Tag Archives: Writer

CJ LYONS – DIRTY LITTLE SECRETS OF PUBLISHING

It’s a real privilege to host acclaimed New York Times Multi-BestSelling author CJ Lyons as a guest on www.DyingWords.net. CJ generously offered to share this piece of wisdom about what it takes to be successfully published in today’s ever-changing writing industry.

CJ1B81% of Americans say they want to write a book someday. The most common mistake unpublished writers make is that they don’t write. They talk about writing. They’ll polish the same ten pages for contest entries over and over, bring the same scene to their critique partners repeatedly, work for ten years on the same manuscript, and complain about not getting published.

Here’s Ten Secrets about what it takes to get published.

Secret #10: Writers write… successful writers keep writing.

Yes, they’ll hone their craft. Yes, they’ll pour their heart and soul into a project. Yes, they’ll revise until it’s the best they can do. But they also keep writing. They’re always open for new ideas, new directions, new challenges. It might mean trying a new genre, stretching their point of view skills, or trying a new plotting or editing technique.

CJ2They’re in constant search for something that will spark their passion. That “one thing” no one has tried before or been able to pull off the way they know they can. They don’t want to fit in with the herd. They want to outrace it, be trail-blazers, forging their own unique paths…this is how they find their voice. And once they find it, they embrace it, instead of denying it.

They learn how to finish a project and when a project needs to be set aside because “good” just isn’t “good enough.” They realize that they’re not competing with other unpublished authors, they’re competing with New York Times bestsellers. They’re prepared to work just as hard as any bestseller when it comes to honing their craft, learning the business, and managing their career. 

Secret #9: Your first book won’t be the first book you sell. 

Most published authors will have written at least half a million words, usually between four to six completed novels, before they sell.

Makes perfect sense–you wouldn’t let a college freshman or even a med student do brain surgery, right? Be prepared to finish projects and move on if they aren’t striking a chord with industry professionals. It might mean your writing needs work, or the market is over-saturated, or your wonderful idea just isn’t hitting the right desks at the right time.  

CJ4Embrace every rejection letter not as a failure but a success. Because with each one, you’ve done more than most people dream of…you finished a novel and had the courage to set it free. And, when you do find your voice and polish your craft and hit the right desk at the right time, the first thing your new agent is going to ask you is: what else do you have for me?   

Then you’ll be very happy that you have those other completed manuscripts ready and waiting!

Secret #8: It’s not about finding an agent, it’s about finding the RIGHT agent! 

CJ3Finding an agent is like going on a blind date and getting married that same night. You’ve probably never met, or if you have, it was for a ten minute pitch session when everyone is playing a role and on their best behavior. Once you sign with an agent you are entrusting them with your reputation, your finances, your future. Take the time to find the Right One for you.

Secret #7: Know your readers. Know your genre. Know your market.  

CJ5AOnce you have your agent, you don’t get to slink back to your cave and just write. Yes, your agent may have some ideas about which editors and publishers are right for your work, but you need to know who your A list editors are and why. Talk to your agent about long-term career planning. Do you always see yourself writing in this genre? How do you want your agent to market you? There’s a big difference between an agent telling an editor, “I have a hot new thriller writer” and “I have a hot new romantic suspense author” even though the book might be the same.

Understand where the market and genre you’ve chosen have been, where they are, and where they’re heading. Educate yourself. Target the editors you submit your work to. Find the ones who respond to your writing, but more importantly find one who will champion your work. 

Secret #6: Contracts only favor the publisher!  

CJ6You did it! You’ve sold!! Yeah!!! Now what? Your agent will already have some negotiating points in mind, but first you need to educate yourself on the basics. What’s a pre-empt? What’s an auction?  What’s an advance? Who’s making the most: a “nice” deal for $30 K, a “very nice” deal for $50 K, a “good” deal for $100K? 

