Tag Archives: Crime Fiction

NEW CRIME BOOK – *AT THE CABIN* by GARRY RODGERS

Crime pays. That’s what I’ve learned as I publish Book 8 in my based-on-true-crime series At The Cabin. This follows In The Attic (which was #1 on Amazon’s Crime Thriller Bestselling list), Under The Ground, From The Shadows, Beside The Road, On The Floor, Between The Bikers, and Beyond The Limits. 4 more are planned in this series, but they’ve suddenly braked while I explore an intriguing opportunity with the film industry — a net-streaming project titled City Of Danger. In the mean time, here’s the product description / blurb / jacket copy for At The Cabin.

——

What monstrous savage viciously attacked Bea Bonnell—inflicting fractures, burns, and excruciating torture on her? And why did he do it? Bea was seventy-four years old, for God’s sake, when this true crime story occurred.

Beatrice Bonnell and her husband, Stan Bonnell, spend their winters at the cabin they own on De Courcy Island in the mild southwest coast of British Columbia. Their De Courcy cabin is far south of their second home near Atlin, an equally small place in the cold goldfields of northern Canada’s Yukon Territory. And it’s always safe and secure at the De Courcy cabin—until a masked and armed stranger arrives with a depraved demand and the brutal intent of getting back something extremely valuable. Bea resists, and the barbaric beast works Bea over—breaking her fingers and ribs, repeatedly singeing her side with a red-hot knife, then setting the cabin on fire with Bea blindfolded and hogtied inside.

Is there a link between the two cabins—Atlin and De Courcy—bringing on this atrocious assault and putting Bea Bonnell into a life-threatening state where she’ll succumb to horrific wounds? That’s the complex case facing the Serious Crimes Section. Their intricate investigation takes detectives from the wintery waters of the Pacific Northwest to the snow-packed roads of the Klondike where they prove two fundamentals found in solving all crimes. One: Occam’s razor—when faced with two hypotheses, the simpler one is always correct. Two: The stranger the circumstances, the closer the answer is to home.

At The Cabin is Book 8 in the Based-On-True-Crime Series by Garry Rodgers, a retired homicide detective with a second career as a coroner—now reincarnated into an international bestselling crime writer. Get At The Cabin in eBook format at Amazon, Kobo, and Nook.

Here are the First Two Chapters of At The Cabin

WARNING!

At The Cabin is based on a true crime story. Explicit descriptions of the crime scenes, factual dialogue, real forensic procedures, and actual police investigation, interview and interrogation techniques are portrayed. Some names, times, and locations have been changed for privacy concerns and commercial purposes.

Chapter One — Thursday, March 11th – 8:35 a.m.

“She’s lucky she’s still alive.” The detective from our Green Timbers Serious Crimes Section stopped. She swallowed. She was on the other end of my phone, calling from the Burn Unit at Vancouver General Hospital. “I’ve never seen such injuries… deliberate injuries. The viciousness of this attack is fu… appalling! Sheer cruelty and excruciating torture.”

“What’s the lady’s name again?” I had my notebook open, pen in hand, and a dark roast on my workstation desk.

“Beatrice Bonnell. She goes by Bea.” The Vancouver detective paused. She swallowed again. “Bea’s seventy-four years old, for God’s sake. This assault is just… excuse the language… fucking abhorrent!”

“Where did you say this happened?” I heard her say the place when she called to report one of the most despicable and savage offenses I’d ever investigate.

“At the cabin they own. It’s on De Courcy Island. Our map indicates it’s in your territory. Nanaimo Regional District.”

——

De Courcy Island was in my policing area. De Courcy was one of many chunks of rocky land jutting from the Pacific Ocean off the southeast side of Vancouver Island in British Columbia at Canada’s west coast. Officially, this water-bound and tree-filled region was known as the Southern Gulf Islands in the Salish Sea. Unofficially, the area was the “Big Island” and a bunch of little ones—over a hundred of them, depending on how you classified islands.

