Author Archives: Garry Rodgers

About Garry Rodgers

After three decades as a Royal Canadian Mounted Police homicide detective and British Columbia coroner, International Best Selling author and blogger Garry Rodgers has an expertise in death and the craft of writing on it. Now retired, he wants to provoke your thoughts about death and help authors give life to their words.

WHY CORPSES STINK – THE SCIENCE OF SMELL

This great guest post is by Andy Brunning, a UK Chemistry Teacher who hosts the fascinating website Compound Interest at www.compoundchem.com .

Decomp1Decomposition is an incredibly complicated process, but we do know a little about the chemical culprits behind some of the terrible smells as the body breaks down.

Before we look at specific compounds, it’s worth taking a look at the decomposition process as a whole.

Decomposition, or ‘Decomp’ as it’s called in the death business, can be roughly divided into four stages: the fresh stage, the bloated stage, the active decay stage, and the advanced decay stage. Some overviews of the process also add in a final stage when all that is left of the corpse is dried remains. This can be skeletal, mummification, or fossilization.

The fresh stage of decay kicks off about four minutes after death.

Decomp2Once the heart has stopped beating, the cells in the body are deprived of oxygen. As carbon dioxide and waste products build up, the cells start to break down as a result of enzymatic processes – these are known as autolysis. Initial visual signs of decomposition are minimal, although as autolysis progresses blisters and sloughing of skin may occur.

The second stage of decay occurs as a result of the action of micro-organisms.

The actions of bacteria on the soft tissue of the body produces a variety of gases which cause the carcass to become bloated and swell in size. It’s claimed that the body can as much as double in size during this stage of decomposition. The sulfur-containing compounds that the bacteria release also cause discolouration of the skin, giving it a yellow-green hue.

Decomp3As a result of the bloating, the increased pressure causes bodily fluids to be forced out of natural orifices, as well as potentially causing ruptures in the skin. This can cause a formidable odour; at this stage, if insects are able to access the body, flies will lay eggs in exposed orifices, which will in turn hatch into maggots which then devour the flesh.

The third stage is that of active decay.

At this stage, the ongoing action of bacteria activity and decomposition leads to the liquefaction of tissues, and the persistence of the strong odour. It is during this stage that the cadaver loses the greatest mass.

The final stage, advanced decay, occurs once most of the cadaveric material has already decomposed.

A wide range of factors can affect the decomposition process, including whether the body is buried, and the ambient temperature.

Decomp4These factors also have an effect on the large number of compounds produced during the decomp process. Considering that, as a species, we’ve been dying and decomposing for thousands of years, we know surprisingly little about the specifics of the process and the chemicals involved.

What we do know is that there are several key compounds that contribute towards the characteristic odours of decay.

Two of these are pretty much named for this contribution: cadaverine and putrescine. The aroma of both is loosely described as ‘rotting flesh’, and they have relatively low odour thresholds – meaning that not a lot is required in order for them to make their presence felt by your nostrils. Oddly enough, their presence in your body isn’t limited until after you die, however. Both crop up in cases of oral halitosis (i.e. bad breath), as well as in urine and semen, contributing to their odours.

Two other key compounds are skatole and indole.

Decomp6Skatole, as you may have already guessed from the name, has a strong odour of faeces, whilst indole has a mustier, mothball-like smell. Both compounds are found in human and animal faeces, so it’s little surprise that they can contribute unpleasantness to the odour of a decomposing corpse. The strange thing about both is that, at low concentrations, they actually have quite pleasant, flowery aromas, leading to an array of unexpected uses. Indole is found in jasmine oil, which is used in many perfumes, whilst synthetic skatole is used in small amounts as a flavouring in ice creams, as well as also being found in perfumes.

A range of sulfur-containing compounds also contribute to the smell of decomposition.

Decomp7Produced by the action of bacteria, compounds such as hydrogen sulfide (which smells of rotten eggs), methanethiol (rotting cabbage), dimethyl disulfide (garlic-like) and dimethyl trisulfide (foul/garlic) all add to the unpleasant scent. A whole range of other compounds are also produced as the tissues of the body decompose – some studies have identified over 400 different compounds, although not all of these will be contributors to the odour.

There’s still a lot we don’t know about decomposition.

