might be interesting. Editing? Impeccable.

There were a lot of written reviews, so I skimmed the best and the worst:

5-Star: So why give a terrible book five stars? I teach a human sexuality course at a college, and this book is an EXCELLENT example of poor communication, disrespect between romantic partners, and toxicity in a relationship. It also demonstrates some of the false beliefs about S&M that society holds. Honestly, it reads like the author has never been in a healthy S&M relationship. Safe-word much? These are great examples for my students, and we mock the book openly in class.

1-Star: No, just no. When I downloaded this series to my kindle before leaving on a long European adventure, I was reminded of the old saying “if everyone else was jumping off a bridge, would you?” I like sex. And god help me, I liked Twilight. Mostly I loved Wuthering Heights, the book that inspired Twilight and then, this. But, Christian Grey is too young and one dimensional to be that twisted. Even to be a billionaire—it would help if she actually interviewed one. Anastasia is a simpleton, through and through. One thing the book gets right—these two really belong together. I tried to turn off my intellectual understanding and proceeded to take it at just porn-level—but even the love scenes failed to titillate. I only weep for all the trees that were destroyed due to this book.

5-Star: My preferred reading is non-fiction – biographies, history, then if I must – novels based on history. I don’t read romance novels nor watch porn. 23% into this book on my Kindle I was ready to terminate reading it but the author slips a joke in at that point and I got hooked. I’ve read books #2 and #3 a couple of times. I’ve read 50 SHADES a dozen times (and currently); for me the book is like cocaine to an addict. It’s very enjoyable. I think everyone from 17 up should read the book and could have a much more satisfying life through their sex life. I also think that some Lit student(s)/journalist should do a study of hospital emergency rooms inquiring into what might be book related incidents since 2012 when the book came out. Bottom line – enjoy cautiously.

1-Star: I wanted to see what all the hubbub was about and bought this a while back. Started reading it and was not impressed. Mommy porn, for sure. Not at all well written. Ridiculous premise. If this guy lived in a trailer in the woods, no woman would go near him. But because he’s a wealthy man, somehow he’s considered mysterious and sexy. It’s shocking and disturbing that’s such deviance is considered entertaining especially since it essentially deals with sexual slavery.

I left the Amazon page without One-Clicking. My curiosity was satisfied that it was a professionally produced product and the terms “badly-written” and “smut” are entirely subjective, although I highly respect Rita’s taste and judgement. After all, she married me thirty-eight years ago and made it work for both of us.

I jumped to Google. Tap. Tap. Tap. Why… fifty… shades… grey… phenomenally… popular… women. The SERPs served me well—problem was there was so much stuff to wade through and find out the main reason why Fifty Shades was so phenomenally popular with (some) women.

I first focused on the series history and its publishing progression along with marketing management. What I read was a one-in-a-longshot. Sometimes the stars align with a big dose of dumb luck. If they didn’t, as in this case, Fifty Shades would have long been run through the Amazon crusher.

50SOG started as Fan Fiction. I’ve never read anything from this genre and wasn’t exactly clear on what it was. Wikipedia, the Queen of Hyperlinks and who has never let me down, says this:

Fan fiction or fanfiction (also abbreviated to fan fic, fanfic, fic or ff) is fictional writing written in an amateur capacity as fans, unauthorized by, but based on an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing. Fan fiction ranges from a couple of sentences to an entire novel, and fans can both keep the creator’s characters and settings and/or add their own. It is a form of fan labor. Fan fiction can be based on any fictional (and sometimes non-fictional) subject. Common bases for fan fiction include novels, movies, musical groups, cartoons, anime, manga, and video games.

Fair enough. Before Erika Leonard was EL James, she wrote fan fiction under the penname Snowqueen’s Icedragon and posted her episodic first run of 50SOG on fanfic websites under the title Master of the Universe. The series took on a huge following of cult-like loyalists.

I need to stop for a sec and say something about Erika Leonard. This was not this woman’s first trip to town. She was already in her forties and worked as a film producer by day and a sharp marketer by night. She knew exactly was she was doing by building a fan base—a repeat audience who would keep on buying her episodes and recommend them to others over the internet. It’s now called “word-of-mouse” rather than “word-of-mouth”.