I was at my desk at the Nanaimo Serious Crimes Section when my colleague from Vancouver phoned. She’d been notified by hospital authorities when Bea Bonnell arrived by Helijet ambulance the previous evening. Because Bea’s attacked occurred outside the City of Vancouver, investigation responsibility fell to the local area holding jurisdiction for the spot.

That spot, on De Courcy, was just south of Nanaimo, which is a small city of 100,000 on the Big Island. Nanaimo was a hub of activity being straight across from Vancouver proper which was one of the most exotic, erotic, and expensive paces on the planet. Nanaimo also had an active crime rate exceeding Vancouver’s when measured on a per capita base. And the crime against Bea Bonnell rated at the top of atrocities one human being can inflict upon another.

——

“Give me what you got so far.” I was ready to write more besides Bea Bonnell and At The Cabin.

“I don’t know much, to be honest.” The detective’s voice was overtight, like a wound watch spring read to snap. “She was admitted here at eight-forty p.m. last night. Airlifted from Nanaimo to VGH, and they put her directly in the burn unit. It’s questionable if she’ll make it. She’s in critical condition suffering not only from multiple third-degree burns but also from fractured ribs and broken fingers. Whoever did this really worked her over.”

“Any suspects or motive?”

“No suspects by name. Just a lone male. Unknown male. Masked male armed with a handgun. Robbery on the surface, but I think there’s more going on here that’s not being told.”

“Like what?”

“It’s just the vibe I’m getting. What I’m told, and this is third-hand, is that the victim was alone at the cabin she and her husband Stanley Bonnell have on De Courcy Island. He goes by Stan. Stan Bonnell. Little older than her. Seventy-six.”

“Stan and Bea Bonnell? Seventy-four and seventy-six? When did the attack happen?”

“Yesterday afternoon. The best I can get is that it was after one p.m. when Stan left Bea alone at the cabin while he went to town. Nanaimo. They live at an isolated spot on De Courcy and have to take a boat off and on. Do you know the place? De Courcy, I mean. Not necessarily the cabin itself.”

“Yup. I’ve been in Nanaimo over thirty years, and I’m a boater. I’m familiar with De Courcy’s location and coastline but not the island by land. It’s like a lot of these small Gulf Islands. Sparsely populated and private.”

“Right. I Googled it. I also have GPS coordinates for the cabin location.”

“What else do you have?” I asked this as I wrote the GPS numbers in my book. “What was this guy after?”

“Well, this is where I’m having trouble. Bea is sedated so she can’t talk. The only one she’s told is Stan and he’s… I don’t know how to put it… vague. Not… I can’t say evasive. Maybe a touch of dementia, or maybe just the stress of this whole thing.”

“I can understand the stress. What’s the extent of Bea’s injuries?”

“Most of her fingers and some of her ribs are broken. Then she has a series of thirteen individual burns along her left side. Directly on her skin from her hip up to her mid-chest area. They look like what she says happened. First, he tied her hands behind her back. Then he broke or dislocated her thumbs and fingers and he threw her on the floor and began kicking her in the ribs. Then it got worse. He heated up a knife on the stove and began burning her again and again along the side until he got frustrated and left but not before setting the cabin on fire with her hog-tied with a pillowcase over her head.”

“Hog-tied? Pillowcase? Set the cabin on fire with her in it?” I’d never heard anything like it. “How the fuck did she survive?”

“She must be one tough old bird.” The detective was tenser now than when she’d started talking. “This is what I got from Stan and the medical staff he talked to. Stan left Bea alone at the cabin while he took his boat and left De Courcy to get something. He was gone four hours and got back just before dark. He found Bea lying on the ground outside the cabin door. She was still bound and hooded. She was in terrible pain and nearly delirious as well as hypothermic.

“I can’t imagine. It was so cold and wet here yesterday.”

