Category Archives: Writing

HOW TO MARKET A BOOK

Who is Joanna Penn and what does she know about marketing books?

Joanna PennI’ve never met Joanna in person, but I consider her a good friend. An internet friend. A modern day version of the old Penn-Pal, only without stamps.

Joanna is the reason I can brag about being an Amazon Top 10 BestSelling writer. I wrote a good book, which is job #1 for all authors, but it was Joanna who taught me how to market it. And without good marketing, my good book would never have made the good list.

Creative PennJoanna is the London, England, based creator of www.TheCreativePenn.com; consistently rated a Top 10 internet site for writers. For five years she’s led the pack in giving back her hard-earned knowledge to the international writing community and she’s got one hell of a loyal following.

How To Market Book #!Joanna is also one hell of a good thriller writer and I’m honored to work with her as a technical resource and Beta-Reader, but what I really want to brag about is her new release… How To Market A Book.

So what is ‘Marketing’ – Really?

Joanna says “Marketing is about sharing what you love with people who truly value hearing about it.”

So how do you go about doing that?

Well, How To Market A Book covers an extensive range of marketing principles, strategies, and tactics:

Part 1: Marketing Principles

Handshake WorldIncludes myths, how to balance your time, co-opetition’, and generosity.

Part 2: Prerequisites for Success

Understand yourself and your target market, professional editing and cover design, your book page on the retailer websites, pricing, and the use of free.

Part 3: No Platform Needed – Short-term Marketing

Book ReviewsHow to get book reviews, paid advertising, using traditional media and tips for TV, radio, and press releases.

Part 4: The Author Platform – Long-term Marketing

What ‘platform’ is and why it’s a good thing, author branding, your  website, list-building and email marketing, content marketing and blogging, audio and podcasting, video and book trailers, social networking, professional speaking, and becoming an author-entrepreneur.

Part 5: Launching Your Book

Book LaunchHow launching has changed with the digital revolution; soft launches, launch spikes, post launch and relaunch, as well as lessons learned from some major book launches.

There are some short-term tactics for those who want to kick up immediate sales, but the focus of the book is more about instilling values and marketing principles that will help your long-term career as a writer.

Joanna SpeakingJoanna goes beyond selling books. The methods in this guide will take you from being an author into professional speaking, making money from other products, and creating opportunities that you can’t even imagine yet.

How To Market A Book is just that – a How-To on what works… and what doesn’t…  in social media, presentations, audio & podcasts, brand-building, and on-line relationship building. She tells you exactly what algorithms, keywords, metadata, and SEOs are, and she has a particularly juicy part ‘Meat, Hook & Format – What Really Baits a Reader’.

Joanna GunI’m a big Joanna Penn fan and I love bragging about the effect she’s had on me. Her on-line mentoring and personal generosity helped my debut novel open in the Top 10 on Amazon and I’ve steadily built my blogsite and social media contacts based on her teachings.

How To Market Book #!It’s working for me. It’ll work for you. I can’t say enough about the benefits you’ll get from How To Market A Book.

http://www.amazon.com/How-To-Market-Book-ebook/dp/B00DO9HJF8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1373040391&sr=1-1&keywords=how+to+market+a+book+joanna+penn

Think about marketing the next time you pick up a Penn.

 

5 KILLER TIPS FOR WRITING DEADLY CRIME FICTION

Are you overwhelmed with crime writing tips?

Killer Ficton 2Frustrated by ‘expert’ penmonkeys that don’t know squat about crime-writing? Sick of literary snitches that sell you false clues? Stuck for real leads on what makes for good blood & guts scoops?

Well, it’s up to you to solve your style, but I’ve got some solid evidence on what makes or breaks a crime-fiction story. Here’s five good tips.

1. Understand what story is.

question-markStories are about something that happens. Pure & simple. Oh, there’s all kinds of BS out there about character-driven or plot-driven, literary or commercial, and first-person vs. omniscient crap. That’s good for writing seminars, but for the reader… it’s all about what’s happening. It’s not show vs. tell. Readers don’t care about that and they don’t recognize a good alliteration from a bad head-hop.

