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HOME IS WHERE THE BODIES ARE

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The Wizard of Oz, circa 1939, is one of filmmaking’s masterpieces. It stars Judy Garland as Dorothy who interacts with timeless characters like the brainless strawman, the cowardly lion, and the rusty old tin man. And who can forget Dorothy’s little dog Toto and the Wicked Witch of the West? The show is about a fictional land far from home where home bodies never really go.

Speaking of fiction, I’m pleased to host a wonderfully talented writer who’s just released the fourth book in her Coroner’s Daughter series. It’s titled Frozen Lives. Please welcome my long-time friend and bookwriting/screenwriting colleague, Jennifer Graeser Dornbush with her guest piece, Home is Where The Bodies Are.

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I recently had the opportunity to watch a big screen viewing of The Wizard of Oz. Of course, I have seen this movie a hundred times on a small screen. The first time was on my family’s 13″ black and white TV as a kid. Decades later, seated in the ornate, historic Orpheum Theatre in Phoenix, Arizona, I saw the film audiences viewed it in 1939.

Dorothy was larger than life and magical!  Imagine her towering over you on the big screen in that classic moment when she taps the heels of those ruby slippers, tips her face towards heaven, and recites that earnest prayer, “There’s no place like home. There’s no place like home.”

Have you ever noticed that the message of The Wizard of Oz is completely rooted in the theme of HOME? I think that’s why we identify so much with the movie. And I am sure that is why it has stood the test of time and become a classic.

The film’s message is about the importance of the place we call home… Isn’t HOME at the core of what we all long for? We are all beings who seek to belong to a place that we affectionately call home.

Think of the prodigal son… at the end of the story, all he wanted was to be home with his father and brother on their farm. That’s all that mattered to him after he had been given everything else and lived the fast life.

HOME is the truest of all places in the world.

HOME is the place we want to be above all others.

The word we use, HOME, represents so much more than a physical geography or red dot on a GPS. And I believe every one of us could come up with very different definitions of what home means. But I believe there are a few common denominators.

Generally speaking, home is everyone and everything inside the sphere of where you exist.  In this sphere, we create endless personal stories with the people and experiences that we have. Home may include people who are biologically related to you. Or it may not. It may include relationships of choice or circumstance.

This aspect of home is a sphere of community… the people and experiences that add beauty and depth to the tapestry of our lives. And no, we don’t always get to choose who is woven into this tapestry. Sometimes these people make the tapestry radiant, and other times, they cause tears in the fabric. But even this is home, with all its flaws and faults.

Home is a blender mix of emotions and feelings. It’s the place where we are allowed to feel all the feels, hopefully without fear of judgement or condemnation. Home is the place or people where we can test out our feelings and thoughts, and rest assured we will still be loved on the other side of them.

Home is about being known and seen. Home is the place where you experience the truest sense of belonging and find the truest purpose for your life. Home is the sphere of where we learn things and grow.

From life skills like how to bake cookies, play the piano, or change a tire. To relationship skills, like how to live peacefully with others, how to serve others, how to connect to family, friends, and neighbors in a meaningful, loving way.

Home is this place we are invited to become a source of grace to one another when we forgive one another; and we are invited to learn how to accept grace from each other when we don’t deserve it.

Look again at the Wizard of Oz.  This lesson of grace is arguably the most important lessons Dorothy learned as she completes her journey and returns home to Kansas. As soon as she wakes up, back in her own bedroom, Dorothy admits she is wrong for running away. She is then able to experience the forgiveness and grace of her family and friends who surround her bedside and love her and want the best for her in spite of her flaws. In experiencing this, Dorothy makes her final transformation and seals the theme of the movie: There is no place like home.

When people ask me what I write, I tell them I write crime fiction… but it’s more than that… under all the crime solving and forensics, I write about what it means to be HOME.

The Coroner’s Daughter is a series of the prodigal daughter’s story. A lost daughter runs away from home and family when she is 16 years old for reasons that she is both liable for and not liable for. She then estranges herself for the next ten years, which causes a big chaotic hole in her disordered life that she must address in order to receive the grace and growth she needs to return home.