“The best I know of what Bea told Stan, and this is hearsay, is that after Stan left, this masked man showed up at the cabin holding a handgun and threatened to kill her, Bea, if she didn’t give him what he wanted. Bea refused, so the guy wrapped her hands behind her back and took a pillowcase, I don’t know, from the bed maybe, and pulled it over her head. He told her he was going to work her over till she gave in. She told him she didn’t have anything to give him. Then he started bending and snapping her fingers, put the boots to her ribs, and then went into the burning.”

“This is just fuckin’ sick.”

“No better word to describe it.” The detective’s voice was like someone had turned her volume down.

“Then he set the cabin on fire? How’d she get out of being hooded and hog-tied?”

“I’m not that clear about this. The cabin didn’t burn down. He, the bad guy, told her since she didn’t give up what he wanted, she could die in there. So he took a bunch of papers and placed them around the stove. They caught fire and he left, closing the door behind him. Bea could see flames through the pillowcase, so she wiggled her way to the stove and managed to knock a pot of water off the top and that drenched the papers.”

“Wow!”

“Then she wormed her way to the door, forced it open, and rolled outside. Bea lay there on the wet and cold ground until Stan got back. Oh! And her feet, ankles, were tied too.”

“Just wow!”

“Like I first said, she’s fucking lucky to still be alive.”

“What’s her medical prognosis?”

“Not good. She’s in critical condition. They’re afraid she’s going to develop complications and pass away. The severity of her injuries and her age are so stacked against her.”

“What was this guy after? Like, to go to this extent, there must be something extremely valuable he wanted.”

“This is where I’m having a hard time.” The detective took a long pause. She quietly said, “I don’t think Stan is being truthful with me.”

Chapter Two — Thursday, March 11th – 9:40 a.m.

I sat in Leaky Lewis’s office. Harry was with me. We talked about the report I’d received on Bea and Stan Bonnell from the Green Timbers detective.

Leaky was in charge of support services in our police department. His real name was Jim Lewis, and he got the nickname because of a chronic condition. Leaky suffered from urinary incontinence which made him well suited to occupy the corner office equipped with a private washroom.

Our Nanaimo force had a complement of around 140 regular police officers with an additional sixty civilians working in various roles. The backbone of any police force is the uniform or patrol officers who handle front-line complaints and emergencies. I spent very little time in uniform as I quickly realized where the backbone ends up so I made a play for criminal investigations. Now, I had well over thirty years of detective experience and was a leading candidate to be put out to pasture—cop-speak for retirement.

The support services Leaky commanded included our Serious Crimes Section. We had three teams of two detectives, each of whom were mandated to solve violent offenses against people. Mostly, we did murder cases but serious assaults like the one on Bea Bonnell fell into our hands, especially since Bea’s prognosis wasn’t good. This had every shadow of a murder file developing as the time passed and clues came to light.

Besides our overworked Serious Crime Section, Leaky looked after our Forensic Identification Section, which was the CSI department, Drug Squad, Criminal Intelligence, Commercial Crime, Street Crew, Property Crimes, and one poor prick plagued with frauds and bad plastic.

Harry was my detective partner. Her real name was Sheryl Henderson. Sheryl was a large lady with large hair and an even larger personality. She got the name Harry after the Bigfoot or Sasquatch in the movie Harry and the Hendersons.

——

“I think Stan’s hiding something.” Harry was the first to speak. She’d listened in to the phone call with the Vancouver detective. “I don’t buy Stan’s statement. Like, some armed and masked stranger shows up while he’s away and does this to his wife and Stan doesn’t know what the guy was after? Give me a fucking break.”

Harry was never one to suppress her opinion. She was usually right, but tact and diplomacy weren’t strong character traits with Harry. Still, I loved her as my partner of three years, and I knew the number one strength holding Harry together—her loyalty.

We played the audio-recorded statement the detective took from Stan Bonnell and shipped to us as an email attachment.

——

“Please state your full name and address, Mister Bonnell.”