To quote EL James (Erika Leonard) in an interview where she spoke of her shock at the success of the books, “The explosion of interest has taken me completely by surprise,” she said. James had described the Fifty Shades trilogy as, “My midlife crisis, written large. All my fantasies are in there, and that’s it.”

Ms. James/Leonard drafted the 50SOG trilogy on a classic and a current pop-culture phenomenon. She used Beauty and the Beast along with Twilight and replaced damsels and uglies and vampires and werewolves with a straight-laced virgin and a rich guy with some serious sexual issues. Voila! FanFic fans loved it, and the series went viral in internet circles, being read on subscription web pages.

The mainstream was watching. Traditional Publishing is always looking at who’s making money by setting a trend. The first to pick up on 50SOG was a small Australian publisher who bought the rights and put the series out as ebooks. The publisher, Writer’s Coffee Shop, had limited marketing funds and relied on book bloggers to boost sales through word-of-mouse.

E-sales grew and Writer’s Coffee Shop released paperbacks that sold like iced drinks on a blazing day. Part of the success was marketing brilliance from Ms. James/Leonard. She designed her own covers and was adamant that her then-current publisher (and future publisher at Random House) stay away from the cheesy romance tropes of a ripped hunk clutching a hot chick.

If you note Fifty Shades of Grey, Fifty Shades Darker, and Fifty Shades Freed, you’ll see monotones with a tie, a mask, and a pair of handcuffs. The covers are quite discreet and tasteful. That’s in my opinion, anyway. They allow women of status to comfortably read the books on the tube and not feel some sort of public shame.

Fifty Shades grew astoundingly fast. From May 2011 when it was published by Writer’s Coffee House to March 2012 when Random House acquired the rights, the start of the series broke the million-seller mark. Big hitters like The New York Times, Entertainment Weekly, The Wall Street Journal, NBC’s Today, and ABC’s Good Morning America gave it coverage. 50SOG even graced the covers of Time and Newsweek.

All press is good press, right? It certainly was in Ms. James/Leonard’s case, and it wasn’t long before she was fabulously paid by the film industry. Ten years out, she’s a wealthy, wealthy lady.

So that’s the story of how the Fifty Shades trilogy became famous. But that doesn’t answer the question of why it was phenomenally popular with (some) women. If you rabbit-hole the interwebs, like I just did, you’ll find every self-appointed expert offering their psychological opinion.

You’ll find psycho-analysis of erotic fantasies being primly inbred into human females where they might get physically penetrated by males but do the opposite mentally. You’ll find suggestions that 50SOG lets the bored housewife, who’s on the verge of divorce, sneak away into an imaginary world where she can be just a little naughty without getting hurt… or caught. You’ll find the words “curiosity”, “experimental”, “liberating”, “limit-pushing”, “exciting”, “taboo”, “exotic”, “erotic”, “escape”, “submissive-underneath”, “dominance-on top”, and “delightful wish fulfillment”.

You’ll find the viewpoint that people—(some) women, of course—can’t stop talking about 50SOG, and that it’s presented in a socially-acceptable manner as somewhat of a scholarly study of sexuality. Then, there are the critics who describe the series as beyond banal, actually dreadful. But one thing in common, few wanted to be the last one to read Fifty Shades of Grey.

My conclusion of why Fifty Shades of Grey was phenomenally popular with (some) women? I think Melissa got it right. Fifty Shades is pornography for women. It’s Mommy porn, and I don’t judge those who read it.

HOW TO BE A SUCCESSFUL DIGITAL AGE WRITER

When I started this DyingWords blog nearly 10 years ago, I formed the tagline Provoking Thoughts on Life, Death, and Writing. I’m well past the 400 thought-provoking-post mark now, and I have around 20 indie-published books on the commercial market with over 30,000 eBook downloads in the past 12 months throughout 66 different countries. This decade-long blog and book writing experience includes 2 years I spent getting well-paid to write commercial web content targeting digital age readers. Looking back, I wouldn’t change a thing in my tagline, and my unfolding success as a digital age writer keeps improving.

