Tag Archives: Fiction

NON-ARTIFICIAL INTELLIGENCE

Now that the balloon has popped on failed fads like Dot.Coms, Bored Ape NFTs, Crypto, and forever-free borrowed money, the world’s current FOMO (Fear Of Missing Out) has turned to the newest and coolest cat—Artificial Intelligence or what’s simply called AI. Make no mistake, AI is real. It’s not simple, but it’s very, very real. And it has the potential to be unbelievably good or gut-wrenchingly awful. But as smart as AI gets, will it ever be a match for Non-Artificial Intelligence, NAI?

I can’t explain what NAI is. I just have faith that it exists and has been a driving force in my life, especially my current life where I’m absorbed in a world of imagination and creativity. Call it make-believe or living in a dream, if you will, but I’m having a blast with a current fiction, content-creation project which uses both AI and NAI.

I’ve asked a lot of folks—mainly writing folks because that’s who I hang with—what their source of inspiration is. Their muse or their guide to the information pool they tap into to come up with originality. Many casually say, “God.”

I don’t have a problem with the concept of God. I’ve been alive for 66 years and, to me, I’ve seen pretty strong evidence of an infinite intelligence source that created all this, including myself. I’ll call that force NAI for lack of a better term.

What got me going on this AI/NAI piece was three months of intensive research into the current state of artificial intelligence—what it is, how to use it, and where it’s going. AI is not only a central character in my series titled City Of Danger, AI is a tool I’m using to help create the project. I’m also using Non-Artificial Intelligence as the inspiration, the imagination, and the drive to produce the content.

If you’ve been following DyingWords for a while, you’re probably aware I haven’t published any books in the past two years except for one about the new AI tool called ChatGPT. That’s because I’m totally immersed in creating City Of Danger in agreement with a netstream provider and a cutting-edge, AI audio/visual production company. Here’s how it works:

I use my imagination to create the storyline (plot), develop the characters and their dialogue, construct the scenes, and set the overtone as well as the subtext theme. I use NAI for inspirational ideas and then feed all this to an AI audio/visual bot who scans real people to build avatars and threads them through a “filter” so the City Of Danger end-product looks like a living graphic novel.

Basically, I’m writing a script or a blueprint so an AI program can take over and give it life. The AI company does the film work and the netstream guy foots the bill. This is the logline for City Of Danger:

A modern city in existential crisis caused by malevolent artificial intelligence enlists two private detectives from its 1920s past for an impossible task: Dispense street justice and restore social order.

Here’s a link to my DyingWords web page on City Of Danger along with the opening scene of the pilot episode. Yes, it involves time travel and dystopian tropes which have been done to death—but not quite like this. I like to think of myself as the next JK Rowling except I’m not broke and don’t write in coffee shops with a stroller alongside.

I was going to do this post as a detailed dive into the current state of artificial intelligence and where this fascinating, yet intimidating, technology is going. However, I have a long way to go yet in my R&D and don’t have a complete grasp on the subject. I will give a quick rundown, though, on what I’ve come to understand.

The term (concept) of artificial intelligence has been around a long time. Alan Turing, the father of modern-day computing and its morph into AI, conceived a universal thinking machine back in WW2 when he cracked Nazi communication codes. In 1956, a group of leading minds gathered at Dorchester University where, for three months, they brainstormed and laid the foundation for future AI breakthroughs.

Fast forward to 2023 and we have ChatGPT version 4 and a serious, if not uncontrollable, AI race between the big hitters—Microsoft and Google. Where this is going is anyone’s guess and recently other big guns like Musk, Gates, and Wozniak weighed in, penning an open letter to the AI industry to cool their jets and take the summer off. To quote Elon Musk, “Mark my words, AI is far more dangerous (to humanity) than nukes.”

There’s huge progress happening in AI development right now. But stop and look around at how much AI has already affected your life. Your smartphone and smartTV. Fitbit. GPS. Amazon recommends. Siri and what’s-her-name. Autocorrect. Grammarly. Cruise missiles, car parts, and crock pots.