If the first is for one book, the second for two, and the third for five books, then your “good” deal author may be in trouble. How far are you willing to fight for your subrights, like movie/TV, e-books, audio? Where will you draw the line? You and your agent need to have the answers before you sign the contract.

Secret #5: The average book receives $800 in marketing from their publisher.

Actually, based on some recent conversations, I fear this is actually more money than most books get for their marketing budget.

CJ1Yes, we’re repeatedly told that part of our jobs as writers is to build a platform, create a brand, get out there and blog, Tweet, Facebook, and sell, sell, sell!!!  Here’s the reality: Marketing is worthless without your publisher behind you.  AND the one thing publishers forget while they’re telling you to get busy selling your books, is that the BEST marketing is taking the time to write the next one!  Protect your work instead of getting frenzied promoting it. Write the next book. Then, if you have energy left over to promote, go for it!

Secret #4: People DO judge books by their covers.  

CJ9My first publishing deal was a debut author’s dream: a hard cover pre-empt with a major NYC publisher, over a dozen NYT bestseller endorsements (including one from Sandra Brown!), great pre-orders and pre-sale buzz…enough to lead the publisher to double their initial planned print run. Until…the cover art finally arrived.

Monochrome shades of bile green destined to make anyone trying to read the cover quotes or cover flap material literally nauseous. Yes, my wonderful debut found itself dressed in the ugliest, most physically revolting cover I’d ever seen!

I wasn’t the only one who felt this way. As soon as the booksellers saw it, they cancelled all their orders. But the publisher stood by their cover art (rather than my book) and pulled it 100 days prior to publication….no more debut dream for me…. 

Secret #3: Expect change, embrace change.   

CJ10As you can see from the story above, change is the one constant in this business. You’ll be faced with new editors, new agents, maybe even new publishing lines as companies trim and merge and re-structure. Be professional. Know how to break up and still stay friends. Be alert to new opportunities: new publishing models, new genres…always growing your brand rather than dividing it. And above all else, stay true to your vision! 

(Which, by the way, is exactly what I did and that book-that-never-was is now a bestselling e-book!)

Secret #2: Write 2K / Read 2K  

CJ11Ever have someone tell you they want to write a book or they are writing a book and then say, “I don’t read”? Happens all the time. But if you’re going to have a career in writing, you need to love reading. Read everything. Not just your genre but others as well. Look for the cutting edge in trends, new twists on language that make you smile, even bad writing that makes you cringe—so that you can learn how to avoid those pitfalls.

CJ12It’s difficult, because once we begin to write we often find it hard not to edit as we read–and we have less time than ever. I have finally given myself permission to not finish a book that isn’t working for me. When a book does work for me, when it transports me so that my internal editor turns off, I’ll drink it in, immersing myself in it. Then I’ll set it aside for a day or two before I go back and try to dissect why it worked or make note of any particularly magical phrases, word choices.

Not to steal, but to study.

Why did I connect so strongly with this character? How was the setting used to evoke emotion? What made the plot twist at the end both believable and devastatingly surprising? W2K / R2K is a formula my agent came up with: Write 2,000 words a day / Read 2,000 words a day. 

Secret #1: Writers may write alone, but you can’t be a writer alone.  

CJ13We may have the innate talent to become storytellers, but there’s no way to walk the road to publication without a lot of help from a lot of people. When people ask me the secret to getting published, I tell them, it’s surrounding themselves with the right people – even if they never meet in person.

Those people could be the authors of the kind of books they aspire to write, online teachers and mentors on writing forums who offer support and advice, a group of like-minded professionals like those in Romance Writers of America or International Thriller Writers, the spouse who understands that when they start mumbling dialogue it doesn’t mean they’re talking to themselves.

Throughout history storytellers have held a revered place in communities.

CJ14EIt takes a village–support from non-writers (aka enablers who feed your addiction), fellow writers who understand all about the voices in your head, mentors, your publishing/career team, booksellers, reviewers, and above all readers.

How do you know you made it?  

