STEENA HOLMES – DO YOU NEED A PEN NAME?

“Surround yourself with other authors who are reaching for the same things you are,” advises award-winning author Steena Holmes, whose novels have sold over one million copies and landed her on the New York Times, USA Today, and Amazon Top 10 BestSeller lists. I’m so pleased to have Steena Holmes, a fellow Canadian writer, as a guest on DyingWords.

AE2At lot has changed since 2011 in the realm of publishing. So much that if you’re still reading blog posts dating back to 2011, you should realize that they are old and outdated. The publishing world has changed so much that it’s almost hard to keep up.

There are a few constants in the publishing world, however, that remain the same.

  • Write a good book.

  • Ensure that book is edited and has a quality cover.

  • Social media is a necessity in today’s world – you no longer can hide under that rock and assume others are going to market for you.

  • Brand is important. Essential even.

  • Your readers want the same thing they have always wanted. Your next quality book.

AE17There are things that have changed. How we can market ourselves. Amazon’s algorithms, where to sell your books, where to promote, where not to promote and… do we need a pen name still.

Honestly – whether you have a pen name or not is up to you. Some people need them – they write a genre that wouldn’t be acceptable in their line of work (teachers writing erotic anyone…). Some people have also found that creating a pen name and starting over has given them a fresh breath of life with their books and you’ll find names skyrocketing the markets today that you never heard of before.

It’s up to you.

There’s really no right or wrong answer to this question.

AE11I used to have a pen name. I don’t anymore. Everything I write is under my name, my brand, and everything I write is part of my brand. Yes, our brands change, they should…it means your writing is growing. It means you’re understanding yourself, your writing, your readers a little bit more than before, and that’s a good thing.

AE10Can we all just agree to stop arguing about this. If YOU feel that a pen name is necessary for YOU and YOUR brand…then go for it. If you don’t, then don’t do it. Regardless, you will still need to brand yourself, you will still need to find your readers, you will still need to write your books.

You can do searches and find blog posts and website articles dedicated to this one subject. If you are a writer in a writer’s group, you can ask this same question “do I need a pen name” and you’ll get a multitude of responses. Everyone has an opinion and everyone’s opinion is different and their own.

Think about this: Why do you need a pen name?

What is the reason for it? Is it because you’re writing in different genres that you don’t think will mesh together? Are you worried about your fan base, if your readers will follow you from one genre to the other?

AE15Remember this…no matter what book you write, you will still need to promote you and your brand.

Everything you do, everything you write should be under that brand you’ve created. It’s up to you to decide if your readers can handle you writing YA and Horror at the same time (I’m sure they can), or even sweet romance and erotic romance.

AE3Maybe the real question isn’t whether you need a pen name but whether you know how to brand yourself.

Just my thoughts…from someone who has been there, done that, and had to wear multiple T-shirts because she couldn’t decide what she was going to do or how to do it. 

*   *   *

AE1Steena Holmes is the Top 10 New York Times, USA Today, and Amazon million-selling author of nineteen books including four series.

Steena, like me, grew up in a small Canadian town where there wasn’t much to do but ride your bike, hang out with friends, and daydream. She always wanted to write but never dreamed it was something she could do as a career. She loves to travel and fell in love with the sheep covered hillside, old castles, and romantic history of Scotland and England.

AE4Steena dreams about waking up in Tuscany and touring small town shops in the south of France with her husband, of placing her toes in the ocean, and experiencing history first hand. As a mother with three daughters, she says she’s learning that teaching them to pursue their dreams is a lasting legacy.

She loves to wake up to the Rocky Mountains near her home in Calgary, Alberta, will forever enjoy the taste of coffee and chocolate, and can’t imagine the day when a story doesn’t unfold in her heart. “Living a life with passion and pursuing dreams is a life well lived,” she believes.

Here’s more advice for aspiring writers from Steena Holmes:

AE18“Surround yourself with other indie authors who are reaching for the same things you are. Always be willing and wanting to learn and don’t stop writing. Stop focusing so much on the promotion and focus instead on your words…nothing sells a book better than the next book – and even though we’ve all heard that, it’s so true! And don’t forget your readers. Above all else – don’t forget your readers!”