Yes, on the outside it looks like Emily has everything going for her. Successful new surgeon. Great life in Chicago. An adoring fiancé.  But inside, she’s lost her true north. To find it, she needs to undergo a heroine’s transformation, much like that of Dorothy. She experiences forgiveness, a restored appreciation of home, and a renewal of her purpose and her place in it.

In The Coroner’s Daughter books, we follow this struggle and Emily’s heroic transformation. For her, this means returning to her hometown community where she can successfully extend her father’s crime solving legacy and live into her deepest calling.

Here, she finds the place and people she belongs to. Here, she can contribute in ways only she is uniquely and forensically gifted to do.  With new resolve and sense of purpose, Emily knows she will never be unraveled from this place ever again.

Emily discovers, just as the prodigal son, and Dorothy from Kansas do… that there is no place like home.

…because for Dr. Emily Hartford, (because for Emily, The Coroner’s Daughter), home is where the bodies are.


Note from Garry: Frozen Lives is a new release, October 29, 2024. You can get it on Amazon by clicking this link.

Author Bio: Jennifer Dornbush works as a screenwriter, author, speaker, and forensic specialist. She has developed film and TV projects, authored numerous books, and frequently speaks around the world on crime fiction and forensics. She divides her time between Michigan and Arizona. www.jenniferdornbush.com

Free ARC: You can win a FREE ARC  (Advance Reading Copy) of Frozen Lives. Click Here

STEPHEN KING’S SURPRISINGLY SIMPLE SECRET TO SUCCESS

When it comes to being a master of the commercial writing craft, few authors are more successful than Stephen King. The “Horror Guy”, who King calls himself, has tirelessly worked for over sixty years. He’s produced more than fifty novels and countless other pieces in a non-stop career during which he almost died from substance abuse and a nasty vehicle accident. “Prolific” is an understatement when it comes to labeling this writing machine, and there’s a surprisingly simple secret to Stephen King’s success.

Yes, the secret to Stephen King’s success is surprisingly simple. It’s a concoction beyond natural storytelling talent, which he has in spades. It’s a mix beyond craft knowledge and prose perfection. And it’s a blend beyond something else—something most writers simply won’t do in their lives. Yet it’s a simple success secret which Stephen King slyly shares if you follow his work.

Before I disclose Stephen King’s s simple success secret, let me tell you what triggered this post. I’m a big Stephen King fan. I’ve read a lot of his stuff—From A Buick Eight is my mind-blowing favorite—and I know many readers can’t Stand him (pun intended). Certainly, he’s verbose compared to James Patterson, but I’m on Team King all the way, even though Team Patterson outsells him.

I connected with a lady who recently retired from the same police force I served with. I didn’t know her directly, but I worked with her dad in the RCMP years ago. She made a career as a detective with Vancouver’s Integrated Homicide Investigation Team (I-HIT) and was their high-profile spokesperson for a long stint. Now this fine lady has a keen interest in beginning a crime-writing career, and she was silly enough to turn to me for advice.

I see piles of potential in this unfolding writer. She has the proper package required to be a commercial success and a household name in crime fiction circles, just as she was in the true crime world. Part of our long talk was me recommending resources to study. Stephen King’s On Writing—A Memoir of the Craft was at the top of the list.

Stephen King. Where do you start to explain his success secret? First, Stephen King is self-made. He didn’t come from writing royalty, and that story of him working nights at a laundry and throwing Carrie in the trash isn’t bullshit. His wife, Tabitha, rescued the manuscript and submitted it to Putnam and the success of Stephen King—writer—began.

Stephen King is coming on to 74. He still writes every day that he can and that includes Christmas and his birthday. Mr. King still finds time to read—lots of reading time—and he generously gives what he has to spare in helping others to develop their writing skills. That includes unfolding writers like my retired detective friend who I hope has redlined, yellow highlighted, and made black ink notes in an On Writing copy as I have.

In prepping this post, I reread On Writing. Or, I should say reviewed my red lines and yellow bars along with black ink notations. I’ve paged this prize at least a dozen times as I’ve built my skills, and I’m now at the point that I can legitimately call myself a commercial writer who’s achieved international bestselling status.

Call me a bragger. Just don’t call me a bullshitter, and I attribute my achievements much to Stephen King’s simple success secret which I’ll keep you in suspense from while I do a quick review of what’s in On Writing and why these pages of gold are so, so valuable for anyone who wants to make it in the commercial storytelling world.