Something I’ve learned about successful writing (commercially selling & getting paid) in the digital age is you must know the rules of the game. First, you write. You park your ass in the chair, get your fingers on your keys, and you produce work. You have a brand, and you know the audience you’re writing to. Patience—you’re in this for the long haul—so you keep producing. You have confidence in your work, and you put your work out in public.

But you have to kill your darlings, as Stephen King says, and cut what doesn’t matter to the story no matter how much you love your suckling little bitches. You develop multiple voices, and you write to what your intended audience (ideal reader) wants to hear. You economize. And you balance your artistic aloofness with your entrepreneurial energy and your ego.

Commercial writing is a tough business—especially in this digital age where online readers really don’t read (they skim) and you’re competing with Youtube cat video grabs at attention. I was going to write a provoking thought on today’s digital writing world, but then I found this piece by Nicholas Cole. He’s an outstanding digital age writer who summed up what it takes to be commercially successful in this crazy day of online content production. This article by Nicholas Cole originally appeared in INC magazine (online) and is approved to share for your enjoyment.

Beware—Nicholas Cole is brutally honest about what it takes to be a successful (money-making) digital age writer. Trust me. I know.

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7 Skills You Need to Practice to Become a Successful Writer in the Digital Age
by Nicholas Cole

“When people see what I’ve built for myself as a writer, they think it’s the result of my degree in creative writing. It’s not. I tell everyone that my college education was great for two reasons: it taught me how (and what) to read, and it taught me how to read my work aloud–a skill that reveals more about your writing than any amount of silent reading ever will.

But my college education did not teach me about the underlying business model of the writing world. It didn’t explain to me how blogs and major websites make money through digital advertising–and how writers can earn money by driving page views. I didn’t take a class called Personal Branding 101, and I definitely didn’t learn about email marketing funnels and lead magnets and landing pages in my class on Russian literature.

Nobody walked me through the formal publishing process, explained what a typical royalty contract looked like, and certainly didn’t compare that old-world approach with the possibilities of self-publishing through Amazon. And most of all, there was no class for the fast-paced writing styles that drive, quite literally, every single viral piece of writing on the internet.

These were all parts of the “digital writer” path I had to teach myself–and all ended up being more valuable than the hours I spent notating Crime and Punishment.

Becoming a successful writer in the digital age is not just about writing. That’s the foundation, of course, but in today’s world–just as musicians have had to become their own marketing managers and creative directors, and even play the role of entrepreneur–writers have to do more than just write.

Here are the 7 skills you need to practice if you want to become a successful writer in the digital age:

1. The habit of writing.

If you want to be a writer, you have to write. There is no simpler way to say it.

If you want to be a painter, you have to paint. If you want to be a cook, you have to cook. If you want to be X, you have to practice X–far more than you “think” about how badly you want to be X.

All through college, I watched the majority of my peers wait to write. They were waiting to feel inspired, waiting to see what the teacher thought of their last piece, waiting for some outside nod of approval instead of just getting on with it and putting pencil to paper (or fingers to keys).

I’m here to tell you that unless you can establish the simple practice of writing into your daily schedule, you will never succeed. Period. Stop reading here, because nothing else I tell you will matter–unless you can first firmly establish this habit into your everyday life.

If you want to become a writer, you have to write. Every single day.

2. The art of personal branding.

People don’t buy writing. They buy you.

In the digital age, the single most valuable thing you can create for yourself is a brand around who you are and whatever it is you write about.

You could be the most incredible wordsmith the world has ever seen, but unless you have an audience, nobody will read it–and even if you want to go the conventional publishing route, a publisher will see you and your work as a gamble. You don’t have a following on the internet. You don’t have an e-mail list of people ready to read your next piece of work.

Nobody knows who you are, and that’s a problem.

I attribute a lot of my success as a writer to my working knowledge of branding, positioning, marketing, and social storytelling. And as much as we writers would love to hide away and not have to “put ourselves out there,” we don’t have that luxury anymore. We are now competing against YouTubers, Instagram stars, and viral cat videos. People are either reading our work, or they’re watching two cats swing from a ceiling lamp.