Follow @SteenaHolmes on Twitter: https://twitter.com/steenaholmes 

Like Steena on Facebook: https://www.facebook.com/SteenaHolmes.Author?fref=photo

Visit her website at: http://www.steenaholmes.com/

POLICE SHOOTINGS – TO WOUND OR TO KILL?

AD11The shooting death of unarmed, black teenager, Michael Brown, by white police officer, Darren Wilson, in Ferguson, Missouri, on August 9, 2014, caused an international uproar and a microscopic evaluation of law enforcement’s use of force parameter.

I’m not going into details of this particular, tragic event, but I can say from personal experience what takes place in the training and execution of deadly force application.

AD12Regular police officers undergo a thorough, basic training in the use of their service weapons and in the evaluation of situations where they may be required to use a lethal response. Most officers graduate the academy with a reasonable proficiency with their sidearm and perhaps a shotgun and carbine rifle. They go through yearly qualifications to maintain their skill and, thankfully, most go through their entire service without ever firing a shot.

Special Weapons and Tactics (SWAT) or Emergency Response Teams (ERT), like I served on, are trained to a significantly higher degree of proficiency, but the principles of using deadly force are the same.

AD2All officers are taught to assess their response to a dangerous situation by applying the Use Of Force Continuum. This is graphed out in either a lineal or a circular model and is a standard that provides guidelines as to how much force may be used against a resisting subject in a given situation.

The assessment process has the officer perceiving the incident and considering the tactical response they need to evoke. Perception ranges from a cooperative subject, to one who is passively resisting, actively resisting, becoming assaultive, or presenting grievous bodily harm or death to the officer.

AD3The officer’s tactical response can vary from simple communication, to soft or hard physical control, to the use of intermediate weapons such as the baton, pepper spray or Taser, right to the lethal force of shooting the subject. This is all fine and well in the classroom but in Real Life and on Real Street, this stuff can go down in seconds.

I don’t know how many times I’ve heard someone say “Couldn’t the police have just shot to wound, not to kill?” Well, that’s just not a reality given that the average police shootings occur within seven feet and in under two seconds.

The basic principle of use-of-force training is to condition a person so they’ll respond appropriately in a situation where they have little time to think. When a situation hits the danger level which requires a police officer to pull the trigger, there’s no time left to gamble on something fancy.

Contrary to popular belief, police officers are not trained to shoot to kill.

AD17They’re trained to neutralize the subject and the most efficient way to do this is to aim for the center of body mass. Not the head. Not the elbow. Not the knee.  Not the groin. And not to shoot the gun out of the bad guy’s hand.

The center of mass, or ‘CX’ as it’s known on the firing range, is the easiest to hit and has the quickest effect in putting the subject down and out of commission. It’s where the vital organs are and where the central nervous system is most vulnerable.

Very few police shootings are found to be an unjustified use of force. In fact, many subjects survive a police bullet. The situation in Ferguson, Missouri, may be debatable about its justification, but all are in agreement that it was tragic.

AD13I don’t believe there’s a police officer out there in their right mind who wants to get into a gun-fight. Believe me, they’re no fun, and when they happen there’s virtually no time to react. That’s why cops are trained to defend themselves, or others, by shooting at the largest target.

Here’s a link to the Police Policy Studies Council which is a credible group of combined departments that formulate policy and direction on the use of force, among many other law enforcement issues:

http://www.theppsc.org/

5 WAYS SHERLOCK HOLMES SHAPED MODERN FORENSICS

“In solving a problem of this sort, the grand thing is to be able to reason backward.” 

AC1So wrote Sir Arthur Conan Doyle as his literary counterpart, Sherlock Holmes, in A Study in Scarlet. Doyle was a scientist and a trained physician, so when he imagined the great detective, he used science to set him apart from other crime practitioners.

Where a policeman of the day would round up the usual suspects and beat a confession out of an unlucky bloke, Holmes employed deduction, the scientific method, and an acute sense of observation. Here’s five of his techniques that were ahead of his time.

1. Detective work.

 “I am glad of all the details … whether they seem to you to be relevant or not.”
– The Adventure of the Copper Beeches

AC4The fictional Holmes revelled in tiny details, and caught everyone by surprise by defining a subject with details relating to height, weight, gait, carrying a load, occupation and other surprising summaries simply by observing a wet foot print in a garden. He also explained how the evidence led to his accurate conclusion. And when the perpetrator was finally discovered and captured, the physical description was uncanny.