Mr. King wrote On Writing in 2000. At least that’s what the copyright page says. That would have made him around 52 which is 11 years younger than I was when I decided to take writing stories seriously.

On Writing opens with this quote in the foreword: “What follows is an attempt to put down, briefly and simply, how I came to the craft, what I know about it now, and how it’s done. It’s about the day job; it’s about the language.”

It’s about the day job and it’s about the language. Commercial writing is a job. It’s bloody hard work that requires a writer to show up every day, sit down with their ass in the chair, and put their fingers on the keys—not just when they feel like it or when they think the muse calls. And it’s about using those keys to transcribe language into a crafted story that’s saleable to a mass market.

Like Stephen King has been doing tirelessly every day for 60 years.

“This is a short book because most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad. I figured the shorter the book, the less the bullshit.”

On Writing is a short book by Stephen King standards. It runs just shy of 300 pages, but those pages contain sage quotes like these:

“You must not come lightly to the blank page.”

“It’s writing, damn it, not washing the car or putting on eyeliner. If you take it seriously, we can do business. If you can’t or won’t, it’s time for you to close this book and do something else. Wash the car, maybe.”

“Simple sentences worked well for Hemmingway, didn’t they? Even when he was drunk on his ass, he was a fucking genius.”

“I’m convinced that fear is at the root of most bad writing. Good writing is about letting go of fear and affectation. Also about making good choices about the tools you plan to work with.”

“I love this job. I want you to love it, too. But if you don’t want to work your ass off, you have no business trying to write well—settle back into complacency and be grateful you have even that much to fall back on. There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust over your typewriter or computer. He lives underground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think this is fair? I think it’s fair. He may not be much to look at, that muse guy, and he may not be much of a conversationalist (what I get from mine is mostly surly grunts, unless he’s on duty), but he’s got the inspiration. It’s right that you should do all the work and burn the midnight oil because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.”

“If you want to be a writer, you must do two things above all others. Read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut. If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.”

“Constant reading will pull you into a place (a mindset, if you like the phrase) where you can write eagerly and without self-consciousness. It offers you a constantly growing knowledge of what has been done and what hasn’t, what is trite and what is fresh, what works and what just lies there dying (or dead) on the page. The more you read, the less apt you are to make a fool of yourself with your pen or your word processor.”

“A radio host once asked me how I write. I answered ‘one word at a time’. Day in and day out. Not surprisingly, it’s that simple. It’s the secret to my success.”

In my humble opinion (IMHO), Stephen King’s surprisingly simple secret to his success as a commercial writer is tirelessness. He’s tirelessly written one word at a time for over six decades and shows no sign of letting up. Long live the King.

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Post note from Garry: There is a book karma god or some kinda benevolent page muse out there. I published this piece on Saturday, 20Feb2021 and on Sunday, 21Feb2021, I went into a used bookstore in Parksville on Vancouver Island. What did I find? A first edition, hardcover of On Writing in pristine condition. SCORE! Start the f’n car! Even the dust jacket had no fading or marks. I’m going to have this baby framed in a shadow box.

BETWEEN THE BIKERS — NEW BASED-ON-TRUE-CRIME BOOK RELEASE

Between The Bikers is the new release in my based-on-true-crime series. It’s Book #6 in a 12-part project that takes real cases and brings you, the reader, right inside actual criminal investigations with real cops and real crooks. I start each story with a warning about graphic content including gory scenes, sensitive techniques, and profane language. But that’s the real world of true crime. Here’s the online book description followed by the first two chapters of Between The Bikers.

Who had the most to gain by murdering a bad-ass biker—especially the powerful president of a Hells Angels Motorcycle Club chapter? The answer lies in Between The Bikers—Book 6 in the Based-On-True-Crime-Series by retired homicide detective and coroner, Garry Rodgers.

Mark Mitchell, aka Zeke, disappears on a Saturday afternoon just before a full-patch ceremony held between the bikers at a Hells Angels clubhouse on Vancouver Island in British Columbia at Canada’s west coast. The bikers are furious and the police are frantic to control an escalating mess that could lead to an all-out war within the Angels’ criminal organization. All fear a deadly underworld rift is about to explode.

