Tag Archives: Science

CASE ACADEMY – NEW EDUCATIONAL SITE FROM FORENSIC OUTREACH

Forensic Outreach is one of the coolest sites on the internet for crime writers and forensic junkies. It’s an educational organization that specializes in public engagement on forensic, crime, and security science disciplines.

**On February 17, 2015, Forensic Outreach is launching a remarkable new project on Kickstarter called CASE Academy.**

Alongside an already incredible virtual faculty and by combining powerful learning tools, CASE Academy is an interactive online school that provides resources — lectures, games, and simulations — for students, educators, and anyone who is fascinated by these subjects. For those that don’t know, Kickstarter is a prominent crowdfunding platform that will assist CASE Academy to build direct relationships with future students from the beginning.

Forensic Outreach has been a dynamic and active part of the science curriculum in classrooms throughout the United Kingdom and Europe since 2001, although it was re-launched on the web last year to broadly deliver CSI workshops.

Their events and outreach programs are facilitated by instructors, trainees, interns, volunteers, and law students from UCL, King’s College, Birmingham, and Newcastle.

Conceived to introduce forensics as an integrative and cross-disciplinary approach to science education, Forensic Outreach has worked with over one hundred academic institutions and charities. Now, as part of their online public engagement activities, they’re assembling a team of talented writers, regular contributors and podcasters to record and deploy our broadcasts.

Forensic Outreach has developed partnerships with local police forces across the UK, the JDI Centre for the Forensic Sciences at University College London, the Barts Museum of Pathology, and the Center for Forensic Science Research and Education in the USA. They’ve delivered events for a number of high-profile institutions, including the Museum of London.

The JDI Centre is a multi-disciplinary initiative that aims to contribute significantly to the development of the forensic sciences, in part through collaborative projects with Forensic Outreach. They’ve also worked alongside local community groups to deliver masterclasses to adults learners and led one-off presentations for interested individuals for science-themed meet-up gatherings.

I first connected with the folks at Forensic Outreach via Twitter and instantly became a leading fan and supporter as I was so impressed by the depth and variety of their quality content.

Here’s some examples of the great entertaining and educational information that you’ll find in Forensic Outreach:

A collage of the top fifty crime/security/science articles for 2014. There’s fascinating stuff in here like The Grisly History of Forensics, Stranger than Crime Fiction, and The CSI Effect – Are Juries Being Blinded by Science?

http://forensicoutreach.com/bookmark-these-top-50-articles-on-crime-security-and-science/

Three real-life forensic tools straight out of science-fiction. Here’s tomorrow’s technology that’s being used today – scene replication through virtual walk-thrus, autopsies without scalpels, and computerized facial recognition in crowds.

http://forensicoutreach.com/3-real-life-forensic-tools-straight-out-of-science-fiction/

Fifty incredible women in Science, Technology, Engineering, and Math (STEM). No doubt you’ve heard of Facebook’s Sheryl Sandberg, but do you know who Ory Okolloh Mwangi, Dr. Sue Black, Caitlin Doughty, or DN Lee are?

http://forensicoutreach.com/2014s-50-most-incredible-women-in-stem-in-no-particular-order/

Twenty-five eccentric, weird, and wonderful crime & science blogs. Check out Morbid Anatomy, Strange Remains, The Chick and the Dead, Bones Don’t Lie, or my favourite – Mortuary Report.

http://forensicoutreach.com/25-eccentric-weird-wonderful-science-blogs-we-love/

Three real-life scientists who are larger than their TV counterparts. Meet police criminologist Daniel Holstein, forensic pathologist Dr. Michael Baden, and forensic biologist Dr. Neal Haskell.

http://forensicoutreach.com/3-more-real-life-scientists-way-cooler-than-their-tv-counterparts/

Here’s the fifty best crime writers to watch for. Some knowns and lesser-knowns on the list are Lee Child, James Rollins, Jo Nesbo, Louise Penny, MJ McGrath, Max China, but unfortunately not Garry Rodgers. See who else made the list.

http://forensicoutreach.com/successors-to-the-greats-the-top-50-best-crime-writers-to-watch-in-2014/

Learn six methods of firearm & ballistic identification. Find out about striations, GSR, tissue damage, trajectory and impressions.

http://forensicoutreach.com/6-remarkable-ways-guns-can-be-linked-to-a-crime-scene/

This is only a sampling of the tremendous material that you’ll find on Forensic Outreach.

Now, as part of their online public engagement activities, they’re assembling a team of talented writers, regular contributors, and podcasters to record and deploy their broadcasts. Forensic Outreach is now leaping beyond their original purpose and aims to reach a wider audience through online public engagement campaigns like CASE Academy.

The Kickstarter launch “army” includes hundreds of people just like you and me – STEM educators, science communicators, journalists, serial podcast addicts, crime writers, and more.

I’m writing this post because I so strongly believe in the credibility and value that Forensic Outreach has. I know that CASE Academy is going to be a deadly success and I’m asking you to help make it an incredible virtual school. Please support this excellent venture by shouting out on social media, or if you feel even more generous, you can donate to the Kickstarter campaign as well.

Remember, Tuesday, February 17, 2015, is launch day for the CASE Academy Kickstarter campaign. It starts at 14:00 GMT.

Please join the Kickstarter army by signing onto the Quick Button on the CASE Academy website at http://case.forensicoutreach.com/

Or visit the main Forensic Outreach website at http://forensicoutreach.com/

Help them out on Twitter – @ForensicFix https://twitter.com/forensicfix using #caseacademy .

Like & follow Forensic Outreach on Facebook https://www.facebook.com/forensicoutreach

Check out their Goodreads page at http://www.goodreads.com/group/show/149154-case-academy-kickstarter—crime-mystery-readers-and-writers

**And help me boost traffic for my friends at Forensic Outreach and CASE Academy by passing this on through all of your social media connections.**

BREAKTHROUGHS IN FORENSIC TECHNOLOGY

Technology has made huge breakthroughs over the past thirty-five years that I’ve been around criminal and forensic investigation (CSI). Without question, the next thirty-five are going to bring mind-blowing advances. I’ve looked into my forensic crystal ball to come up with five things I think will be real by 2050.

But first… let’s look at the top five since 1980.

1. Computers

When I started policing, the PC was unheard of.

The only computing system we had was a mammoth of a beast that filled-up many rooms at headquarters. CPIC, or the Canadian Police Information System, was in its infancy as was its American counterpart, NCIC or National Criminal Intelligence Center. Both systems are still around but, instead of having to phone to book appointments to use the system, the information now comes straight to the patrol cars or to a detective’s smart device.

Computers have affected every facet of forensic investigation.

Despite complex computerized analysis being fast and accurate, the routine is much easier. Report writing is far simpler – no more carbon paper to make multiple copies, no more white-out, and thank God for spell-check. Communications are instant with internet email and gone are the days of waiting for a report to show up in snail mail. Training is done through computerized simulation, sketching is replaced by computer-aided drawing, and administration is now done by the keyboard. Computers are what allowed the next four advances to occur.

2. AFIS – Automated Fingerprint Identification System

The science of fingerprinting has been around nearly one hundred and fifty years, but the mechanism of storage and matching prints was cumbersome. Known prints from criminals used to be rolled in ink and stored on paper and the latent prints from crime scenes were lifted in powder were stored in plastic sheets. There was no effective system to easily match the two. Today, suspect prints are digitally scanned and stored in data bases. Latent prints are still lifted in conventional manners, but they’re then scanned and put into a search engine where they can be matched right from the crime scene.

3. Photography

Today’s digital photography is a tremendous time-saver compared to the days of negative and image development. It’s instantaneous to share over the internet, even allowing an investigator to snap a digital photo in the field and email it to the other side of the world. Another facet of crime fighting is the incredible amount of mobile and stationary cameras that are out and about in society which capture movements of criminals before, during, and after events. Many crooks have gone down because they failed to realize they were on camera.

4. Education

Today’s forensic investigators are far better educated than in the 1980’s. Much of that is due to the ease of which information can be shared. Where it used to take great blocks of time and huge resources to assemble courses and conferences, many agencies now use webinars and on-line presence to create ‘virtual’ classrooms. Education and sharing information are the jewels in crime-fighting.

5. DNA

Deoxyribonucleic acid or genetic fingerprinting is probably the best crime-fighting tool ever developed. Today, thanks to the computer, the sophistication and expediency of DNA testing has led to it being commonly – and accurately – used in the majority of serious crime investigations. Many convictions have been secured on DNA evidence alone. Conversely, many innocent people have been cleared of suspicion due to elimination by DNA typing.

So that’s what happened over the past third century. Ever wonder what’s going to happen over the next third?

Well, I’m gazing into the crystal ball and predict five things.

1. Holograms

3-D technology is commonplace in movies and on TV. Many criminal prosecutions are already presented through computer-aided reconstruction to lay out the scene, bullet paths, vehicle motions, and blood-spatter patterns.

I see a day when virtual-reality holograms are imaged in the middle of the courtroom so the jurors can watch a total recreation of how the crime went down.

2. Brain-Scan Polygraphs

Conventional polygraphs have only slightly evolved in three decades and that was by the replacement of the old ink-needle charts with laptop technology. The basics of polygraphy still depends on the ability of a skilled operator to formulate key questions and then interpret the subject’s involuntary body reactions – pulse, respiration, blood pressure, galvanic skin responses, and perspiration.

I see a day when brain mapping and analysis of how a subject responds under electroencephalography (EEG) and function magnetic resonance imaging (fMRI) will replace the current polygraph. The technology is already here and research is underway towards its forensic application.

2. Laser Devices

I think lasers have phenomenal potential in forensics. Currently, laser lighting is used to amplify fingerprint and tool marking evidence. It’s also used in ballistic matching where the old electron-scanning comparison microscopes are being replaced by laser/laptop examiners like the Bullettrax 3D which makes the peaks and valleys of a ballistic engraving show up like satellite ground mapping radar images.

I see a day when forensic investigators will map out a crime scene with hand-held laser devices to perfectly record information which will be transformed into hologram reproductions.

4. Ion-Sniffers

Detection of ions through gas chromatography mass spectrometers has been around fifty plus years and is still used daily in crime labs. What’s missing are portable devices to assist in field searches of buildings, vehicles, boats, planes, and the great outdoors. Often investigators know exactly what they’re looking for – a firearm, explosives, contraband, or even a dead body – but the parameters of the search area turn it into the needle-in-a-haystack scenario.

I see a day when the ionic signature of the article(s) being searched for are dialled into the device and it zooms right into the location.

5. Satellite Tracking of Dangerous Criminals

Over the past few decades we’ve got a better handle on controlling violent and prolific offenders through DNA profile banks and ankle bracelets of parolees. We’ve also had tremendous advances in satellite technology where smart-bombs are delivered down terrorist’s chimneys and GPS aps tell you exactly where you are on the planet. We have microchips in everything from our bank cards to our pet Schnauzers and there are more cell phones in Africa than people. What we don’t know is where the dangerous .001 percent of the population are and have been.

I see a day that we’ll ditch these guy’s rights. We need to protect the 99.999 percent of the population that’s at risk. Common sense will prevail and there’ll be court orders mandating satellite tracking chips being surgically implanted into dangerous offenders.

I’ll check back with you in 2050. It’ll be interesting to see what I’ve missed.

WHY ARE WE WIRED FOR STORY?

Lisa Cron’s book Wired For Story was a writing ‘A-Hah’ moment for me. I’m so pleased to to have Lisa share this game-changing information as a guest at DyingWords.net.

What would you say if I told you that what the brain craves, hunts for, and responds to in every story it hears has nothing to do with what most writers are taught to strive for? What’s more, that it’s the same thing whether you’re writing literary fiction or a down and dirty thriller?

You’d probably say, prove it. Fair enough.

First, the mistaken belief: From time immemorial we’ve been taught that things like lyrical language, insightful metaphors, vivid description, memorable characters, palpable sensory details, and a fresh voice are what hooks readers.

It’s a seductive belief, because all those things are indisputably good. But they’re not what hook the reader. The brain, it turns out, is far less picky when it comes pretty prose than we’ve been led to believe.

What does the brain crave?

Beginning with the very first sentence, the brain craves a sense of urgency that instantly makes us want to know what happens next. It’s a visceral feeling that seduces us into leaving the real world behind and surrendering to the world of the story.

Which brings us to the real question: Why? What are we really looking for in every story we read? What is that sense of urgency all about?

Thanks to recent advances in neuroscience, these are questions that we can now begin to answer with the kind clarity that sheds light on the genuine purpose of story and elevates writers to the most powerful people on earth. Because story, as it turns out, has a much deeper and more meaningful purpose than simply to entertain and delight.

Story is how we make sense of the world. Let me explain . . .

It’s long been known that the brain has one goal: survival. It evaluates everything we encounter based on a very simple question: Is this going to help me or hurt me? Not just physically, but emotionally as well.

The brain’s goal is to then predict what might happen, so we can figure out what the hell to do about it before it does. That’s where story comes in.

By letting us vicariously experience difficult situations and problems we haven’t actually lived through, story bestows upon us, risk free, a treasure trove of useful intel – just in case.

And so back in the Stone Age, even though those shiny red berries looked delicious, we remembered the story of the Neanderthal next door who gobbled ‘em down and promptly keeled over, and made do with a couple of stale old beetles instead.

Story was so crucial to our survival that the brain evolved specifically to respond to it, especially once we realized that banding together in social groups makes surviving a whole lot easier.

Suddenly it wasn’t just about figuring out the physical world, it was about something far trickier: navigating the social realm.

In short, we’re wired to turn to story to teach us the way of the world and give us insight into what makes people tick, the better to discern whether the cute guy in the next cubicle really is single like he says, and to plan the perfect comeuppance if he’s not.

The sense of urgency we feel when a good story grabs us is nature’s way of making sure we pay attention to it. It turns out that intoxicating sensation is not arbitrary, ephemeral or “magic,” even though it sure feels like magic. It’s physical. It’s a rush of the neural pleasure transmitter, dopamine. And it has a very specific purpose.

Want to know what triggers it?

Curiosity.

When we actively pursue new information – that is, when we want to know what happens next — curiosity rewards us with a flood of dopamine to keep us reading long after midnight because tomorrow we just might need the insight it will give us.

This is a game changer for writers.

It proves that no matter how lyrical your language, or how memorable your characters, unless those characters are actively engaged in solving a problem – making us wonder how they’ll get out of that one – we have no vested interest in them.

We can’t choose whether or not to respond to story. Dopamine makes us respond. Which is probably why so many readers who swear they only read highbrow fiction are surreptitiously downloading Fifty Shades of Grey. I’m just saying.

I know that many writers will want to resist this notion. After all, the brain is also wired to resist change and to crave certainty.

And for a long time writers were certain that learning to “write well” was the way to hook the reader.

So embracing a new approach to writing – even though it’s based on our biology, and how the brain processes information — probably feels scary. The incentive to focus on story first and “writing” second, however, is enormous. To wit:

You’ll reduce your editing time exponentially because story tends to be what’s lacking in most rough drafts. Polishing prose in a story that’s not working is like rearranging deck chairs on the Titanic.
You’ll have a 1000% better chance of getting the attention of agents, editors and publishers. Yeah, 1000% is arbitrary, but it’s not far off. These professionals are highly trained when it comes to identifying a good story. They like good writing as much as a next person – but only when it’s used to tell a good story.
You’ll have a fighting chance of changing the world – and I’m not kidding. Writers are the most powerful people on the planet. They can capture people’s attention, teach them something new about themselves and the world, and literally rewrite the brain – all with a well-told tale.

Indeed, the pen is far mightier than the sword.

That is, if you know how to wield it.

* * *

Lisa Cron is the author of Wired for Story: The Writer’s Guide to Using Brain Science to Hook Readers From the Very First Sentence (Ten Speed Press). I’m thrilled to have Lisa share her knowledge, observations, and wisdom through this guest post at DyingWords.net.

Wired For Story caused me to go right back to square one and revise my No Witnesses To Nothing manuscript. For someone like me who comes from a totally anal adherence to science, I had a Eureka moment when I Lisa showed me the straightforward science of storytelling. Our brains are hard-wired for stories – always have been, always will be. This is a science ap for a page-turner. I’m serious. If you want to bring up your writing game… READ THIS BOOK!

Lisa has worked in publishing at W.W. Norton, as an agent at the Angela Rinaldi Literary Agency, as a producer on shows for Showtime and CourtTV, and as a story consultant for Warner Brothers and the William Morris Agency. Since 2006, she’s been an instructor in the UCLA Extension Writers’ Program.

Lisa works with writers, nonprofits, educators and organizations, helping them master the unparalleled power of story, so they can move people to action – whether that action is turning the pages of a compelling novel, trying a new product, or taking to the streets to change the world for the better.

Lisa’s literary agent is Laurie Abkemeier at DeFiore and Company.

Her video tutorial Writing Fundamentals: The Craft of Story can be found at Lynda.com.

Watch Lisa’s Ted Talks video here: https://www.youtube.com/watch?v=74uv0mJS0uM

Visit her website at http://wiredforstory.com/

Follow on Twitter https://twitter.com/LisaCron

Here the Wired For Story Facebook page https://www.facebook.com/pages/Wired-For-Story/116220388438647