CJ15For some it’s being able to quit the day job, for others seeing their name in print and getting good reviews, but for me it’s hearing from fans who tell me my stories–those silly voices in my head that got me into so much trouble when I was a kid–that my books have made a difference in their lives. Like the commercial says… priceless. Becoming a career novelist is not simply a question of perseverance. It’s a question of passion.   

Where’s your passion? How can you be the best you instead of a pale imitation of someone else? Are your stories the kind of stories that speak to the eternal, that resonate with your audience, that will still have something to say to people decades from now? Be committed. To lifelong work, lifelong learning, lifelong growth. You’ll never have all the answers. 

CJ16Take a lesson from writers like Stephen King who insist on constant re-invention and challenging themselves. King says, “Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work”.

When asked, “How do you write?” I invariably answer, “One word at a time.”  

Happy writing!  CJ 

*   *   *

CJ17As a pediatric ER doctor, CJ Lyons has lived the life she writes about in her cutting edge thrillers. In addition to being an award-winning, bestselling author, CJ is a nationally known presenter and keynote speaker.

CJ8CJ has been called a “master within the genre” (Pittsburgh Magazine) and her work has been praised as “breathtakingly fast-paced” and “riveting” (Publishers Weekly) with “characters with beating hearts and three dimensions” (Newsday). 

CJ20Her award-winning, critically acclaimed Angels of Mercy series (LIFELINES, WARNING SIGNS, URGENT CARE and CRITICAL CONDITION) is available now. Her newest project is as co-author of a new suspense series with Erin Brockovich.

You can learn more at http://www.cjlyons.net or find her writing books at www.NoRulesJustWrite.com .

Follow CJ on Twitter @CJLyonswriter

Like her on Facebook 

Here’s the link to download CJ’s original article

7 TIPS FOR WRITING FIRST DRAFTS

This guest post is by Dr. Kim Foster who is a practising physician, a published author, and a mom. She’s also an active health blogger. 

Kim1Just in time for NaNoWriMo (National Novel Writing Month) I thought I’d do a post about how to write a first draft.

Because let’s face it, first drafts are hard.

It’s no secret, it’s not my favorite part of the process. I love the outlining / dreaming / planning stages, and I love the revising / shaping / polishing stages. The first draft stage? Not so much.

But it’s okay. It has to get done. Here are my seven tips for conquering that first draft.

1. Carve out the time.

Kim3Seems obvious, right? If you want to write a novel, you’re going to have to find the time in your schedule…somewhere. It just won’t get done otherwise. The world is filled with people who dream of writing a novel, someday, when they find the time. Don’t be one of those people.

We all have time challenges, and the solution will be different for everyone.

That said, I have lots of thoughts on how to find the time to write. It’s something I have wrestled with, and found many solutions for (and continue to find solutions for, in this ever-changing life).

During my blog tour a few months ago I wrote a guest post on how to find the time to write. If you’re struggling with this issue, start there.

2. Forget about quality, just get it done.

To get your first draft finished, you simply have to write. You have to get it down. Why? Because, as Nora Roberts wisely said, “You can’t edit a blank page.”

Kim4My first drafts are absolutely horrible. They’re barely literate, filled with little notes and reminders to myself—stuff I know I’ll tackle in subsequent drafts (like: “describe sights and smells of the market here…”). I do that because speed is important to me in a first draft. I think there’s a certain momentum you need to achieve when writing a first draft, because it’s so easy to get sidetracked and distracted. Writing a first draft is a whole lot harder than, say, binge watching Game of Thrones.

So first drafts should be pretty bad. I’m not alone in thinking this.

“The first draft of anything is shit.” -Ernest Hemingway

“Almost all good writing begins with terrible first efforts. You need to start somewhere.” -Anne Lamott

Cut yourself some slack and just get those words down. You will have plenty of time to rewrite and hack it apart and flesh out the sensory descriptions of markets…but that will come later. First, just get the story down.