“Right. I’m Stanley Edgar Bonnell. That’s Bonnell with two n’s and two l’s. I go by Stan. Stan Bonnell. We have two places. That’s me ’n Bea, my wife. Beatrice June Bonnell. The winter we spend down at the cabin on De Courcy Island. Summers, me ’n Bea are up at the cabin at Surprise Lake ’bout twenty miles due east of Atlin. Atlin, if you know where it is, is in the northwest corner of British Columbia. Closest big town or trading center up there is Whitehorse in the Yukon Territory. We come down to De Courcy in November when things start to freeze up in the north, and we head back up in late April when things start to thaw out again and the frost is gone enough so we can work the ground.”

“Very well. Please tell me what happened at the cabin on De Courcy Island that led to you and your wife Bea to be here at Vancouver General Hospital where we’re recording your statement today.”

“Right. So I don’t know exactly what happened at the cabin ’cause I wasn’t there when it happened. I can only go by what Bea managed to tell me, and what I saw musta gone on. I was away in town. At Nanaimo. I left just after noon to conduct business and get supplies and I took the boat we moor at De Courcy at Gunderson’s dock. Bea was fine and everything was good when I left. However, when I come back approaching dark, I arrived to find a hell of a mess. Here was poor Bea all wrapped up on the ground outside the door and she was terrified and in terrible pain from her injuries. I pulls up in the truck. We got an old truck we use to get around on the island as the cabin is not down by the dock. It’s a bit inland. Anyway, I sees Bea on the ground with her hands tied behind her and her feet cinched at the ankles and this soaking wet cloth hood over her head and I says, ‘Land’s sakes woman. What have you gone and done to yourself?’ And she says the best she can ’cause she’s now terribly cold and shaking and really in pain, ‘He tried to rob me and he smashed-up my hands and my ribs and burnt me all over with a hot knife.’ And I says, ‘Who? Who done this?’ I untied her. Actually, I cut the rope off her hands and feet, ankles, and I yanked the hood off and I got her up and into the truck where what we got left of a heater was on. Bea says, ‘I don’t know who done this. I got no idea at all. You got to get me to the hospital.’ She was in bad shape. Real bad shape and the medical folks here don’t know if she’s gonna make it. Gonna pull through.”

“Did she describe her attacker?”

“Masked man with a gun. Handgun. That’s all she said. She got no idea who done this.”

“Did your wife say what he wanted? What he was after that made him do this?”

“She didn’t get into that much detail. She also told me he tried to set fire to the cabin with her in there. I looked and I saw where the papers on the floor were burnt and where she kicked the hot water pot over to douse them out.”

‘She was able to give you this detail, but not the reason the masked man with the gun came to your cabin and did these horrific acts to her?”

“Nope. I mean yes. Yes, Bea said what happened. As in who it was and what he did to her. She didn’t exactly go into all what was said. Like I said, Bea was in awful pain and terribly cold. All she wanted, and all I could think of, was getting her warmed up and to a place where her injuries could be treated. I took her by boat to Nanaimo where an ambulance met us at the dock. Seeing how bad she was, they flew her straight over here to the burn ward.”

“Excuse me for a sec. You said Bea knew who it was. She knew who it was that attacked her?”

“No. No. She knew it was a masked man with a gun who done this. A loner. She didn’t know who the guy was as in his identity. I got no clue who done this.”

“Do you know why he attacked Bea? What exactly he was after?”

“He might have been after something. Something real valuable enough to go to this stretch.”

“Stan, this is an extremely vicious attack. Whoever is behind this must have been desperate for something. What’s your suspicion?”

“I can’t really say.”

Chapter Three — Thursday, March 11th – 9:55 a.m.

“He can’t really say.” Harry scoffed. She clicked her pen. “Bullshit.”

——

Get At The Cabin on Amazon, Kobo, or Nook.

BESIDE THE ROAD — NEW BASED-ON-TRUE-CRIME SERIES BOOK #4

Dead Men Do Tell Tales

New Book Release – June 2020 – by Garry Rodgers, DyingWords Digital & Print Media Canada

Warning! Beside The Road is based on a true crime story. It’s not embellished or abbreviated. Explicit descriptions of the crime scenes, factual dialogue, real forensic procedures, and actual police investigation, interview and interrogation techniques are portrayed. Some names, times and locations have been changed for privacy concerns and commercial purposes. 