Each day something new is mentioned. In fact, it’s impossible to scroll through a newsfeed with the AI word showing up. We’re in an AI revolution—likely the Fourth Industrial Revolution to steal the phrase from Klaus Schwab and his World Economic Forum.

Speaking of an AI revolution, one of the clearest runs at explaining AI in layman’s terms is a lengthy post written and illustrated by Tim Urban. It’s a two-part piece titled The AI Revolution: Our Immortality or Extinction. Tim calls AI “God in a Box”. Here’s what ChatGPT had to say about it.

Tim Urban’s two-part post “The AI Revolution: Our Immortality or Extinction” explores the potential impact of artificial intelligence (AI) on humanity.

In part one, Urban describes the current state of AI, including its rapid progress and the various forms it can take. He also discusses the potential benefits and risks of advanced AI, including the possibility of creating a “superintelligence” that could surpass human intelligence and potentially pose an existential threat to humanity.

In part two, Urban delves deeper into the potential risks of advanced AI and explores various strategies for mitigating those risks. He suggests that developing “friendly AI” that shares human values and goals could be a key solution, along with establishing international regulations and governance to ensure the safe development and use of AI.

Overall, Urban’s post highlights the need for thoughtful consideration and planning as we continue to develop and integrate AI into our lives, in order to ensure a positive outcome for humanity.

From what I understand, there are three AI phases:

  1. Narrow or weak artificial intelligence—where the AI system only focuses on one issue.
  2. General artificial intelligence—where the AI system is interactive and equal to humans.
  3. Super artificial intelligence—where the AI system is self-aware and reproducing itself.

We’re in the narrow or weak phase now. How long before we reach phase two and three? There’s a lot of speculation out there by some highly qualified people, and their conclusions range from right away to never. That’s a lot of wriggle room, but the best parentheses I can put on the figure is 2030 for phase two and 2040 for phase three. Give or take a lot.

The AI technology involved in City Of Danger is a mid-range, phase one product. The teccie I’m talking to feels it’ll be at least 2025 before it’s perfected enough to have the series released. I think it’s more like 2026 or 2027, but that’s okay because it gives me more time to tap into NAI for more imaginative and creative storyline ideas.

I’m not going to go further into Narrow AI, General AI, or Super AI in this post. I’d have to get into terms like machine learning, large language model, neural networks, computing interface, intelligence amplification, recursive self-improvement, nanotech and biotech, breeding cycle, opaque algorithms, scaffolding, goal-directed behavior, law of accelerating returns, exponentiality, fault trees, Boolean function and logic gates, GRIND, aligned, non-aligned, balance beam, tripwire, takeoff, intelligence explosion, and that dreaded moment—the singularity. Honestly, I don’t fully understand most of this stuff.

But what I am going to leave you with is something I wrote about ten years ago when I started this DyingWords blog. It’s a post titled STEMI—Five Known Realities of the Universe. Looking back, maybe I nailed what Non-Artificial Intelligence really is.

OPEN-AI / CHATGPT — A FICTION WRITER TALKS SHOP WITH A BOT

Unless you’ve been hiding under a rock or living in a homeless shelter, no doubt you’ve heard about massive artificial intelligence (AI) breakthroughs. AI apps like ChatGPT (Generative Pretrained Transformer) are phenomenal technology and investing in them is the new dot.com and crypto wave. Good, bad, or ugly, the AI bots are here to stay. So, I decided to experiment with Chat and imagined I had the opportunity to have a one-on-one with the greatest fiction guru ever. The result is my new release titled OpenAI/ChatGPT — A Fiction Writer Talks Shop with a Bot.

First, let me say I don’t believe for a sec that AI is taking over human creativity and imagination like some doomsayers are spouting. I’ve had a two-month-long dive with the Chat technology, and I’m amazed at its potential as a research and writing tool, but it’s not a replacement for a thinking person with their ass in a chair, fingers on keys, and writing more books. (Which, by the way, is the best writing advice I’ve ever got.)