3. Don’t worry about balancing the elements of fiction.

Kim5Here I’m referring to all the weaving and layering that needs to occur in a finished novel. Your polished novel needs to contain a balance of character stuff, dialogue, narrative, flashbacks, backstory…and much more. 

But trying to keep all that in mind while you’re throwing down the first draft is making it harder than it needs to be.

Just keep telling the story, and worry about those things later. 

If you get to a spot where you know you want a certain element—a little bit of character development, say—but you don’t want to slow down, just jot a note to yourself to flesh out that bit on a subsequent draft. 

Especially if you’re a pantser, once you’ve got the first draft down, and you know how it all shakes out, you’ll be able to go back and add those elements much more effectively. 

Kim6Now, it should be said that some people have the ability to do the balance thing in their first draft. And if you’re one of those people, well—go, you! My critique partner, Karma Brown (whose debut comes out in May 2015, by the way) has an amazing ability to get all those components down in her first draft. I actually don’t know how she does it. 

When I went to New York this summer for Thrillerfest I listened in shock as Lee Child said “I’m a one-draft writer.” 

But most writers—me included—need to weave in those layers and threads during the revision process, and that’s completely okay. Revising in layers is the approach I take, and it’s what many of us do. 

4. Don’t think about pacing.

Here I’m talking about both the pacing within a scene, and the overall pacing of the story. Neither issue needs to be dealt with during the first draft. That’s because it’s something best analyzed once you’ve got the whole story down. During the first draft, don’t sweat it. 

Kim7As you’re writing the first draft, you may reach a scene you can clearly envision, so your descriptions will be deeper and your dialogue more fleshed out. You may not have other scenes figured out quite so fully, so your treatment of them—on first pass—will be more cursory at this point. 

You may also have a string of slow, reflective scenes back to back, and then a run of action scenes…which may not be the pace you’re going for.

That’s okay; it will all get sorted out in subsequent drafts. 

During revision, you’ll be able to consider the entire structure of the book and how each scene fits in. Pacing will be different for every book, of course, depending on genre and the particulars of your story.

5. Don’t worry about voice.

Kim8I consider the first draft to be about finding the voice for the story. And I don’t mean POV. That’s different. It’s probably a good idea to decide who is telling the story before you start—but depending on how much of a pantser you are, you may not even have that figured out yet. 

No, when I say “voice” I mean that difficult-to-describe quality of…the sound of the story.

Is it spare and lean, or flowery? Sarcastic? Hard-boiled? Snappy? Poetic? 

I read an article somewhere that listed the things you needed to have figured out before starting to write your first draft, and voice was one of the first. My palms grew sweaty at the idea. How can you possibly have the voice determined before writing the draft? I wondered. 

There are many things I know (or think I know) before writing: the main characters, the climax, the ending, key scenes. But the voice? Nope. That evolves for me as I’m writing the first draft. It comes out of character as I’m telling the story. 

Kim9Plus, I think if you worry too much about having a cohesive voice before you even start, it’s going to slow you down while you’re writing that first draft. You’re going to keep stopping and wondering if your voice is consistent, you know? 

Ideally, by the time you’re finished your first draft, the voice has emerged. And then, cleaning up, honing, and polishing that voice becomes a revising layer.

6. Give yourself a deadline.

I think this is a big part of the success of NaNoWriMo. Because NaNo creates a clearly defined—but do-able—timeframe. And although it’s all completely voluntary, there’s something about the accountability to the community that applies needed pressure. 

Without a deadline—whether self-imposed or detailed in a book contract—writing a first draft tends to stretch on and on. 

Oh, I’ll finish my book…eventually. 

Kim10A deadline lights a fire. If you’re organized, a deadline means you need to meet a word quota, whether it’s a daily or weekly quota. It keeps you from straying. 

So, impose a deadline. Make yourself accountable. Create a pact with a writing partner or your critique group. Join NaNo or another writing challenge. Whatever it takes. 

The pressure of a deadline can mean the difference between finishing that book and being one of those eventually people.

