Category Archives: Writing

THE SECRET TO BEING A SUCCESSFUL WRITER

Please welcome super-successful writer, savvy social media specialist, and total-no-bs marketing expert Rachel Thompson of Bad Redhead Media with her thought-provoking post shared on DyingWords.net.

Regardless of how you publish your books, articles, or blog posts, the secret to being a successful writer is not anything pie-in-the-sky or full of inspirational goo-gah. Besides, I’m not the kind of person to spray glittery sunshine up your you-know-what, so here’s the real deal. It’s the big secret. Ready? Grab your pen.

Don’t Be Lazy.

That’s it. Let me deconstruct this a bit. Pull up a chair.

Make It Happen

You. Yes, you. Stop looking around.

I’ve worked with writers in all kinds of ways since hmmm, gosh, 2009-ish. Ten years of observing that unique species of human we refer to as, writer. I’m a writer myself (six books released so far , been in a few anthologies, two new books on deck for this year), so I fully comprehend the challenges of balancing writing, marketing, the day job, real life, chronic pain, mental health, and single parenting.

Completely and totally get it.

There isn’t room in any of those roles to be lazy if we’re being #TruthBomb honest here. Yet, in my ten years of working directly with writers, I can count on one hand the writers who are get-out-of-my-way go-getters.

Not the kind who will eat you for lunch with some fava beans and a nice chianti. I mean those who actively set aside time for writing AND marketing AND promoting strategically — not creepy, spammy, ‘must take a shower after seeing this’ ways. Nope, I mean those who treat their publishing career as a business, not a hobby where they lollygag around on social media arguing politics or talking about writing their book, then hope and pray someone eventually buys it.

In fact, I so related to that panicky, ‘Where do I even start?” feeling I experienced with my first book back in 2012, that I created an entire month last year (year two is happening right now! and every May going forward if I decide to continue this exhaustive effort) where I’ve wrangled publishing experts this entire month of May to generously donate books, guides, and consultations, and yet shockingly (she says not shocked), few writers are taking advantage of it.

When I speak with them as to why not, several have told me they know about it but don’t want to participate because then they’ll HAVE to work on their writing and marketing.

This baffles me. And yet, nah, it doesn’t.

Lazy Writer Syndrome

It’s a thing, right? We all get it. I get it, too.

It’s not that I’m not writing. I’m here, aren’t I? I also write for my own author blog (RachelintheOC.com as well as on Medium, which are important parts of my author marketing and business marketing. I have those two manuscripts mentioned above on my desktop: one is in edits, and the other is in draft. I also keep a journal, a planner, and a book just for creative notes and ideas.

So, yea, I’m writing. Yet sometimes it feels like I’m not writing writing.

Am I accomplishing stuff? Am I climbing the mountain? Well, yea. Kinda.

It feels like this: it’s a big mountain, full of mud. It’s raining. Hard. I’m carrying this heavy weight. But I’ve got this! It’s just that some days it’s just…so exhausting. Or I have a migraine. Or I’m running my kids around (single mom). Or I’ve got client deadlines (solopreneur).

So, I set the weight down and make camp. For a little while. To rest and recuperate. And then get back out there when I’ve got my wind back.

That’s okay. I’m getting there. We’re all getting there (wherever the hell there is). (Maybe lazy doesn’t describe me. I am a Capricorn, after all.)

Are You a Lazy Writer?

These are the hard questions you have to ask yourself:

  • What am I doing to move my writing career forward?
  • What am I not doing?
  • What actions am I taking to build relationships with readers?
  • How can I learn more about how to market my work?
  • How am I standing in my own way?

Creating an author platform is not a choice in today’s market. It’s not an option. At least, not if you want to sell books and be taken seriously by not only readers but also other writers, book bloggers, and book reviewers (as well as agents and publishers, if you go that route, or plan to). Many writers refuse to treat their writing like a business — they think if they can just sign with a traditional publisher, and then that publisher will swoop in and do all that work for them.

If only.

As a survivor of childhood sexual abuse, I deal with many stumbling blocks: anxiety, depression, chronic pain. There are days where all I can do is the bare minimum for my business, kiss my kids, and that’s it. And that’s okay. Big fan of The Four Agreements: always do your best, and if your best is just getting out of bed that day, okay. I Scarlett O’Hara that bitch: tomorrow is another day.

In my business, many of my clients are traditionally published. Big 5 even. They hire me to do their social media and book marketing because no publisher does that for them. It’s on you, writer friends. Start early, share often. Learn author branding (we brand the author, not the book).

You don’t need to hire someone to do this marketing stuff for you. You learned how to write. You can learn how to market.