Decomp8Using human corpses in research on decomp is limited in many countries for ethical reasons, so in many studies pigs are used as models. In the USA, however, there are a number of ‘body farms’ – facilities set up in a several states to study decomposition of human remains. The bodies they study are those who have chosen to donate their remains; these are then allowed to decay in a range of conditions and studied as they do so. This can help researchers determine the appearance and chemical emissions of bodies at various stages of decay, which can then inform police investigations where bodies are discovered, helping to determine a more accurate time of death.

Our knowledge about decomposition will develop over the coming years as more studies are carried out.

A particular area of development is looking at producing a method of determining time of death from volatile compound emissions, as the different groups of organic compounds are emitted in varying levels at different stages of the decay process.

Chemistry-of-Decomposition (1)

Compound Interest is a blog by Andy Brunning, a chemistry teacher in the UK, creating graphics looking at the chemistry and chemical reactions we come across on a day-to-day basis.

Decomp10Check out Andy’s fascinating site at www.compoundchem.com

7 TIPS FOR WRITING FIRST DRAFTS

This guest post is by Dr. Kim Foster who is a practising physician, a published author, and a mom. She’s also an active health blogger. 

Kim1Just in time for NaNoWriMo (National Novel Writing Month) I thought I’d do a post about how to write a first draft.

Because let’s face it, first drafts are hard.

It’s no secret, it’s not my favorite part of the process. I love the outlining / dreaming / planning stages, and I love the revising / shaping / polishing stages. The first draft stage? Not so much.

But it’s okay. It has to get done. Here are my seven tips for conquering that first draft.

1. Carve out the time.

Kim3Seems obvious, right? If you want to write a novel, you’re going to have to find the time in your schedule…somewhere. It just won’t get done otherwise. The world is filled with people who dream of writing a novel, someday, when they find the time. Don’t be one of those people.

We all have time challenges, and the solution will be different for everyone.

That said, I have lots of thoughts on how to find the time to write. It’s something I have wrestled with, and found many solutions for (and continue to find solutions for, in this ever-changing life).

During my blog tour a few months ago I wrote a guest post on how to find the time to write. If you’re struggling with this issue, start there.

2. Forget about quality, just get it done.

To get your first draft finished, you simply have to write. You have to get it down. Why? Because, as Nora Roberts wisely said, “You can’t edit a blank page.”

Kim4My first drafts are absolutely horrible. They’re barely literate, filled with little notes and reminders to myself—stuff I know I’ll tackle in subsequent drafts (like: “describe sights and smells of the market here…”). I do that because speed is important to me in a first draft. I think there’s a certain momentum you need to achieve when writing a first draft, because it’s so easy to get sidetracked and distracted. Writing a first draft is a whole lot harder than, say, binge watching Game of Thrones.

So first drafts should be pretty bad. I’m not alone in thinking this.

“The first draft of anything is shit.” -Ernest Hemingway

“Almost all good writing begins with terrible first efforts. You need to start somewhere.” -Anne Lamott

Cut yourself some slack and just get those words down. You will have plenty of time to rewrite and hack it apart and flesh out the sensory descriptions of markets…but that will come later. First, just get the story down.

3. Don’t worry about balancing the elements of fiction.

Kim5Here I’m referring to all the weaving and layering that needs to occur in a finished novel. Your polished novel needs to contain a balance of character stuff, dialogue, narrative, flashbacks, backstory…and much more. 

But trying to keep all that in mind while you’re throwing down the first draft is making it harder than it needs to be.

Just keep telling the story, and worry about those things later. 

If you get to a spot where you know you want a certain element—a little bit of character development, say—but you don’t want to slow down, just jot a note to yourself to flesh out that bit on a subsequent draft. 

Especially if you’re a pantser, once you’ve got the first draft down, and you know how it all shakes out, you’ll be able to go back and add those elements much more effectively. 

Kim6Now, it should be said that some people have the ability to do the balance thing in their first draft. And if you’re one of those people, well—go, you! My critique partner, Karma Brown (whose debut comes out in May 2015, by the way) has an amazing ability to get all those components down in her first draft. I actually don’t know how she does it. 

When I went to New York this summer for Thrillerfest I listened in shock as Lee Child said “I’m a one-draft writer.” 