To attract (and keep) people’s attention, you have to give them something to feel loyal to–and that’s you.

3. The patience to play the long game.

There are two types of writing: the kind you share, and the kind you sell.

Ninety-nine percent of artists–whether you’re a writer, a musician, a filmmaker, a painter–want to come out of the gate and have someone (they’re not quite sure who, but someone) pay them to create whatever it is they want to create.

As an independent writer, I’ve learned that consumers buy only two things: things they like, and things they need. Everything else, we ignore–no matter how “brilliant” someone else says it is. Which means, as creators, it’s our job to adopt a similar mentality: here are the things I create for myself (that someone else might like), and here are the things I create to solve a consumer need (and turn a nice profit, which allows me to spend more time creating things I enjoy).

The poetry I keep in my journal? There’s probably a very small market for that. A book that teaches aspiring writers how to become successful in the digital age? Much larger market.

Now, this doesn’t mean I should never write poetry. But this also doesn’t mean I should only write poetry and expect to make a fortune.

4. The confidence to practice in public.

Nothing has done my writing more good than regularly sharing my work on the internet.

When you publish something out in the open, when you “practice in public” (as I like to call it), you receive immediate feedback. You feel vulnerable. You fear judgment. You see your work and read your sentences with a heightened awareness (“I can’t believe I didn’t catch that before …”). And most of all, you practice the most important underlying habit of all: the confidence to admit, “This is what I wrote today–in all its imperfection.”

I mentor a lot of aspiring writers. Some of the most frequent emails I receive come from those who want to turn writing into their career–but are afraid to share anything they’ve written: “I just feel like I’m not there yet. I want to make my debut when I’m ready.”

Can I give you a brutal truth?

Nobody is waiting for you. And you will never be ready.

All artists have this fear that what they made today isn’t good enough–and if they share it, what will happen five, 10 years later when they look back? Won’t everyone laugh at how bad it is? Won’t it be a disgrace?

That’s certainly one way to look at it. But in all honesty, I don’t see it that way at all.

In fact, there’s nothing I enjoy more than looking back at something I wrote years ago and seeing where my writing style was at, at that time. It’s like witnessing a younger version of myself–and I can, with infinite more clarity, see how I’ve improved since then.

5. The humility to cut what wastes the reader’s time.

I had someone reach out to me recently who described my writing style as “minimalistic.” I’d never thought about it that way–but that’s an accurate word for it.

Some writers love description. They want you to see every blade of grass, every leaf on the tree, every long and winding grain in the tree trunk turned kitchen table. Other writers love dialogue. They want you to hear their characters talk, and talk, as if their voices were lined with gold and a pleasure to listen to indefinitely. Some writers live by the facts, and color their paragraphs with statistics and footnotes and miscellaneous information intended to add further depth to the topic at hand. And some writers just want to float on their stream of consciousness, letting their words guide the way without ever intervening and making a conscious decision to stop and move on to the next point or moment in time.

To each their own, but from my experience (and I’ve written close to 2,000 pieces online), readers in the digital world have only so much patience. They just want you to get to the point–Netflix shows do this addictingly well.

Part of writing in the digital age means understanding your audience–and today’s readers barely have the patience to sit through a two-sentence tweet or a seven-second Snapchat video.

Paragraphs and paragraphs of static description is a lot to ask of today’s readers, and a good many writers fail because they refuse to adjust.

6. The mastery of multiple voices.

As an independent writer, the ability to write with a range of voices will be your most valuable (and easiest to monetize) skill.

There are dozens of different voices a writer should hone throughout his or her career–including all the writing voices that need to be deployed to effectively market yourself as a writer.

There is an art to writing sales copy, an art to writing e-mail sequences, an art to writing social media posts that can leave an impact on a reader in three or four sentences. There is an art to writing articles that subtly promote your work, an art to writing e-books that readers will want to download. And the reason why it’s so important to nurture these business-focused voices is because either you’re going to learn how to do it for yourself, or you’re going to have to hire someone (like me) to do it for you.