Prologue

He lay beside the road. He lay beside the road as dawn’s first streaks smeared the eastern sky and the horizon’s weak rays cast frail shadows through early mist. Songbirds introduced the day—while an owl’s screech signed off the night—as he lay on his back in death’s putrid stench… discarded and dumped down a backwoods bank beside the road.

Light spread through the rural woods where a poorly-paved path cut a meandering trail high above him, shielding his corpse from passing view. The sun unhurriedly appeared. It evaporated the overnight dew that formed in early summer, and the temperature began to rise from a tolerable chill. Predictably, the sun climbed the cloudless sky towards another afternoon’s peak of uncomfortable heat.

By nine, the sun angle was right for direct beams to touch his torso through the picket-fence gaps in roadside trees vertically rising from the steeply-sloped bank. A stand of coastal Douglas fir, native to British Columbia’s central Vancouver Island, guarded his body while a canopy of Western red cedars sheltered his cadaver from the direct sear of mid-day heat. The forest floor was a pad of thorns and ferns and moss and sticks and leaves and sticky needles that slowly deteriorated along with him as part of the universal plan.

Hour by hour, as the world turned and time passed, intermittent sunlight radiated him into a zipper-like pattern. Low luminosity left a softening effect on his exposed skin while solar gain from higher scales scorched him with a dryness that turned his trunk zebra-striped in a way few deceased people present. He had a piano-key pattern and a rarity produced by alternating spectrums of electromagnetism.

Day by day, as the Earth evolved and entropy progressed, he became a unique specter—part putrefaction where light hit him low and part mummification where diffusing blows of afternoon rays parched his flesh.

He was clothed. Partly clothed, that is, with his feet in shoes and his privates in shorts. His singlet, or wife-beater muscle shirt, bunched about his upper chest. His head was bare and so were his arms. His hair was stringy strands of brownish sludge that trapped the decomposing flesh and fats flowing from his scalp. And, his left hand reached as if grasping for help while his right helplessly crooked behind his back.

His face was mostly exposed to the bone and his eyes were gone. His cranium sucked in the sunlight and left him with a bare-skull appearance where his teeth—a distinctly different dentition—gave a half-snarl and a half-sneer similar to a pirate’s ghastly flag.

He had a name. He once had a family, and he once kept some friends. He once had a childhood and he laughed and he played and he schooled and he fooled around like anyone passing through their youth and into their adulthood would. But, his life was extinguished and his consciousness had parted ways with his physical entity—his remains left on the slope beside the road to break down.

Now, he was a medical mess with nature’s creatures consuming his corpse. Insects cycled through their growth stages and carried on the continuous loop of evolution. Forest vermin feasted on their share of his disarticulating decay while circling birds apprehensively watched for their chance at a piece of the putrefied pie.

He had a past. He had a past not to be proud of that caused him to be in his present condition—a dead and discarded human body that lay in silent stink beside the road.

Chapter One — Tuesday, July 9th – 1:10 pm

Leaky Lewis sent me a text. body beside the road. prob foul play. can u attend?
I texted Leaky back. What road, ffs? There’s a thousand roads in this town.
Leaky replied. o sorry. nanaimo lakes rd. approx 6 mi west near gogos sawmill.
I typed. Helpful. Are you there now?
He responded. no. im in council meeting. thats why text and not call.
I returned. So who has the scene?
Leaky pecked. uniforms got it. forensics en route. i called coroner. she’ll meet u.

——

Leaky Lewis was my boss at our Serious Crimes Section. He was junior to me in service, but that was okay. I preferred investigating murders more than stretching budgets and scrambling resources like Leaky had to do. And, this case of the body beside the road stretched and scrambled our budget and resources to the max. We used almost every investigation tool and technique available before we finally solved the most baffling and bizarre homicide file of my long detective career.