The other big secret I’ll share with you is this: book marketing isn’t about spamming your book links with everybody (that’s desperation). It’s about building relationships with readers early on.

I do a free weekly chat on my @BadRedheadMedia business Twitter, #BookMarketingChat, every Wednesday, 6 pm pst, 9 pm est. Every week for the last 4 years, I share my time and/or recruit an expert in publishing and marketing to share their expertise with you, the writing community.

Invariably, someone says, “Yea, I should do that,” or “I’ll give that a try.”

Writing is great. Publishing is a business. Treat it like one. 

~Rachel Thompson

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About Rachel Thompson

Rachel Thompson is the author of the award-winning, bestselling Broken Places (one of IndieReader’s “Best of 2015” top books and 2015 Honorable Mention Winner in the Los Angeles and San Francisco Book Festivals), and the multi-award-winning Broken Pieces, as well as two additional humor books, A Walk In The Snark and Mancode: Exposed.

Rachel released the BadRedhead Media 30-Day Book Marketing Challenge in December 2016 to rave reviews, with an updated ebook and print version in December 2017. She also released an SEO mini-book just for writers in February 2018 which immediately shot to #1 on 5 lists! You can purchase that here for only 99c.

Rachel Thompson owns BadRedhead Media, creating effective social media and book marketing campaigns for authors. Her articles appear regularly in The Huffington PostIndieReader.com, FeminineCollective.com, Medium, and Mogul.

Not just an advocate for sexual abuse survivors, Rachel is the creator and founder of the hashtag phenomenon #MondayBlogs, the weekly live Twitter chat, #SexAbuseChat, co-hosted with C Streetlights and Judith Staff (every Tuesday, 6pm pst/9pm est), and #BookMarketingChat (every Wednesday 6pm pst/9pm est), helping authors learn all kinds of great tips to market their books!

Rachel hates walks in the rain, running out of coffee, and coconut. She lives in California with her family.

MUSIC MASTERPIECE — GENTLE ON MY MIND

Some songs stay in your head and you recognize the tune no matter what artist sings them. Whether sung in country, rock, blues, folk, jazz, pop or even soul style, the lyrics and message stay timeless. These musical masterpieces are instantly recognizable and know few boundaries. And one stays with you through the back roads of your memories and will forever remain Gentle On My Mind.

As a writer, I constantly strive to improve my craft. Part of the wordsmithing path is exploring different storytelling forms like songwriting. I have tremendous respect for those who string short and broken sentences into a complex lyrical tale that trigger emotions and leave the listener with lasting impressions. To me, Gentle On My Mind does that—no matter who performs it.

Most people immediately associate Gentle on My Mind with Glen Campbell. While Glen Campbell always played a perfect performance of his most famous hit, he didn’t write it. That credit goes to a little known but immensely talented songwriter, singer and musician by the name of John Hartford.

John Cowan Hartford was an American composer, vocalist and string-picker who crossed the lines between country, folk and blues. He died of cancer in 2001 at the age of 63 after recording more than 30 albums. Hartford had an innovative voice and style that Johnny Cash described as, “Having music and lyrics unlike anything I’ve ever heard. He is himself and will not be told how to write or sing because he has only his own world.”

John Hartford wrote Gentle On My Mind in 15 minutes—saying it came to him, “from experience and real fast, in a blaze, a blur.” It was perfect in its first draft and never revised. This was in 1967 when Glen Campbell began his career. Campbell heard Hartford perform it live and took the song to Capital Records. Gentle On My Mind was Glen Campbell’s break-out piece, and it was his signature opening during The Glen Campbell Goodtime Hour TV show.

According to the rating authority, Broadcast Music Inc. (BMI), Gentle On My Mind is the 16th most popular song of the 20th Century. It’s been covered by over 300 other artists including Elvis Presley, Aretha Franklin, Dean Martin, Tammy Wynette and Roger Miller. Alison Krauss, The Mavericks and even Glen Campbell’s daughter, Ashley Campbell, covered the hit. Recently, The Band Perry released a killer version of Gentle On My Mind along with a captivating video.

By now, you’ve probably got the tune to Gentle On My Mind running through your head. If you do, that’s fine. You’re not alone. And if you don’t, well, here are the lyrics to Gentle On My Mind along with performances by some of the finest musical talent the world has even known.