While the bikers witch-hunt within their ranks and outside the law to ferret Zeke’s killers, the police urgently use every tactic and technique to solve the crime and contain the volatile gangsters. Wiretaps, surreptitious surveillance, clandestine operations, and highly-placed secret informants work through an unheard-of alliance between the bikers and their sworn enemies—the cops.

What happened to Zeke, and why, shocks both sides. The truth behind Mark Mitchell’s murder is something unmatched between the bikers who show the feared death head logo on their backs below the red-on-white words “Hells Angels”. It’s a truth known only by those with the most to gain—a truth that lies between the bikers.

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Between The Bikers comes with a warning: This book is based on a true crime story. Explicit descriptions of crime scenes, factual dialogue, real forensic procedures, highly-sensitive sources and actual police investigation, interview, and interrogation techniques are portrayed. Some names, times, and locations have been changed for privacy concerns and commercial purposes.

This is the sixth story in the Based-On-True-Crime Series by Garry Rodgers. Other titles include In The Attic, Under The Ground, From The Shadows, Beside The Road, and On The Floor. Reviewers describe Rodgers’ story-telling style as a 21st century Joseph Wambaugh using Elmore Leonard dialogue with plot, pacing, and characterization in the flare of Fiona Barton and Paula Hawkins.

*   *   *

BETWEEN THE BIKERS

Chapter One — Monday, April 27th – 8:20 a.m.

“Zeke’s missing.” Harry clomped into our Serious Crimes Section. She plopped herself down in her desk chair. “Word is he’s been done in.”
“Well, if he’s been whacked…” I rolled back from my cubicle and smiled at my detective partner, Harry. “It’ll be between the bikers.”
“Yup.” Harry took a slurp from her stainless Starbucks mug. “I took a spin by the Hells Angels clubhouse. They’re swarming like ants on a fucking hill.”
“Your word… how good is it?” Harry had my full attention.
“Like, my word?” She smiled back. “Impeccable. Obviously, you know that.”
“No, shithead. Not your word. I meant, who’d you hear this from?”
Harry took another pull from her cup. She subconsciously looked from side to side. “Don Ransom at Drug Squad. His wiretaps and cameras are lit up like Times Square.”
“Okay.” I nodded and leaned in. “Something’s going on. Someone’s stuck a honey-coated stick in the ant pile.”
“I stopped by Drugs this morning about something else.” Harry lowered her voice. “The guys are working flat-out, interpreting audio intercepts and video surveillance. Looks like the HAs are preparing for all-out war with whoever hit Zeke. Don’s pretty sure Zeke’s dead and you know what that means.”
“Yeah.” I moved back. “We’re going to inherit Zeke’s fuckin’ mess.”
By “we”, I meant the detectives at Nanaimo Serious Crimes Section. And by “Zeke”, I meant Mark Mitchell, who was the president of the Nanaimo Hells Angels Motorcycle Club chapter. Zeke was Mark Mitchell’s nickname, and he was well known—very well known—to our police department.

Nanaimo is a small seaside city of a hundred thousand, set on the southeast side of Vancouver Island. It’s right across from the City of Vancouver in British Columbia, Canada which is one of the most exotic, erotic, and expensive places in the world.
Although Nanaimo is cut off by water from the B.C. mainland, it takes on the same crime characteristics as a large metropolis. Nanaimo has its share of serious stuff like murders, rapes, robberies, extortions, arsons, loansharking, and money laundering. There are homeless and junkies begging on the street, and well-paid prostitutes doing their thing with high-profile clients behind closed doors.
Nanaimo has graft in the civic circles and grief at the street scene. Most grief is caused by addicts and mental cases that have no hope for treatment, never mind a chance at recovery. There are losers on welfare and gambling fanatics, thieves and tag-artists, as well as pot-growers and meth-cookers. And there’s a subculture that profits from bottom-feeders and contributes to nothing but trouble and tragedy—the bikers.