Part of being a successful writer in the digital age means being more than just a writer. You have to be the creative director, the marketer, and the social media strategist too.

7. The willingness to be both an artist and an entrepreneur.

I really do believe that every artist today has to also become an entrepreneur–if he or she wants to be successful independently.

This dual-specialization is probably the hardest skill for an artist to acquire. They are two opposing forces, both striving toward very different goals. As an artist, you want to express yourself and write what feels most truthful. As an entrepreneur, you are always searching for what’s going to perform well, resonate with readers, and ultimately sell.

As someone who spent years facilitating imaginary conversations between both sides of myself–the artist and the entrepreneur–in search of balance, it took me a long time to fully understand that you can’t have one without the other. You cannot become a successful writer (or artist period) in the digital age without some sense of awareness of how the business world works.

The entrepreneur in you is the part you want showing up to meetings. The entrepreneur is the one you want negotiating deals, contracts, opportunities, and more. The entrepreneur is the one you want to empower to protect your inner artist, and to have the working knowledge of the business world so you don’t find yourself giving up 80 percent ownership over your work–or worse, writing for minimum wage.

I am a writer, through and through. It’s who I am in my heart. I couldn’t imagine going a single day without finding a quiet place to write something, anything, that I feel. But had I not honed my skills as an entrepreneur, I might still be scouring Craigslist for the next opportunity to write articles for $25 a pop.

It’s not about being one or the other–an artist or an entrepreneur.

Becoming successful, period, is about understanding the rules of the game so that you can do what it is you love, on your own terms, for the rest of your life.”

——

Nicholas Cole knows the rules of the game. Nicholas is a top digital age writer and entrepreneur who’s one of the most-read online scribes and a motivated mover & shaker. His pieces have over 100 million post views.

Fortune 500 companies and leading publishers like Time, Harvard Business Review, and Forbes have paid Nicholas Cole well to produce web content that resonates with digital readers. Besides being an indie writer in his Digital Press company, Nicholas also spearheads Ship 30 for 30 where he mentors emerging writers. Check out Nicholas Cole’s recent book, The Art & Business of Online Writing: How to Beat the Game of Capturing and Keeping Attention.

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STEPHEN KING’S SURPRISINGLY SIMPLE SECRET TO SUCCESS

When it comes to being a master of the commercial writing craft, few authors are more successful than Stephen King. The “Horror Guy”, who King calls himself, has tirelessly worked for over sixty years. He’s produced more than fifty novels and countless other pieces in a non-stop career during which he almost died from substance abuse and a nasty vehicle accident. “Prolific” is an understatement when it comes to labeling this writing machine, and there’s a surprisingly simple secret to Stephen King’s success.

Yes, the secret to Stephen King’s success is surprisingly simple. It’s a concoction beyond natural storytelling talent, which he has in spades. It’s a mix beyond craft knowledge and prose perfection. And it’s a blend beyond something else—something most writers simply won’t do in their lives. Yet it’s a simple success secret which Stephen King slyly shares if you follow his work.

Before I disclose Stephen King’s s simple success secret, let me tell you what triggered this post. I’m a big Stephen King fan. I’ve read a lot of his stuff—From A Buick Eight is my mind-blowing favorite—and I know many readers can’t Stand him (pun intended). Certainly, he’s verbose compared to James Patterson, but I’m on Team King all the way, even though Team Patterson outsells him.

I connected with a lady who recently retired from the same police force I served with. I didn’t know her directly, but I worked with her dad in the RCMP years ago. She made a career as a detective with Vancouver’s Integrated Homicide Investigation Team (I-HIT) and was their high-profile spokesperson for a long stint. Now this fine lady has a keen interest in beginning a crime-writing career, and she was silly enough to turn to me for advice.

I see piles of potential in this unfolding writer. She has the proper package required to be a commercial success and a household name in crime fiction circles, just as she was in the true crime world. Part of our long talk was me recommending resources to study. Stephen King’s On Writing—A Memoir of the Craft was at the top of the list.