However, the Chat bot is clever. Very clever. I prompted it to write me an Amazon product description (blurb) for my new Chat book. This is what my little AI friend came up with:

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OpenAI ChatGPT—A Fiction Writer Talks Shop with a Bot is the ultimate guide to unlocking the potential of the artificial intelligence (AI) app ChatGPT to help fiction writers create amazing works of art.

This info-packed resource by International Bestselling Author Garry Rodgers provides an in-depth look into how this powerful AI tool can be used to enhance creativity, speed up the writing process, and write stories that will captivate and inspire readers. With step-by-step guidance and real-world examples, this book will show you how to use OpenAI’s ChatGPT to become a more successful fiction writer.

OpenAI ChatGPT—A Fiction Writer Talks Shop with a Bot begins with a general introduction of what this cutting-edge artificial intelligence is and what it can do for fiction writers. This book deep-dives into what a writer’s mindset must be and how to view fiction writing as a business professional. It does a drill into general storytelling and topics like wordcraft with dialogue, grammar and punctuation tips, editing tools, helpful links, and finding that elusive thing called voice. And it reaches a conclusion that going forward in 2023—and beyond—you, as a fiction writer, will be left behind without knowing what OpenAI and the bot ChatGPT can do to up your game and build your career.

Whether you’re a beginning writer or an experienced scribe, this information will help you get the most out of OpenAI and ChatGPT to write stories that will stand out from the crowd.

By the way, this product description was written by ChatGPT. Yes, a bot.

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There’s a learning curve to using ChatGPT effectively. It responds to your inputs, which are called prompts, and gives you answers called conclusions. It’s a case of garbage in / garbage out (GIGO) and the better your prompt the better the conclusion. Chat thrives on clear and precise instructions. The more detail you give Chat about what you want it to do, the more informative is its feedback. You really have to play around with Chat, begin a conversation thread, and drill down as you go along.

ChatGPT is far more than a search engine. Unlike Google which sends you first to paid ads on its search engine response pages (SERPs) and lets you fend for yourself to sort through existing articles, Chat gets right to the meat of the issue you’re after. As long as you’re clear with Chat and guide it along to some degree, what it comes up with can be downright amazing. And frikkin’ fast, too.

The bot has a sense of humor, too. In my book A Fiction Writer Talks Shop with a Bot, I found out that it likes wine—just like I do. We had a side conversation about fine wine, and I wrote a too-much-wine-influenced prompt and it recognized I was slurring my words. Fun stuff, this bot can be.

Getting back to fiction writing, I plan to use ChatGPT as an aid. Just like I use the AI features in the MS Word program I’m writing this post on and Grammarly which I’ll run it through for editing and a final polish. But, I don’t plan on letting Chat run my life or take over content creation like I’m busy at in my newest project titled City Of Danger.

However, I still plan to have some fun with it. Hey Chat—What are the odds of the Toronto Maple Leafs hockey team winning a Stanley Cup championship?

The odds of the Toronto Maple Leafs winning a Stanley Cup championship vary depending on the year. Generally speaking, the Maple Leafs have not been successful in recent years and the odds of them winning a Stanley Cup championship are extremely low. According to the betting website SportsBetting.ag, the odds of the Toronto Maple Leafs winning a Stanley Cup championship are 1 in 3000, which is considered a very long shot. So don’t bet on them.

By the way, OpenAI/ChatGPT—A Fiction Writer Talks Shop with a Bot is now available on Amazon. Cover design by Elle J. Rossi at Evernight Designs.

LIKE ME, YOU’RE PROBABLY A BIT LAZY TOO

Yes, I’m the first to admit. I’ve got a bit of a lazy streak in me. You probably do, too. That’s okay, though, because we humans are naturally programmed to be lazy. It served the biological survival of our species well which is exactly what Mother Nature intended. So blame her for you and me having a natural inclination to sack on the couch, swill beer, (wine in my case) and sleepily abuse the remote.