But most writers—me included—need to weave in those layers and threads during the revision process, and that’s completely okay. Revising in layers is the approach I take, and it’s what many of us do. 

4. Don’t think about pacing.

Here I’m talking about both the pacing within a scene, and the overall pacing of the story. Neither issue needs to be dealt with during the first draft. That’s because it’s something best analyzed once you’ve got the whole story down. During the first draft, don’t sweat it. 

Kim7As you’re writing the first draft, you may reach a scene you can clearly envision, so your descriptions will be deeper and your dialogue more fleshed out. You may not have other scenes figured out quite so fully, so your treatment of them—on first pass—will be more cursory at this point. 

You may also have a string of slow, reflective scenes back to back, and then a run of action scenes…which may not be the pace you’re going for.

That’s okay; it will all get sorted out in subsequent drafts. 

During revision, you’ll be able to consider the entire structure of the book and how each scene fits in. Pacing will be different for every book, of course, depending on genre and the particulars of your story.

5. Don’t worry about voice.

Kim8I consider the first draft to be about finding the voice for the story. And I don’t mean POV. That’s different. It’s probably a good idea to decide who is telling the story before you start—but depending on how much of a pantser you are, you may not even have that figured out yet. 

No, when I say “voice” I mean that difficult-to-describe quality of…the sound of the story.

Is it spare and lean, or flowery? Sarcastic? Hard-boiled? Snappy? Poetic? 

I read an article somewhere that listed the things you needed to have figured out before starting to write your first draft, and voice was one of the first. My palms grew sweaty at the idea. How can you possibly have the voice determined before writing the draft? I wondered. 

There are many things I know (or think I know) before writing: the main characters, the climax, the ending, key scenes. But the voice? Nope. That evolves for me as I’m writing the first draft. It comes out of character as I’m telling the story. 

Kim9Plus, I think if you worry too much about having a cohesive voice before you even start, it’s going to slow you down while you’re writing that first draft. You’re going to keep stopping and wondering if your voice is consistent, you know? 

Ideally, by the time you’re finished your first draft, the voice has emerged. And then, cleaning up, honing, and polishing that voice becomes a revising layer.

6. Give yourself a deadline.

I think this is a big part of the success of NaNoWriMo. Because NaNo creates a clearly defined—but do-able—timeframe. And although it’s all completely voluntary, there’s something about the accountability to the community that applies needed pressure. 

Without a deadline—whether self-imposed or detailed in a book contract—writing a first draft tends to stretch on and on. 

Oh, I’ll finish my book…eventually. 

Kim10A deadline lights a fire. If you’re organized, a deadline means you need to meet a word quota, whether it’s a daily or weekly quota. It keeps you from straying. 

So, impose a deadline. Make yourself accountable. Create a pact with a writing partner or your critique group. Join NaNo or another writing challenge. Whatever it takes. 

The pressure of a deadline can mean the difference between finishing that book and being one of those eventually people.

7. Keep moving forward.

Kim12Think of your first draft as a train going in one direction only. Don’t go backwards and re-do stuff while you’re in the middle of your first draft. That’s another good way to never finish a book. If you get caught up on tweaking and polishing and thinking about things too much, and you’ll never get the book written. 

Keep moving forward and get the whole story out.

Have faith that you will go back and change many things. Resist the temptation to re-read what you’ve written. You will probably be horrified by what you see (refer to point number 2, above), and nobody needs that. 

Keep your confidence intact, keep your head down…and just keep pushing forward. 

 *   *   *

Tamea Burd PhotographyDr. Kim Foster is a practising physician, a writer, and a mom. She’s also an active health blogger. 

After thirteen years of stitching people’s lacerations, treating their sore throats, and checking their blood pressure, Kim recently became a very successful, published author. She has a wonderful agent, Sandy Lu of L. Perkins Agency, and a 3-book deal with Kensington Books. Kim’s first novel A Beautiful Heist was published in June, 2013, and the sequel. A Magnificent Crime was released in June, 2014. She’s hard at work on her third book. 

Kim15Dr. Kim obtained her BSc in Biology in 1994 from The University of Western Ontario. She then attended medical school at McMaster University in Hamilton, Canada, and graduated in 1997, followed by a two-year residency in family medicine. She holds an active license with the College of Physicians and Surgeons of BC, and is a member of the Canadian Medical Association and the College of Family Physicians of Canada.

Kim14Born and raised in Oakville, Ontario, Kim has lived in Calgary, Vancouver, and London, England. She now happily calls Victoria, British Columbia, home and lives there with her husband and their two young boys. Kim maintains two websites – www.kimfoster.com which is her author presence and www.drkimfoster.com which is her professional medical site titled Savvy Health.

Thanks so much to Kim Foster for her guest post on DyingWords.net. She’s a terrific writer and I highly recommend her books and blogs.

HOW DO YOU WANT TO DIE?

I’m thrilled to death to have Seth Godin do this guest post on DyingWords. Seth is an internationally known author, speaker, businessman, and all-around mover & shaker. He originally posted this on his own blog at www.sethgodin.com on June 13, 2013, and generously offered to share it here. Thanks Seth!

Seth3Let’s assert that you’re almost certainly not going to be the very first person to live forever. Also worth noting is that you’re probably going to die of natural causes. 

The expectations we have for medical care are derived directly from marketing and popular culture. Marcus Welby and a host of medical shows taught us about the heroic doctor, and more than that, about the power of technology and intervention to reliably deliver a cure.

It’s not a conspiracy — it’s just the result of many industries that all profit from the herculean effort and expense designed to extend human life, sometimes at great personal cost.

Seth4Hence the question: Do you want to choose whether or not you will be a profit center in the ever scaling medical-industrial complex? One percent of the population accounts for 30% of all health care expenditures, and half of those people are elderly.

Most of that care is designed to prolong life, regardless of the cost, the pain, or the impact on the family. A lot of doctors are uncomfortable with this, but they need you to speak up and make a choice (in advance) about what you’d like. Some people want the full treatment, intervention at all costs.

If that’s your choice, go for it. But be clear, in writing, that you’d like to spare no expense and invest in every procedure, even if it’s pointless and painful. Don’t be selfish and let someone else have to guess.

Seth5On the other hand, you have the right to speak up, and stand up, and clearly state if you’d prefer the alternative. Many people prefer a quiet dignity that spares them, and their family, pain and trauma. But you have to do it now, because later is too late.

The web makes it easy to generate and sign a simple generic form. Or even better, go find the forms by state or province. If those pages are down, try a search “health care proxy” and the name of your state or province. I suggest http://mydirectives.com and consider the “Five Wishes” at http://www.agingwithdignity.org/ .)

Seth6There are two critical components: assigning an individual to be your health care proxy, and then telling that proxy, in writing, what you’d like done (and not done) to you when the time comes.

If you’ve ever shared a post of mine, I hope you’ll share this one. If every person who reads this sits down with her family and talks this through (and then tells a few friends), we’ll make a magnificent dent in the cultural expectation of what happens last.

Seth8It’s free. It’s not difficult. It takes five minutes. Do it today, if you can, whatever your wishes are. Don’t make the people you love guess and then live with the memory of that guessing.

Some things are more likely to happen if you plan for them. In this case, the end comes whether you plan for it or not.

Planning merely makes it better.

Seth1SETH GODIN is the author of 17 books that have been bestsellers around the world and have been translated into more than 35 languages. He writes about the post-industrial revolution, the way ideas spread, marketing, quitting, leadership, and most of all, changing everything. You might be familiar with his books LinchpinTribesThe Dip, and Purple Cow.

In addition to his writing and speaking, Seth is the founder of squidoo.com, a fast growing, easy to use website. His blog at www.sethgodin.com (which you can find by typing “seth” into Google or click here) is one of the most popular in the world. Before his work as a writer and blogger, Seth was Vice President of Direct Marketing at Yahoo!, a job he got after selling them his pioneering 1990s online startup, Yoyodyne.

In 2013, Seth was inducted into the Direct Marketing Hall of Fame, one of three chosen for this honour.

Seth9Recently, Seth once again set the book publishing on its ear by launching a series of four books via Kickstarter. The campaign reached its goal after three hours and ended up becoming the most successful book project ever done this way. His latest, The Icarus Deception, argues that we’ve been brainwashed by industrial propaganda, and pushes us to stand out, not to fit in.

Thanks so much for generously sharing your wisdom, Seth!