Stephen King. Where do you start to explain his success secret? First, Stephen King is self-made. He didn’t come from writing royalty, and that story of him working nights at a laundry and throwing Carrie in the trash isn’t bullshit. His wife, Tabitha, rescued the manuscript and submitted it to Putnam and the success of Stephen King—writer—began.

Stephen King is coming on to 74. He still writes every day that he can and that includes Christmas and his birthday. Mr. King still finds time to read—lots of reading time—and he generously gives what he has to spare in helping others to develop their writing skills. That includes unfolding writers like my retired detective friend who I hope has redlined, yellow highlighted, and made black ink notes in an On Writing copy as I have.

In prepping this post, I reread On Writing. Or, I should say reviewed my red lines and yellow bars along with black ink notations. I’ve paged this prize at least a dozen times as I’ve built my skills, and I’m now at the point that I can legitimately call myself a commercial writer who’s achieved international bestselling status.

Call me a bragger. Just don’t call me a bullshitter, and I attribute my achievements much to Stephen King’s simple success secret which I’ll keep you in suspense from while I do a quick review of what’s in On Writing and why these pages of gold are so, so valuable for anyone who wants to make it in the commercial storytelling world.

Mr. King wrote On Writing in 2000. At least that’s what the copyright page says. That would have made him around 52 which is 11 years younger than I was when I decided to take writing stories seriously.

On Writing opens with this quote in the foreword: “What follows is an attempt to put down, briefly and simply, how I came to the craft, what I know about it now, and how it’s done. It’s about the day job; it’s about the language.

It’s about the day job and it’s about the language. Commercial writing is a job. It’s bloody hard work that requires a writer to show up every day, sit down with their ass in the chair, and put their fingers on the keys—not just when they feel like it or when they think the muse calls. And it’s about using those keys to transcribe language into a crafted story that’s saleable to a mass market.

Like Stephen King has been doing tirelessly every day for 60 years.

This is a short book because most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad. I figured the shorter the book, the less the bullshit.

On Writing is a short book by Stephen King standards. It runs just shy of 300 pages, but those pages contain sage quotes like these:

You must not come lightly to the blank page.”

It’s writing, damn it, not washing the car or putting on eyeliner. If you take it seriously, we can do business. If you can’t or won’t, it’s time for you to close this book and do something else. Wash the car, maybe.”

Simple sentences worked well for Hemmingway, didn’t they? Even when he was drunk on his ass, he was a fucking genius.”

I’m convinced that fear is at the root of most bad writing. Good writing is about letting go of fear and affectation. Also about making good choices about the tools you plan to work with.”

I love this job. I want you to love it, too. But if you don’t want to work your ass off, you have no business trying to write well—settle back into complacency and be grateful you have even that much to fall back on. There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust over your typewriter or computer. He lives underground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think this is fair? I think it’s fair. He may not be much to look at, that muse guy, and he may not be much of a conversationalist (what I get from mine is mostly surly grunts, unless he’s on duty), but he’s got the inspiration. It’s right that you should do all the work and burn the midnight oil because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.”

If you want to be a writer, you must do two things above all others. Read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut. If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.”

Constant reading will pull you into a place (a mindset, if you like the phrase) where you can write eagerly and without self-consciousness. It offers you a constantly growing knowledge of what has been done and what hasn’t, what is trite and what is fresh, what works and what just lies there dying (or dead) on the page. The more you read, the less apt you are to make a fool of yourself with your pen or your word processor.”

A radio host once asked me how I write. I answered ‘one word at a time’. Day in and day out. Not surprisingly, it’s that simple. It’s the secret to my success.”

In my humble opinion (IMHO), Stephen King’s surprisingly simple secret to his success as a commercial writer is tirelessness. He’s tirelessly written one word at a time for over six decades and shows no sign of letting up. Long live the King.

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Post note from Garry: There is a book karma god or some kinda benevolent page muse out there. I published this piece on Saturday, 20Feb2021 and on Sunday, 21Feb2021, I went into a used bookstore in Parksville on Vancouver Island. What did I find? A first edition, hardcover of On Writing in pristine condition. SCORE! Start the f’n car! Even the dust jacket had no fading or marks. I’m going to have this baby framed in a shadow box.