Laziness has roots in our survival instincts. A long, long time ago, our ancestors didn’t have to think long term. They had to remain focused on the here and now so they could react and survive in case they were attacked by enemies, animals and, well, by nature herself. Conserving energy was paramount to ensuring survival when attacked.

Now, in the modern age, when survival isn’t a top priority, this instinct prevents some of us (me and probably you) from engaging in, or get going on, things—projects—that don’t bring immediate results. We won’t delay our gratification and we subconsciously justify it through procrastination. The reason for human laziness is carved deep into our brain structures. We’re hard-wired to sit on our behind and do nothing unless we really have to.

Another reason for people’s laziness is they haven’t found their own true path. They haven’t developed a dream—a big dream—of what they want to achieve in their life. They haven’t found the soul—the true passion or the fire within—that’s paramount to pursuing that dream, taking massive action, and making that dream a success.

What is success? I just Googled Merriam-Webster that said this: The accomplishment of an aim or purpose. I found another good quote that puts “success” into clear perspective: Accomplishing something you really want to accomplish in the world and getting others to support it and agree that it’s of value.

I’ll share something with you. I have a dream that started in April. A big dream. A huge dream. A monster dream. (Yeah… I know… dreaming big in the middle of a big pandemic…) And I’ve found a passion in my soul that I’ve never felt before.

Yet, I’ve also found a bit of a lazy streak I didn’t want to admit existed. I feel like a push-me-pull-you. In one sense, I have a burning desire to create this dream into a success. In another, I have a reluctance to get my ass in the chair, my fingers on the keys, and do the work.

I’ll tell you what my enormous dream is but, first, let me explain how I got onto this lazy human topic.

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Bill O’Hanlon says he’s the laziest successful person he knows. And Bill knows a lot of lazy people who’ve become successes. Who’s Bill O’Hanlon? Bill is a success guru who wrote A Lazy Man’s Guide to Success. It’s a short and free pdf of 59 pages, and I loved it.

Bill, by the way, is a psychotherapist, author of over thirty books, and a highly sought-after motivational speaker. He’s been on Oprah, spoken internationally many, many times, and is an all-around genuine guy. He runs a website called the Possibility Land, and I found him quite by chance when I was looking for a DyingWords topic.

I’ll sum up Bill O’Hanlon’s Lazyman’s Guide to Success real quick by stealing right from the man himself:

If you are really impatient and don’t have the time or the self-discipline to read my entire guide, here are the Cliff’s Notes formula for success:

  1. Find your soul: the aliveness, energy, passion, and uniqueness that the world has tried to squeeze and shame out of you since you came out of your momma.
  2. Get a dream, a vision, or a direction by following what turns you on or what pisses you off (or both). It’s best to choose one that makes a contribution to the world and is not just about meeting your personal needs.
  3. Take action towards realizing that vision.
  4. Notice whether the actions you have taken have produced results that are moving you towards your goals or dreams. If so, do more of them until you get there. If not, do something different.
  5. Take massive actions, make adjustments based on your observations of the results, vary your actions, and do not stop until you arrive at your destination. I don’t mean that each action you take must be big or bold. You may start with a small step, but start.
  6. Do not be distracted or dissuaded from action by your feelings. Do not attend to or go with your feelings unless they are feelings that help you move forward. Have faith in yourself and the universe, especially when things look bad.
  7. Create more and more evidence in the world that your dream is real so that others will believe in it too.
  8. Keep moving toward your dream – no matter what. Persistence can be powerful.

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Not a bad formula at all, Bill. Not bad at all. “Find your passion. Build a dream. Take massive actions. Have faith. Keep moving toward your dream – no matter what.” You gotta like that advice. One problem, though. Humans are naturally lazy.

Okay. This big dream I have that I’m slowly acting upon? It started in April 2021 and was hidden behind a mask. Literally.

I had the idea of creating a new crime fiction series based on the old hardboiled/noir detective stories of a hundred years ago that were so, so popular. What’s old is new again, right? I see a resurgence of hardboiled headed right at us and almost nobody’s doing it.