Leaky’s name was Jim. Jim Lewis. He’s a great guy, but had a serious incontinence problem with post-urinary drip. That’s why the nickname. Leaky couldn’t venture far from the trough without Depends, but he made sure we had everything needed to do our job.

By “our” I mean the seven-person squad tasked with investigating violent persons offenses that happened around the Nanaimo area. We’re located on central Vancouver Island in British Columbia right across from the craziness and congestion of the City of Vancouver. Nanaimo has Canada’s mildest year-round weather. I’d been here on the southwest coast for years and had hit my best-before date. During that time, I’d seen a lot of serious crimes because Nanaimo had an extraordinarily high homicide rate.

Leaky looked after our entire plainclothes unit. Besides the Serious Crimes bunch, he supervised the Commercial Crime unit, Sex Offenses, Forensics, Drug Squad, and one poor prick plagued with frauds and bad plastic. Leaky also oversaw the secret squirrels in our intelligence branch and two notoriously bad-behaved boys on the Street Crew.

——

I pulled up to the crime scene on Nanaimo Lakes Road in my unmarked Explorer. Like Leaky texted, it was just over six miles west of the city limits near a small sawmill run by industrious Slavic immigrants called the Gogo family. There were two police cruisers parked on the right-hand shoulder, the north side, with their red and blues flashing. Two other vehicles sat along the shoulder. One was our forensic unit’s mobile shop. The other belonged to Global TV’s roaming cameraman.

A uniformed cop with a paddle-board stop sign directed traffic around the entourage. She pointed to the left lane and gave me a “get-going” motion. I didn’t recognize her. Likely a new recruit. I hit my grille lights and she startled. Then, she smiled and pointed to the steep bank beside the road.

I parked, got out, and walked toward the marked car at the front of the pack. Already I could smell it. It was that unforgettable stench—somewhere between reeking ammonia in ripe rotten eggs and the putrid aroma of deeply-decayed roadkill. It was the smell one never mistakes.

A senior officer guarded the scene. He’d been with the patrol division for a long time. The patrolman introduced me to the stop-sign gal. I was right, she was a brand-new hire.

“What’s happening?” I was matter-of-fact.

“Body down the bank.” The old harness bull thumbed to the thick stand of Douglas fir trees rooted to the slope and standing tall. Western red cedars loomed overhead. “Been there a while from the look and smell.”

“What do you think?” I stood at the edge. It was loose gravel beside the road’s crumbling pavement. I did not want to slip and take a tumble.

“At first I thought it was a deer.” He scrunched his nose. I could see the young officer kept her distance. “That’s what the guy who reported it thought, too. He was riding his bike up the grade and caught a whiff. So, he stopped and looked over and saw his dead deer wore running shoes.”

“Witness guy still around?” I looked about. The only civilian seemed to be the TV man rolling film.

“No.” The patrolman shook his head. “I got my cadet to take his statement. Gotta start somewhere, right? Then we sent him on his way.”

“Great, thanks.” I paused to look around and take in the scene.

It was bright sunshine and getting uncomfortably warm. The early afternoon sun was south-southwest and high enough to shine over the bank and flood its light on the slope. The site was at the leading edge of a tight left-hand bend, and the road was sharply inclined toward the west. It led to a double-S curve with a cautionary slow advisory sign—not the sort of place to safely pull off.

The traffic was light. A loaded logging truck approached and followed the young officer’s direction. It chugged up the grade and disappeared through the curve. A smaller silver SUV arrived. Instead of bypassing as the officer indicated, the SUV came to a stop behind my Explorer. I saw the new cop frown as the driver put it in park and shut off the engine.

I knew who it was. The door opened and a silver-haired lady with a silver clipboard matching her mane got out. Honey Phelps, our coroner, walked toward me.

“Hi, Honey. Imagine meeting you here.” I smiled. Honey. I love the name. It perfectly suited her. She’d been with the Coroners Service for years, and I’d worked with her at countless death scenes. She was always the consummate professional but with a black humor tinge.

“Is that you?’ Honey whiffed the air like a bear. “Or is that my client?”

“Probably a bit of both.” I chuckled. “I haven’t had a look yet. Waited for you to get here.”

“Looks like Forensics beat me.” She nodded toward the big rig that looked somewhere between a SWAT team’s truck and an indie rock band’s Winnebago.

“Yeah. I think they’re inside suiting up.” I motioned toward the Forensic Identification Section vehicle. “Let’s go have a chat with them.”

Honey looked at my Explorer and then at me. “You alone? No Harry today?”

I grinned. “Nope. I’m batching it. She’s tied up in a court case.” I referred to my usual partner, Sheryl Henderson who we called ‘Harry’ after the Bigfoot in the movie Harry and the Hendersons. Sheryl was a large lady with large hair and an even larger personality.

Honey and I walked up to the Forensics vehicle just as Sergeant Cheryl Hunter stepped down. Her understudy, Matt Halfyard, stayed inside. We called him Eighteen Inches.

Cheryl was dressed in her bunny suit. It’s the white Tyvek coveralls that CSI people constantly wear. I’m sure she slept in that thing.

“What do you think?” I asked Cheryl much the same thing I’d asked the senior patrolman. It was usually a pretty good opener.

“Not sure yet.” Cheryl had her digital Canon ready. Matt was loading a video camera. The first thing Forensics always do is film the scene before they enter it. That step was non-negotiable, and the guarding officers made sure no one went near the body before Forensics began their painstaking thorough task of recording the overall scene. Examining the body beside the road would follow.

“I’m not sure what to think.” Cheryl was always careful with opinions and cautious with conclusions. She was like all forensic examiners. They work with facts. Not fables. It was the nature of the beast.

“I haven’t been down to the body yet.” Cheryl looked to her left and over the bank. “It’s about twenty-five feet downslope and looks like it’s hung up against tree trunks. I have no idea if he… it looks like a he from the size and style of running shoes… that’s all I can really make out from here… if he was hit by a vehicle and sent flying over the bank or if he was driven out here and dumped.”

I looked around. The TV camera guy looked back through his viewfinder. “Doesn’t look like a suicide type of scene.”

Cheryl and Honey agreed. We’d all seen a lot of suicide scenes and this one didn’t fit. My gut feeling said dumpsite.

“Let’s just take this step-by-step till we see what we’ve got.” Cheryl was the voice of reason. “One thing’s for sure. This isn’t a recent scene. From what I can see above the shoes is bare-bones with putrefied flesh partly attached.”

“Been here a while, then.” Honey observed.

“Yeah.” Cheryl looked up at the sun. “But it doesn’t take long in this weather.”

“We’ll figure it out.” Honey smiled. “Let’s have a better look at who’s down there beside the road.”

*   *   *

Beside The Road — Book 4 in the Based-On-True-Crime Series by Garry Rodgers is just released  — June 2020 — and now downloadable from these leading EBook retailers:

 

 

 

 

HOW TO WRITE DEADLY CRIME FICTION

grodgers-write-deadly-fiction-cover-online-use-3debook-sml[1]Crime fiction is the second largest-selling book genre, slightly behind romance. It’s a craft an author must have passion for, as well as having the writing skills and subject knowledge to make their story believable—and hold their reader’s interest. Passion has to pre-exist in the writer but, thankfully, the techniques can be learned. I’m betting that 808 Killer Tips on How to Write Deadly Crime Fiction will help.

The No BS series of crime fiction guides is a project I’m passionately working on. It started as a self-teaching venture when I began fiction writing. I quickly found that, although I might be an adequate technical writer, I knew little about the tricks of the fiction trade.

grodgers-website-banner-crime

grodgers-write-deadly-cover-online-use-3dbook-sml[1]I researched and developed a list of pointers—mostly notes to self—on some of the most important tips. Thinking it would be helpful to others, I published it as a pdf under the title Dead Write with 99 tips and offered it as sign-up bait for my blogsite. It’s now matured as Guide One with a more professional look as 101Killer Tips on Writing Deadly Crime Thrillers. It’s still available free on this site.

The series goes beyond diction and syntax. It gives writers a unique look into the real side of crime writing based on my actual experience and a hell of a lot of research—never mind help from a gem of a source.

AA2My friend and fellow crime writer, Sue Coletta, generously offered to critique and edit the guides. Sue is an accomplished author on her own with a new crime thriller Marred hitting the shelves on November 11, 2015. Sue recently renovated her website and it’s an excellent source of information for crime writers and fans. Visit Sue at www.suecoletta.com and get her own free tips: 60 Ways To Murder Your Fictional Characters.

grodgers-deadly-selfedit-cover-online-use-sml[1]Guide Two is How to Self-Edit Deadly Crime Thrillers. Researching this has taken my writing knowledge to a whole new level and I hope it does the same to others. What’s opened my eyes is how the process of editing actually works. The takeaway—it’s as vital to learn editing skills as it is to develop writing skills. Editing is revision. Re-Vision.

Writing Deadly Crime Scenes is the third guide. It deals with what really goes on behind the ‘Scenes’. People. Places. Processing. It gives you tips on how crime scene investigators recognize evidence and how you can accurately portray the scenes in your books. The guide has sections on legal requirements, responsibilities of investigative roles, and how personalities intertwine on the CSI ‘food chain’.

grodgers-write-deadly-dialogue-cover-online-use-3debook-sml[1]Deadly Dialogue goes beyond the do’s and don’ts of fiction dialogue. It gives a look at how cops and crooks think, hence how they talk. There’s tips on formatting dialogue so your novel will read like a crime book and not like some soap-opera script. There’s also a glossary of crime terms to get it just right.

Guide Five is on Characters. Let’s set this straight. Plot is all about characters doing something to forward the story and their own development. It makes you think about development of your characters on three levels. One dimensional that have no names. Two dimensional with an occasional appearance as supporting cast. And the three dimensional stars of the show that your reader needs to love or hate.

grodgers-write-deadly-forensics-cover-online-use-3dbook-sml[1]With Guide Six, the series takes a scientific turn and looks at the world of Forensics which no crime story can ignore. You’ll get tips on fingerprinting and footwear impressions. A tour through the lab. Recognize bloodstains and semen stains. Microanalysis. Fires. Explosions.Trace evidence and toolmarks. Entomology, serology, and odontology. It covers psychiatric profiling and you’ll take a ride on the polygraph. (Tough to compress this into 101 single tips.)

You’ll get a bang out of Guide Seven. It’s all about Firearms where you’ll get tips on ballistics, lands, grooves, and striations. It covers types and terminology as well as ammunition and actions. You’ll learn about yield thresholds and fragmentation, the difference between GSW and GSR, and how to snipe off a suspect. You’ll never again call a cartridge a bullet, or a primer a casing, and you’ll know where to turn to for help.

grodgers-write-deadly-autopsies-cover-ebook-interior-1024px[1]Guide Eight takes on Autopsies and the role of forensic pathology. You’ll bag some bodies and slice some Y-incisions; cross-section organs with the tools of the trade and meet with who’s who in the morgue. Experience the stages of mortis (changes in death) and understand why things smell the way they do. How to Write Deadly Accurate Autopsies helps you write convincing causes of death and backs it up with scientific support from the lab.

All eight guides will be condensed into one resource titled How to Write Deadly Crime Fiction — A No BS Guide with 808 Killer Tips. The individual guides will be available online as eBooks with an internal link to printing it as a pdf. The big guy, 808, will be in both digital and print-on-demand.

Guides Two through Eight will be out in the fall of 2015, date TBA. In the meantime, help yourself to Guide One: How to Write Deadly Crime Thrillers — A No BS Guide With 101Killer Tips. I’d appreciate your feedback, so please comment with your thoughts and suggestions.

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How to Write Deadly Crime Thrillers — A No BS Guide With 101 Killer Tips.

PS – If you’re already a subscriber to DyingWords and want the new guide, email me at garry.rodgers@shaw.ca and I’ll send you the pdf direct.