The Nanaimo Hells Angels chapter, or charter as the outlaw motorcycle club is sometimes called, had a regular complement of about thirteen guys. That was give or take a few that may have quit, got fired, been jailed, or suddenly disappeared, like what had happened to Zeke. And what happened to Zeke was unlike anything anyone in our Serious Crimes Section ever experienced.
Serious Crimes in Nanaimo was part of the police department’s support services that assisted the rank-and-file General Duty or Patrol division. Harry and I were a team of two assigned to investigate complicated and time-consuming files that patrol officers couldn’t stick with. There were other two-person teams as well as an overall detective boss, Staff Sergeant Leaky Lewis. Leaky also supervised Drug Squad, Forensics, Property Crimes, Street Crew, Sex Crimes, Commercial Crimes, and one poor prick plagued with mitigating frauds and bad plastic.
Harry, by the way, was not my partner’s real name. She was Sheryl Henderson, a large lady with large hair and an even larger personality. We called Sheryl “Harry” after the bigfoot or sasquatch in the movie Harry and The Hendersons.

“So what else did you find out at Drug Squad?” I’d stopped smiling. It quickly sunk in that, although Zeke’s loss would be the community’s gain, there would be hell to pay in fallout. Intrinsically, I knew—or thought I knew—that whatever happened to Mark Mitchell, aka Zeke, would be an issue between the bikers, and I knew that the biker mentality would not take this lying down.
Harry took another sip from her Starbucks cup, which was as tarnished and dented as a few parts of her career. “So, what Don Ransom tells me is that Zeke was last seen on Saturday afternoon. He’d been over to Vancouver to pick up some rings for a patch-over ceremony that was supposed to happen on Saturday night. He fell off the radar and hasn’t flown since.”
“Rings?”
“Yeah.” Harry examined her cup and picked at something caked on it. “Biker rings. You know those gold death head things that full-patches wear?”
“Oh, yeah. Biker rings.”
“They’re clunky and gaudy if you want my opinion.” Harry kept picking. “Anyway, they’re an initiation gift for someone who is accepted full-time into the club. So Zeke got the rings but hasn’t been heard from since.”
“Hey. Wait a minute.” I smiled again. “You mean he was last seen in Vancouver? He disappeared in Vancouver? Then it’s not our problem.”
Harry did the time-out sign. “No. Not so lucky there, Louie. Zeke made it back from Vancouver. His truck was found abandoned here. Beside the Harewood Arms pub. Locked. Keys gone. Zeke gone.”
“Fuuuck—”
Harry waved her finger. “You know the last-seen rule. He was last seen here in Nanaimo so that does make it our fucking problem. Wish it weren’t so, but it is so. We’re stuck with finding out what’s happened to Zeke.”
I wished it weren’t so, too. The last thing I needed as an old cop ready to retire was refereeing a ferocious fight between the bikers.

Chapter Two — Monday, April 27th – 8:50 a.m.

Leaky Lewis called Harry and me into his office. He closed the door and nudged us towards two wooden chairs in front of his solid oak desk. His blinds were shut tight, but his lights were on bright, giving the room sort of an unnerving feel.
That was far from the case when dealing with Leaky. As a boss, it was hard to find anyone fairer and, as a person, you couldn’t find anyone more approachable. I’d known Leaky since he was a new-hire in the Nanaimo police department. He’d quickly climbed the ladder and was now officially ranked as a Detective Staff Sergeant, making him my direct supervisor.
Almost all cops get nicknames. They’re usually earned from a play-on-words, or some career-haunting mishap. Leaky was Jim Lewis. He got the moniker because he suffered a chronic case of post-urinary drip.