In addition, his ability to ‘reason backwards’ (looking at the criminal act and working his way backwards to lead him to evidence) helped guide him to a conclusion, a motive, and a culprit.

2. Fingerprints.

 “As you may know, no two human fingerprints are ever alike.”
– The Brass Elephant

AC6Holmes identified and used fingerprints initially in The Sign of Four, published in 1890. Scotland Yard did not adapt fingerprint recovery, comparison, and identification process until almost 11 years after The Sign of Four was published. He did not use fingerprints as the defining evidence, however — generally, the case was irrefutably solved by a variety of clues leading to the correct solution.

In The Adventure of the Norwood Builder, Inspector Lestrade thought he had his murderer when he was able to match a bloody print to John Hector McFarlane, an obvious suspect. Holmes was able to prove that MacFarlane was innocent.

Today, fingerprints are a standard method of identification for human individuals. Now stored in computer databases, analyzed and compared within seconds, fingerprints still require corroborating evidence to tell the whole story.

3. Ciphers.

 “But what is the use of a cipher message without the cipher?”
– The Valley of Fear

AC11In many cases in Victorian times, clues were hidden in ciphers, or coded messages which required a ‘key’ to ascertain letter substitutions. In The Dancing Men, Holmes analysed 160 separate cyphers, determined that the letter ‘e’ was the most common letter in the English language, and was able to proceed to the answer. In “The Gloria Scott”, he deduced that every third word in lines of gibberish created the message that frightened Old Trevor.

Many of these cipher techniques were applied during the World Wars to decipher messages from the enemy, and law enforcement in many countries have also worked through ciphers using procedures described by Conan Doyle.

4. Footprints.

“Footprints?” ” Yes, footprints.” “A man’s or a woman’s?”
“Mr. Holmes, they were the footprints of a giant hound.”
– The Hound of the Baskervilles

AC10From the very first story in the Holmes series to the 57th story (The Lion’s Mane from 1926), 29 of the 60 stories revealed and solved footprint evidence. Footprints were found in soil, mud, and clay. They were on carpet, in snow, ash, and even on drapes and doors — each mark was worth discussion, each print told a story that was instrumental to the outcome.

Sherlock Holmes ‘wrote’ an educational treatise on the preservation of footprints, entitled “The tracing of footsteps, with some remarks upon the uses of Plaster of Paris as a preserver of impresses”. The techniques so described have become a mainstay in preserving prints of shoes, tires, tools, and other depressions by police departments worldwide.

5. Handwriting.

“We must look for consistency. Where there is a want of it we must suspect deception”
– The Problem of Thor Bridge

In Victorian London, handwriting was more prevalent than it is today.

AC12Holmes was able to deduce many details from the written word. By inspecting the pressure, angle, swirls, and consistency, Holmes could tell the gender, class, and maturity of the author. He could also make determinations about the character of the person whose penmanship was under scrutiny. In The Norwood Builder, Holmes determines by the timing of the imperfections in the scrawl of a will, that it was written aboard a train. Knowing that such an important document would not be transcribed in such a fashion, he correctly assumed duress.

Today, handwriting analysis is used to determine forgeries, psychological profiling, and alterations in handwriting due to the influence of drugs, alcohol, duress, exhaustion, or illness.

The ransom note left at the scene of the JonBenet Ramsey murder is a prime example. It was intensely scrutinized and attempts were made to tie it to one of the parents.

The results remain inconclusive.

*   *   *

AC13This article was originally published by my friends at Forensic Outreach, one of the best forensic education sites on the internet. They’ve now launched a new site called CASE Academy which I’m proud to support.

AC15Doug Filter wrote this article for Forensic Outreach. He’s worked in legal support for three decades, developing visual communication tools that help litigators, prosecutors, and defense attorneys tell stories in court. Doug is an author, presenter, and designer. He’s worked on cases ranging from mapping body locations by interviewing a serial killer to explaining and animating the life style of trout in a water pollution case.

Doug’s speciality is learning scientific, technical, medical and complex case details and then explaining them to an audience of fact finders in a courtroom setting. He’s worked in jurisdictions in North America, South America, and Europe.