It’s knowing that your door is always open
And your path is free to walk
That makes me tend to leave my sleeping bag rolled up
And stashed behind your couch

And it’s knowing I’m not shackled by forgotten words and bonds
And the ink stains that’d dried upon some line
That keeps you in the back roads by the rivers of my memory
And keeps you ever gentle on my mind

It’s not clinging to the rocks and ivy planted on their columns
Now that bind me
Or something that somebody said
Because they thought we fit together walking

It’s just knowing that the world will not be cursing or forgiving
When I walk along some railroad tracks and find
That you’re waving from the back roads by the rivers of my memory
And for hours you’re just gentle on my mind

Though the wheat fields, and the clotheslines
And the junkyards, and the highways come between us
And some other woman crying to her mother
‘Cause she turned and I was gone

I still might run in silence, tears of joy might stain my face
And a summer sun might burn me til I’m blind
But not to where I cannot see you walking on the back roads
By the rivers flowing gentle on my mind

I dip my cup of soup back from a gurgling crackling cauldron in some train yard
My beard a-rough’n, a cold towel
And a dirty hat pulled low across my face

Through cupped hands, ’round a tin can
I pretend to hold you to my breast and find
That you’re wavin’ from the back roads by the rivers of my memories
Ever smiling, ever gentle on my mind

Here are links to excellent, yet very different, covers of Gentle On My Mind:

John Hartford (Original artist performing on Glen Campbell’s show)

John Hartford (With Other Artists)

John Hartford (Live in Germany 2000)

Glen Campbell (Short version but awesome guitar picking)

Glen Campbell & John Hartford (Nice duet)

John Hartford & Glen Campbell (Duet on Smothers Brothers Show)

Ashley Campbell (Glen’s daughter)

Elvis Presley (Does it get better?)

Aretha Franklin (with Andy Williams)

Alison Krauss (Voice of an angel)

The Band Perry (Phenomenal performance and video)

Cotton Pickin’ Kids (Fun)

MISTER BIG UNDERCOVER STING CONVICTS ANOTHER COLD CASE KILLER

The “Mister Big” undercover sting is an exceptionally effective cold case homicide investigation technique where police set up a fictitious organized crime group and entice a suspect to confess to an unsolved crime they’ve committed. Since developed and perfected in the 1990s by the Royal Canadian Mounted Police (RCMP), the fictional Mister Big ruse sent dozens of murderers to prison. That’s despite conventional police procedures failing to find admissible evidence… leaving the jaws of justice wide open to trick and do-in deviant criminals with this innovative and highly-incriminating trap.

This week, the RCMP convicted another cold case killer evading justice for 40 years. It was long overdue and fair game. The Mister Big undercover sting might be controversial to bleeding-heart civil rights activists and money-hungry defense lawyers, but the man playing the theatrical Mister Big in the undercover scheme brings immeasurable comfort and closure to the families of defenseless murder victims.

Garry Taylor Handlen is Mister Big’s latest justice-delayed example. A jury in Vancouver, British Columbia, Canada, just convicted this 71-year-old monster of kidnapping, raping and strangling 12-year-old Monica Jack in 1978. Canada doesn’t have the death penalty, but Garry Handlen will die in jail with a mandatory life sentence. Mister Big and his police investigative team made sure of it after Handlen confessed to murdering Monica Jack during an undercover operation.

Before going into what Mister Big’s undercover investigation procedure involves, Monica Jack deserves respect. This innocent young girl was riding her bike near Merritt, B.C., which is ranching country east of Vancouver. Handlen spotted her from his truck and camper. A serial sexual opportunist, Handlen stopped, wrestled Monica into his camper, kidnapped her and took her up a mountainside. Then he raped Monica, strangled her and dumped her lifeless body in the woods.

It was 17 years before Monica Jack’s skeletal remains were found and identified. However, Garry Handlen was on the police persons-of-interest list right away. A witness saw Handlen at a rest stop. They also saw Monica Jack being taken by a man—similar to Handlen’s description—to a distinctive truck and camper consistent with Handlen’s registered vehicle.

Garry Handlen was no stranger to police. He was a serial sexual offender—now a known serial killer— who was in and out of jail for serious sexual offenses. Handlen was on parole for rape when he accosted Monica Jack. He was also suspected in a string of violent offenses including sex murders.

Police at the time had a general description of Monica’s abductor and vehicle. But, they had no body and certainly no forensic evidence like today’s DNA technology or video surveillance. All they had was Handlen’s guilty mind and his intimate knowledge of what really happened when he murdered Monica Jack. That’s what eventually sunk Garry Handlen when he confessed to Mister Big during an elaborately choreographed undercover operation.

The Mister Big ruse sounds simple in principle. The police undercover team targets a viable suspect like Handlen to gain his confidence. This is a slow, methodical process where they make contact several times removed from the main undercover players. Steadily, they bring their target into the fold and make him reliant on a fictitious crime organization. To prove his worth, or be protected from prosecution, the target eventually confesses his crime to Mister Big—an all-powerful and superior crime boss who can make anything happen.