7. Keep moving forward.

Kim12Think of your first draft as a train going in one direction only. Don’t go backwards and re-do stuff while you’re in the middle of your first draft. That’s another good way to never finish a book. If you get caught up on tweaking and polishing and thinking about things too much, and you’ll never get the book written. 

Keep moving forward and get the whole story out.

Have faith that you will go back and change many things. Resist the temptation to re-read what you’ve written. You will probably be horrified by what you see (refer to point number 2, above), and nobody needs that. 

Keep your confidence intact, keep your head down…and just keep pushing forward. 

 *   *   *

Tamea Burd PhotographyDr. Kim Foster is a practising physician, a writer, and a mom. She’s also an active health blogger. 

After thirteen years of stitching people’s lacerations, treating their sore throats, and checking their blood pressure, Kim recently became a very successful, published author. She has a wonderful agent, Sandy Lu of L. Perkins Agency, and a 3-book deal with Kensington Books. Kim’s first novel A Beautiful Heist was published in June, 2013, and the sequel. A Magnificent Crime was released in June, 2014. She’s hard at work on her third book. 

Kim15Dr. Kim obtained her BSc in Biology in 1994 from The University of Western Ontario. She then attended medical school at McMaster University in Hamilton, Canada, and graduated in 1997, followed by a two-year residency in family medicine. She holds an active license with the College of Physicians and Surgeons of BC, and is a member of the Canadian Medical Association and the College of Family Physicians of Canada.

Kim14Born and raised in Oakville, Ontario, Kim has lived in Calgary, Vancouver, and London, England. She now happily calls Victoria, British Columbia, home and lives there with her husband and their two young boys. Kim maintains two websites – www.kimfoster.com which is her author presence and www.drkimfoster.com which is her professional medical site titled Savvy Health.

Thanks so much to Kim Foster for her guest post on DyingWords.net. She’s a terrific writer and I highly recommend her books and blogs.

ELMORE LEONARD – MASTER CRIME WRITER

Story-telling lost a great when Elmore Leonard died.

Elmore Loenard 4Crime, thriller, mystery, and western fans will miss him.

But the literature world won’t.

Or litter-a-ture’ and ‘the members-only club’ as Elmore Leonard called the word-snooterati.

Elmore Leonard didn’t care about awards and hob-nobbery. He wrote about realistic worlds where his fast pace, sharp dialogue, prose-poor, and wrong grammar captivated readers who loved being entertained, escaping, learning, and transporting through his stories – real people who weren’t seeking literary merit.

Elmore Leonard“Most writers don’t write for a living,” he said. “They write for tenure. Or for the New York Times. Or to get invited to conferences. When you write to make the rent or send your kids to school, you learn how to write without a lot of nonsense.”

Elmore Leonard found a no nonsense audience.

His career spanned 60 years and 40 novels – 19 becoming motion pictures and 7 made into TV series. 3:10 To Yuma was his baby. So was Big Bounce and 52-Pickup. Major stars and major producers recognized Elmore Leonard’s simplistic genius.

Part of his genius is that he told both sides of the story. Protagonist and Antagonist.

Elmore LeonardElmore Leonard’s discipline was patience, perseverance, and praising others – he read more than he wrote. He also had 10 rules of writing.

  1.   Never open a book with weather.

  2.   Avoid prologues.

  3.  Never use a verb other than “said” to carry dialogue.

  4.  Never use an adverb to modify the verb “said”…he admonished gravely.

  5.  Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.

  6.  Never use the words “suddenly” or “all hell broke loose.”

  7.  Use regional dialect, patois, sparingly.

  8.  Avoid detailed descriptions of characters.

  9.  Don’t go into great detail describing places and things.

  10.  Try to leave out boring parts, the parts that readers tend to skip. 

Then there’s his 11th.

Elmore Leonard 2“Write the book the way it should be written, then give it to somebody to put in the commas and shit.”

RIP Elmore Leonard

Master crime writer and story-telling genius.