That got my soul energized, and I planned out a series while out on long, soul-soothing walks. The concept, characters, and storylines came from here, there, and everywhere within my imagination. Soon, I had an imaginary city built in my mind—a dangerous city filled with heroes and villains and corruption unbound.

I was on a Zoom call with a film industry acquaintance regarding a non-scripted project on a historical multi-murder case I worked on. We wrapped that up for the day, and he asked what filmmakers should ask content producers (aka writers), “So, what else ya got goin’?”

I told him, “I have this dream for a hardboiled detective crime fiction series. The logline is a modern city in crisis enlists two private detectives from its 1920s past to dispense street justice and restore social order. A leading lady and leading man team involving time travel. It’s called City Of Danger.”

There was a long pause till he said, “Reeeally… This is exactly what we’re lookin’ for.”

To make a long story short, City Of Danger is well underway. The video/film rights are verbally optioned to a major netstreaming company—call me stupid for not taking cash up front but, on some forceful advice from an entertainment-specialist lawyer, I’ve left my mean streets and perilous avenues open until I fully understand my product’s potential and its optimum value.

Creatively, my soul was lit like the Rockefeller Christmas tree mixed with the Times Square New Years Eve Ball and my passion gushed like an open Bronx hydrant on a blistering day. I began taking action—massive action— in making this dream a reality. What I didn’t foresee was how much work this project will take, how much energy it’s bound to sap, and the laziness wildcard.

To begin with, I wrote a business plan. It’s comprehensive, and it’s put me in a much better position to go forward with how the City Of Danger business will be built and run. Yes, a business. A money-making business selling products in the entertainment industry. This is an entirely new, stand-alone venture that’s outside of DyingWords and my other commercial publication works.

I began with the end in mind. I had artwork produced showing the two main characters against the backdrop of a dark cityscape. I began a dedicated website for City Of Danger that’s a work-in-progress and always will be. And I renovated my writing studio with part of it recreating a 1920s private detective office.

All this was about getting in the zone—the headspace—so I could think like the characters think, talk with the characters, and let the characters tell me their hardboiled stories so I can write them out. Call it method writing, if you will. Or, you can call it plain escapism fun.

The hard work started immediately when I committed—in writing—to creating City Of Danger and making it a success. I realized I knew almost nothing of the hardboiled genre. Why were the greats like Dashiell Hammett, Raymond Chandler, Mickey Spillane, and Elmore Leonard so great? I went back to school and studied them.

Along this past seven month’s journey, I questioned my ability to successfully pull off something so big that I knew so little about. I took a page from Tiger Wood’s playbook where he described his comeback to win the 2019 Masters. Woods completely took apart his game and rebuilt his swing, his putting, his chipping, his mental attitude, and he looked back at everything the historic Masters champions did to win a green jacket.

I did much the same—rebuilt. I rebuilt myself as a writer. I read a lot on writing craft. A lot on the business of writing. A lot on mental attitude. And a lot on who the writing masters of hardboiled detective fiction really were, as well as how their great stories were structurally built and emotionally told for massive audience reception.

I read about screenwriting, and I took screenwriting courses. I studied what hardboiled genre films, like Humphrey Bogart in The Maltese Falcon, made it big and what similar-themed TV shows were a success.

Success. There’s that word again. Success. I have my focus on success with City Of Danger, but there’s one huge obstacle to overcome daily. That’s my tendency to be a bit lazy at times and not do the work. The real work. The writing work that makes a dream like this a success.

Yes, I’m the first to admit. I have a bit of a lazy streak in me. You probably do, too. That’s okay, though, because we humans are naturally programmed to be lazy.

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Footnote: The pilot episode of City Of Danger is set for release in June 2022. It’ll start as an ebook series, released one episode each month, with intentions to follow with print and audio versions. The netstreaming side is an entirely different venture—currently in the hush-hushed shadows. I’ll keep you posted. 😉