In reality, the Mister Big undercover operation is difficult and expensive. It takes months—sometimes years—of planning and putting into play layers upon layers of scenarios needed to get a target vulnerable to confessing. Sometimes, it never happens and the time spent of twenty to thirty undercover officers in supporting roles is wasted. That’s not including hundreds of thousands of dollars in public expense setting up the sting.

The RCMP has an impressive success record with the Mister Big sting. They won’t release exact figures, but inside sources indicate they’ve done over 200 Mister Big Sting operations. Some fizzled out because the target wouldn’t bite. Some even exonerated the suspect. But for criminals who’ve confessed to Mister Big, the police and prosecution have a 95 percent conviction rate. Garry Handlen’s going-down added to the success list.

So why have Canadian authorities used the Mister Big Sting so successfully to convict cold-case killers when other countries like the United States stay away from the ruse? It’s because of entrapment. As much as Canada is seen worldwide as this bleeding-heart bastion of civil liberties with a socialist soft-belly—Canada isn’t as much of a lawyer-run place like the States.

Maybe it’s because Canada is careful about following the U.S. lead in bad jurisprudence decisions and making those same mistakes. Canada learned that Miranda shouldn’t taint “the fruit of the poison tree” nor should DeLorean dictate rules of entrapment. Canada has this thing called the Charter of Rights and Freedoms which says that criminal evidence has a “Bringing the Administration of Justice into Disrepute” test. This is a two-headed coin where artificially dismissing truthful evidence under a Miranda application or Delorean entrapment procedure would not be in the public interest. In fact, not allowing truthful evidence gained through the Mister Big investigative approach would bring the administration of justice into disrepute, at least in the common person’s common-sense view.

Canadian courts look at each case on its own merit—within general admissibility guidelines. In Canada, there’s nothing wrong with police officers tricking viable suspects into incriminating themselves as long as the authorities don’t threaten them and make them do something they wouldn’t do within their own free will. In other words—let them talk, be themselves and naturally confess their crimes.

The main criteria for allowing confessions made in Mister Big stings into trial evidence is they’re corroborated in some way that proves the accused is truthful. That’s usually by the accused disclosing some piece of key-fact or hold-back information known only to the crime’s perpetrator and those closely involved in the investigation. This is the safeguard in preventing false confessions from convicting a wrongfully accused and innocent person.

RCMP Mister Big stings don’t just happen. They’re tightly controlled operations where highly skilled investigators collaborate with many support services. Mister Big undercover operations employ technical units like wiretapping, bugging and clandestine visual surveillance professionals. Stings use mobile eyes like airplanes and drones. They use prompts, staging, costumes and makeup worthy of Broadway theatre productions. And undercover operations depend on psychological services like the Behavioral Science Unit for profiling targets to find vulnerabilities. They also protect the physical and mental health of their operators.

Why don’t the United States and other first-world countries use the Canadian-led Mister Big technique? Actually, they do. Because the Mister Big investigation technique is legal in Canada—within limits—confessions gained on Canadian soil can be admissible in the U.S. and other courts. Other countries team with the RCMP to have undercover operations done inside Canadian territory.

The case of Atif Ratay and Sebastian Burns is a prime example of international investigation cooperation. Ratay and Burns brutally murdered Ratay’s family in Seattle, Washington, with baseball bats to collect insurance money. Then they fled across the border to their native Canada and eventually fell trapped in the RCMP’s Mister Big sting. After confessing, these two killers were extradited back to the United States where they sit doing life.

The RCMP exports its Mister Big sting expertise worldwide. Seasoned RCMP operatives and instructors from the Canadian Police College help many international police agencies develop versions of the Mister Big sting that work in their countries. It’s all about finding crime-fighting tools that identify the guilty—and, yes—sometimes exonerate the innocent.

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On a personal note from DyingWords, I worked with the RCMP members who pioneered the Mister Big undercover investigative technique. Their names remain anonymous, although one’s now passed on and the other recently retired. These dedicated police officers thought outside the restricted confines that stop imaginative breakthroughs in police sciences. Truly, they were ahead of their time.

I joined the RCMP in 1978 and just graduated from the Academy when Garry Taylor Handlen abducted, raped and murdered Monica Jack. Over the years, I helped investigate still-unsolved murders that Handlen may have committed. And I worked with talented undercover operators on Mister Big stings where we had success when other investigative avenues failed.

I’m not plugging a book sale here. My based-on-true-crime novel Under The Ground follows an actual Mister Big undercover sting where a cold-blooded killer might have got away with murder if Mister Big hadn’t intervened. Under The Ground is free for DyingWords followers.

If you’d like a digital copy of Under The Ground, just email me at garry.rodgers@shaw.ca and I’ll send you a Kobo/ePub, Kindle/mobi or PDF version.