They care about what happens next. It’s not perfect prose they’re looking for. It’s the overall story question – What’s going to happen?

Keep your reader questioning and you’ll keep them reading to the end. And it’ll make them buy your next book. And the one after that.

So forget most of that ‘expert’ garbage and, like Stephen King says, just tell the goddam story. And, if you really want to lean something about story-telling, go read Lisa Cron’s book Wired For Story. YYou’ll never think about stories the same way again.

2. Open with a bang or a body.

Think James Bond. Or Agatha Christie. James Patterson. Or Garry Rodgers. AK-47s. Or dismembered hookers. Biological bombs. Or a corpse hanging from a meat-hook. A sharp hook… which is the oldest storytelling device and still the best.

You’ve got about ten seconds to hook your reader and keep their face in the page. So start off fast and slowly add backstory. Build it up, then end with a bang. Maybe another body, too.

3. Big, struggling characters.

TerminatorEvery great story is about the human struggle. Good & evil. Right & wrong. Order & chaos. Those sorts of things. Protagonists and antagonists who are larger than life; who are not perfect, but are trapped in the story arch – outwitting others to survive. Great characters that have to lie, cheat, doublecross, and undermine to overcome. Great characters with great dialogue… the second greatest storytelling device. So sharpen your dialogue, as well as your hook.

4. Red Herrings.

Nothing in page turners can be as it seems.

Is the good guy bad? Is the bad guy good? Are the gays straight and the straights queer? How come the prime suspect’s DNA doesn’t match. Why does everyone drive a black truck? Who the Christ is Archibald Wiggers? How come he knows why the informants had to be murdered yet the reader doesn’t till the end?

But in ‘The End’ everything has to make perfect sense. Looking back, it has to be entirely expected and the only way the story could have unfolded.

5. Accurate details.

SluethJust the facts, Ma’am. Nothing will blow your credibility quicker than screwing up things like calling a 9mm a revolver, or saying the cadaver was prone on its back. So much information is available today. A quick Wikipedia or Google search will prevent a set-down- never-to-finish read or horrible, horrible trashings on your Amazon reviews. Time lines are critical and reversing your sequence of events is inexcusable.

Do your research. Do your homework. And be careful out there.

Writing crime fiction really is basic. It’s all about reader experience.

SEX AND DEATH

Sex and death are bestsellers.

sex in morgueThe statistics are overwhelming. Year after year… no century after century… Shakespeare to E.L. James…stiff stuff sells.

Why?

Because of taboo.

You’re not supposed to like sex. Nor enjoy death. But you can’t help it. It’s because you’re an adventuresome creature. You want to pick the forbidden fruit. Taste the poison. Lay the stranger. Then cut his pretty throat.But it goes deeper. You’re programmed to recognize danger and you have a need to get screwed. It’s your adrenaline rush.

50 ShadesThe 3-F’s. You fight, flight, or fuck. If you’re not a Bond girl then you must experience in your mind things that you can’t with your body. So you watch YouTube videos of sharks ripping humans apart and you read 50 Shades of Grey – your inner thoughts are flamed by outer smut. No one knows what you do privately and I’m sure that you do things in private.

This produces endorphin. Nature’s crack. It keeps you on your toes and striving to get bred. You’re hardwired to survive and reproduce.

Plot-linesHere’s an eye opener. I just stumbled on the Man Booker Longlist awards for novels. All 13 finalists had death as their common theme. That says something. Not only did the writers know this – the readers endorsed death and the judges did too.

But it’s even more interesting that sex is not front & center in these novels – it’s silently embedded in the writing.

I choose to write about death, because I know more about death than about sex.

And sex usually lasts only minutes.

Grim Reaper With Hourglass

 

 

 

 

Whereas death is forever.