“So something’s happened to Zeke, I hear.” Leaky looked at Harry and me with a neutral expression. “Where are we going to go with this?”
Harry and I hesitated to answer.
“This isn’t a trick question.” Leaky grinned. “Seriously. I want some input on how we’re going to handle this, ah, situation.”
“I’d like to say we do fuck-all.” I grinned back. “But… we all know that if someone’s offed Zeke, then someone’s going to pay for it and someone else is going to pay for that and we’re going to be into a full-on biker war. And I don’t want no part of that at this stage of my game.”
Leaky nodded and looked at Harry. “Your take?”
One thing about Harry, she wasn’t afraid to speak her mind.
“We got to get on this right away. I have no doubt he’s right.” Harry thumbed at me. “This could be a fucking blood bath if we don’t go right out and get in their faces.”
“Don Ransom told me he’s never heard the Angels talk so openly on their phones.” Leaky shuffled in his chair. “Don’s had them wired up for a long time… off and on… and he knows their pattern. He says they sound rattled. Confused. Trying to make sense of what’s going on. Don thinks the Nanaimo chapter really doesn’t know what’s happened. They’re scrambling for clues.”
Harry continued. “From what Don told me an hour ago, and what I saw when I drove past the clubhouse, I think the HA full-patches are going to start grabbing people here, there, and all over and muscle them for information. This thing will escalate real fast unless we show a lot of force, and right away. They have to know we’re not going to let them run the fucking show around here.”
Leaky nodded again. “Show of force? How do you see doing that?”
Harry already had a plan in her mind. “A big drive-by back and forth at the clubhouse. Setting up the command center mobile at the edge of their property. Leaving the cameras on twenty-four seven. Even hovering Air One on top of their fucking room. Let them know we’re not going to let a biker war start or we’ll bug-squash them.”
Leaky didn’t nod. “I’m not so sure… It might just agitate them even more. I think we should watch all right. But, I think we should rely on intel with sources already in place. Some intel is just starting to come in. Don called me just before you guys sat down and says he’s going to come here and talk in person. Let’s wait for what he has. What about the basics… like opening a file and deciding who’s going to coordinate this. After all, we don’t even have an official complaint.”
Harry shrugged. “The paperwork can wait. I say we get right out there and fly the flag before they decide to run away with biker law.”
Leaky stood up. It wasn’t like he was mad or upset, but more like he was starting to feel uncomfortable. “I’m also thinking of opening a communication channel. Like going right to the leader and simply asking him what’s going on.”
“Their leader is missing.” Harry made a good point. “Zeke is, was, whatever, the president. He has, or had, been for a long time.”
Leaky nodded again. “Fred Wallacott is the past-president. He’s been with the club since they were the 101 Knights and the Satan’s Angels. I’ve known Fred since college. Not that we were ever friends or buddies or anything. But I think I can talk to him.”
I spoke up. “I have a reasonable rapport with Fred Wallacott. Big Wally as they call him. It might be best if I talk to him in private… away from the club scene.”
Harry gave me a quizzical eye. “I didn’t know that. What’s your connection to Fred Wallacott?”
“I don’t go around advertising it, but we’ve gotten to know each other semi-socially over the years.”
Harry laughed. “You? Partying with the fucking Hells Angels?”
“No. Not partying. Our kids traveled in the same circles. Fred’s daughter and my daughter went to Highland dance classes and gymnastic classes together. Fred’s son and my son went to kickboxing lessons together. So I’d regularly run into Fred—two dads dropping off and picking up kids—and then I’d see him at events like graduations, competitions, and demonstrations.”
Harry stopped laughing. “You think you can actually talk to a fucking biker like one-on-one?”
“I know I can.”
“You’re serious about this?”
“Yeah. I know he’s big and intimidating and has this tough-guy biker persona. Deep down, Fred’s a reasonable guy. Actually—very well-read and informed. Tell you a funny story about Fred. He has a bunch of rental properties around town. Once, he had to serve an eviction notice and didn’t want to get into a violent situation where the guy could press charges against him. So, Fred came into the police station and asked for a plainclothes officer to stand by to keep the peace while he hangs paper on the tenant. We go over to Fred’s block. He knocks on the door. Guy opens it and refuses to take the notice so Fred takes out his Buck knife and jams it into the door, face-pinning the paper, and says, ‘Here. You’re fucking served’. Then we just left.”
Leaky and Harry laughed.
Leaky brought us back to the business at hand. “I know you’re rammy, Harry, and you want to show them our colors. And, you might be right about that. We can use that as plan B, but first I want to get as much info on this as possible. Looking at this objectively, we don’t even know if Zeke is dead. He might be abducted and held for some biker reason. For that matter, he might have even fucked off and faked his own disappearance.”
I agreed with Leaky. “Let’s take this a step at a time. Like, we don’t even have an official missing person complaint to start sticking our noses into. Let’s get our source intel and then do a back-channel move. After that, we can show all the muscle we want.”

There was a rap at the door. It opened. In came Don Ransom with breaking biker news.

Get the Between The Bikers eBook at: