Tag Archives: Writing

BIG RIVER – WHAT NOVELISTS CAN LEARN FROM SONGWRITERS

AB6Johnny Cash was a brilliant musician. Singer. Performer. And masterful songwriter. Johnny Cash condensed high concept ideas into short, resonating stories – ripping people’s hearts in four or five stanzas – that stayed in millions of ears and memories. Big River was his best-told story. And he played it when inducted into the Rock & Roll Hall of Fame.

A writer friend recently ranted about working with a Grammar Nazi. Wait – How the hell does that relate to the man in black? And why are these opening paragraphs so disjointed? Stick with me.

“Jesus Christ! My editor’s gagging my friggin’ voice.” Frustration in her email zinged through me.

“Know it.” I keyed back.

AB5“Who says we can’t start a sentence with ‘And’?” She pounded. “We’re crime-thriller writers, for God’s sakes. Not tryin’ for a Pulitzer Prize in English Lit.”

I nodded. “Remember what King says – ‘Grammar don’t wear no coat ‘n tie’.” (Stephen King’s advice in On Writing).

‘Yep. Holding m’ground.” She breathed out. “It’s my story and I’m stickin’ to tellin’ it my way.”

“Good for you!” I pecked, thinking So much of what makes a great story is the way it’s told. Take songwriting. There’s not a lick of good grammar in most songs and some songs are timeless stories. Like Big River. I bet novelists can learn a lot from songwriters. 

That night I kicked back with (a) glass of wine, headphones on, rockin’ to The Highwaymen – Live at Nassau Coliseum (1985). Their encore was Big River

AB4The Highwaymen: Willie Nelson. Waylon Jennings. Kris Kristopherson. And Johnny Cash. All great musicians. Singers. Performers. And masterful songwriters. 

But Johnny Cash was a one-of-a-kind musical figure, quintessentially American; able to identify with the outlaw, and vice-versa – craggy, with a voice unlike anyone’s. Waylon & Willie worshiped him. Kris Kristofferson wrote “He’s a poet, he’s a picker, he’s a prophet, he’s a pusher, he’s a pilgrim, and he’s a preacher.”

Johnny Cash’s masterpiece, Big River, was cut in 1958 and topped the charts. It has everything in one story.

Now I taught the weeping willow how to cry
And I showed the clouds how to cover up a clear blue sky
And the tears that I cried for that woman are gonna flood you Big River
Then I’m gonna sit right here until I die

I met her accidentally in St. Paul, Minnesota
And it tore me up every time I heard her drawl, southern drawl
Then I heard my dream was back downstream cavortin’ in Davenport
And I followed you Big River when you called

Then you took me to St. Louis later on down the river
A freighter said she’s been here but she’s gone, boy, she’s gone
I found her trail in Memphis but she just walked up the bluff
She raised a few eyebrows and then she went on down alone

Now, won’t you batter down by Baton Rouge, River Queen, roll it on
Take that woman on down to New Orleans, New Orleans
Go on, I’ve had enough, dump my blues down in the gulf
She loves you, Big River, more than me

Now I taught the weeping willow how to cry, cry, cry
And I showed the clouds how to cover up a clear blue sky
And the tears that I cried for that woman are gonna flood you Big River
Then I’m gonna sit right here until I die

AB16Re-reading the lyrics – even when I thought I understood the words – “then I heard my dream was back downstream cavortin’ in Davenport ” got me. Like, how good is that? 

Big River is a study in storytelling. High concept in a timeless, global theme of lost love. Slots into a romance genre – the largest commercial fiction market. Opens with an emotional prologue. Sharp hook in beginning act; builds tension in middle; ends in the third act by answering the central story question.

AB15Big River introduces protagonist and antagonist in the opening line of the first scene. There’s desire and conflict; hope and despair.  Stays in first person point-of-view. Past tense. Every word – Every line – Every paragraph advances the story, following a forlorn search from the Mississippi’s top to its bottom – in the heart of American country music.

Big River has implied dialogue. Adjectives that work. Not a useless, stinky-little adverb in sight. Beats become scenes; scenes sequence acts. There’s subplot and subtext. Every word counts. Setting is vivid… but time frame is everywhere in the past two hundred years. And characters aren’t named – but they’re strongly identifiable – because they could be you and me.

There’s not a lick of good grammar in Big River. Punctuation’s the shits!! There’s run-ons and cut-offs and pretty much everything a Grammar Nazi could hate.

AB8But the voice? So clear. So large. So unique. So Johnny Cash. His theme is timeless. His story universal.  Big River is told in 281 words.

Novelists can learn a lot from songwriters. 

Pour yourself a glass of wine, yes (a) glass of wine. Put your headphones on, girl, yes put your head phones on. Watch and listen to these videos, these timeless storytelling videos, and sit right there until you die.

*   *   *

Johnny Cash at the Grand Ole Opry in 1962  https://www.youtube.com/watch?v=s_21p14TAXM

Highwaymen Live at Nassau Coliseum in 1985  https://www.youtube.com/watch?v=-hy6_b7sQuY

Johnny Cash’s induction into Rock & Roll Hall of Fame in 1992 (Jamming with rocks’s best, like John Fogerty and Keith Richards) https://www.youtube.com/watch?v=jIWBEggDFa0

ENGLISH – SPEAKING A GLOBAL LANGUAGE

AA6English is the world’s working language. It’s the mother tongue of four hundred million people and it’s secondly-spoken by around a billion. English is the powerhouse in commercial communication, but it’s well behind Chinese and Spanish in cultural conversation.

You’re obviously conversant in the global language because you’re reading this, but did you know you use two distinct, different languages when you speak English?

AA12Today’s English is a blend of one-third Germanic Anglo-Saxon and two-thirds of romantic languages like Latin and French. It’s also got a bit of Celtic, Greek, and Norse thrown in.

In your everyday conversations, whether oral or electronic, you unconsciously switch between the formality of Latin and the folksy tune of words from Germanic roots. It’s like when we want to play, we go off casually – using plain and simple English like the guy in ripped jeans, a hoodie, and Birkenstocks (without socks). When we want to impress, we groom impeccably and display our fine Latin manners. C’mon. We all do that. Or, pray tell, do we not?

So where did this worldwide English language come from? Where’s it at today? And where’s it going in the future?

AA13A history lesson shows English began on the British Isles in 400 AD when three Germanic tribes invaded – the Angles, the Saxons, and the Jutes. They pushed the native Celts north and west into Scotland and Ireland, then took the place for themselves calling it ‘Englaland’ with their language being ‘Englisc’.

Current English evolved over four phases.

Old English (450-1100 AD) didn’t look or sound much like how we talk today. We’d have a tough time understanding the flow, however half of our modern words are derived from Old English. Words like earth, wind, fire, water, and flow. Beowulf is a famous poem written in Old English. I don’t understand a word of it and I’m sure King Arthur and I’d have a rough go at debating.

AA14Middle English (1100-1500) came about when the Normans showed up in 1066, making a form of French the voice of England’s Royal Court. The higher class spoke French and the lower class spoke English.

Early Modern English (1500-1800) was the stuff of Shakespeare. It was also the age of the Renaissance when England was expanding and coming into contact with foreign languages. Publishing was growing. The masses were beginning to read and write. And dictionaries were available.

Late Modern English (1800 – Present) has a larger vocabulary and different delivery. You can thank the Industrial Revolution and also, at one point, the British Empire covered much of the civilized world, naturally adopting words and phrases form other cultures.

English is categorized in three circles which builds a cohesive global language.

AA15The inner circle is those with English as their mother tongue. Britain, USA, Canada, Australia, New Zealand, Ireland, and South Africa are the main players. English is handed down from generations within the inner circle and form the base who relay it to the rest of the world.

In the middle circle are English Second Language (ESL) speakers. There could be up to a billion, depending on how proficiency is defined. The Philippines is a good example. So are India, Pakistan, Singapore, Jamaica, and Nigeria.

The outer circle contains a vastly expanding populace who converse using English as a common tool. Today’s interconnected society relies on a communication standard and for many reasons that’s become English. It’s the international language at the United Nations, in treaties, in aviation, marine, medicine, science, and internet technology.

AA8Where I’m going with this – the blog you’re reading, ww.DyingWords.net, is a snapshot of how English is communicated in today’s global market. I started DyingWords three years ago because I wanted to provoke thoughts on life, death, and writing. I had something to say and I used the English language structure to convey it. It’s the only language I know, so I was pretty much stuck with it.

In three years, DyingWords experienced steady growth and I want to share this snapshot with you about global communication.

AA16I use Google Analytics to track traffic to my WordPress website. I surveyed a three day period – July 28/29/30, 2015 – which showed 2,778 visitors to the site. 12.3% were returning folk and 87.7% were new.

Google Analytics tells you fascinating things about who’s looking at your site. I’ll drill down. Here’s DyingWords visitor demographics:

Top 10 Countries By Visitor

  1. USA – 1392
  2. Canada – 435
  3. United Kingdom – 200
  4. Russia – 186
  5. Australia – 93
  6. China – 65
  7. India – 57
  8. Kenya – 54
  9. Netherlands – 43
  10. South Africia – 41

Top 10 Cities by Visitor

  1. New York – 93  (Almost all agents and publishers 😉
  2. Vancouver – 82
  3. London – 56
  4. Nanaimo – 55  (Most of that’s me lurking my own site)
  5. Los Angeles – 54
  6. Calgary – 41
  7. Toronto – 36
  8. Chicago – 31
  9. Melbourne – 26
  10. Sydney – 22

Google goes deeper. It looks at language settings on visitor profiles.

English (US Version)            56.7%

English (UK Version)              9.4%

English (Canadian)                 1.7%

English (Australia)                   0.5%

Other Languages                  31.7%

Wow! One-third of visitors to DyingWords are not first language English speakers.

So who are the unknown visitors?

AA17Here’s something else Google shocked me with. My website mailing list and personal contacts says my core audience is mostly upper middle-aged, educated, English-speaking women. But my mailing list and Google traffic are two entirely different things. The email list is permission marketing and Google refects wide open drop-ins. The search engines say something different about who’s knockin’.

Age Of Visitors

18 – 24                                     27.5%

25 – 34                                     33.5%

35 – 44                                     15.5%

45 – 54                                      12.5%

55 – 64                                        5.5%

65 +                                             5.5%

And what blew-me was gender profile.

Female                                    45.85%

Male                                         54.15%

AA18I’m getting the picture there’s a lot of young, ESL men finding my website and I never mention the “- orn” word, so it can’t be a search generated from that keyword set in a post or buried in metadata. I think they might be searching to improve their English.

DyingWords found a global English language market and my Alexa Ranking shows it. If you don’t know, Alexa is an Amazon product that ranks your website exposure among a billion other websites on the planet. Today, August 1st, 2015, DyingWords is Alexa ranked at 2,940,467 – rising 442,954 positions in the past three months. That’s a 15% increase and puts it in the top 0.3% if you use the billion benchmark number of recorded name domains. Even if you use the disclaimer that 75% of websites are inactive, DyingWords is still in the top 11.8%. I’m good with that because it helps people connect in English.

I attribute the success of this venture to astute scholars, peers included, who allow, appreciate, and advance my provoking of thoughts on life, death, and writing through an effecitve online media format.

And I luv ya guys who keep pushin’ my bullshit.

#BeInteresting 2 look back @200 years & see how English language bettered since 2015. Tx 4 drop-by & plse share #English-SpeakingAGlobalLanguage via #SM btns below ~

TIMELESS ADVICE FROM HUNTER S. THOMPSON

AA1AIn 1958, a then 22-year-old Hunter S. Thompson wrote a letter to a friend who’d asked him for advice. On the surface, this doesn’t seem like a big deal – 57 years ago letters were how people communicated. What stands out is that Thompson wrote this letter way before anyone knew who he was. In my opinion, this letter is a pure statement of faith, written by someone who’d become one of the most influential writers of our time, solely for the purpose of helping his friend. I know the letter wasn’t written to me, but I read it like it was and I’d like to share it with you. 

April 22, 1958
57 Perry Street
New York City

Dear Hume, 

You ask advice: ah, what a very human and very dangerous thing to do!

AA2For to give advice to a man who asks what to do with his life implies something very close to egomania. To presume to point a man to the right and ultimate goal — to point with a trembling finger in the RIGHT direction is something only a fool would take upon himself.

I am not a fool, but I respect your sincerity in asking my advice. I ask you though, in listening to what I say, to remember that all advice can only be a product of the man who gives it. What is truth to one may be disaster to another. I do not see life through your eyes, nor you through mine. If I were to attempt to give you specific advice, it would be too much like the blind leading the blind.

“To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles … ” (Shakespeare)

AA13And indeed, that IS the question: whether to float with the tide, or to swim for a goal. It is a choice we must all make consciously or unconsciously at one time in our lives. So few people understand this! Think of any decision you’ve ever made which had a bearing on your future: I may be wrong, but I don’t see how it could have been anything but a choice however indirect — between the two things I’ve mentioned: the floating or the swimming.

But why not float if you have no goal?

That is another question. It is unquestionably better to enjoy the floating than to swim in uncertainty. So how does a man find a goal? Not a castle in the stars, but a real and tangible thing. How can a man be sure he’s not after the “big rock candy mountain,” the enticing sugar-candy goal that has little taste and no substance?

The answer — and, in a sense, the tragedy of life — is that we seek to understand the goal and not the man.

AA8We set up a goal which demands of us certain things: and we do these things. We adjust to the demands of a concept which CANNOT be valid. When you were young, let us say that you wanted to be a fireman. I feel reasonably safe in saying that you no longer want to be a fireman. Why? Because your perspective has changed. It’s not the fireman who has changed, but you. Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on.

Every reaction is a learning process; every significant experience alters your perspective.

So it would seem foolish, would it not, to adjust our lives to the demands of a goal we see from a different angle every day? How could we ever hope to accomplish anything other than galloping neurosis?

AA3The answer, then, must not deal with goals at all, or not with tangible goals, anyway. It would take reams of paper to develop this subject to fulfillment. God only knows how many books have been written on “the meaning of man” and that sort of thing, and god only knows how many people have pondered the subject. (I use the term “god only knows” purely as an expression.) There’s very little sense in my trying to give it up to you in the proverbial nutshell, because I’m the first to admit my absolute lack of qualifications for reducing the meaning of life to one or two paragraphs.

AA17I’m going to steer clear of the word “existentialism,” but you might keep it in mind as a key of sorts. You might also try something called “Being and Nothingness” by Jean-Paul Sartre, and another little thing called “Existentialism: From Dostoyevsky to Sartre.” These are merely suggestions. If you’re genuinely satisfied with what you are and what you’re doing, then give those books a wide berth. (Let sleeping dogs lie.) But back to the answer. As I said, to put our faith in tangible goals would seem to be, at best, unwise.

So we do not strive to be firemen, we do not strive to be bankers, nor policemen, nor doctors. 

WE STRIVE TO BE OURSELVES. 

AA7But don’t misunderstand me. I don’t mean that we can’t BE firemen, bankers, or doctors — but that we must make the goal conform to the individual, rather than make the individual conform to the goal. In every man, heredity and environment have combined to produce a creature of certain abilities and desires — including a deeply ingrained need to function in such a way that his life will be MEANINGFUL. A man has to BE something; he has to matter.

AA5As I see it then, the formula runs something like this: a man must choose a path which will let his ABILITIES function at maximum efficiency toward the gratification of his DESIRES. In doing this, he is fulfilling a need (giving himself identity by functioning in a set pattern toward a set goal), he avoids frustrating his potential (choosing a path which puts no limit on his self-development), and he avoids the terror of seeing his goal wilt or lose its charm as he draws closer to it (rather than bending himself to meet the demands of that which he seeks, he has bent his goal to conform to his own abilities and desires).

AA10In short, he has not dedicated his life to reaching a pre-defined goal, but he has rather chosen a way of life he KNOWS he will enjoy. The goal is absolutely secondary: it is the functioning toward the goal which is important. And it seems almost ridiculous to say that a man MUST function in a pattern of his own choosing; for to let another man define your own goals is to give up one of the most meaningful aspects of life — the definitive act of will which makes a man an individual.

Let’s assume that you think you have a choice of eight paths to follow (all pre-defined paths, of course). And let’s assume that you can’t see any real purpose in any of the eight. THEN — and here is the essence of all I’ve said — you MUST FIND A NINTH PATH.

Naturally, it isn’t as easy as it sounds. You’ve lived a relatively narrow life, a vertical rather than a horizontal existence. So it isn’t any too difficult to understand why you seem to feel the way you do. But a man who procrastinates in his CHOOSING will inevitably have his choice made for him by circumstance.

AA9So if you now number yourself among the disenchanted, then you have no choice but to accept things as they are, or to seriously seek something else. But beware of looking for goals: look for a way of life. Decide how you want to live and then see what you can do to make a living WITHIN that way of life. But you say, “I don’t know where to look; I don’t know what to look for.”

And there’s the crux. Is it worth giving up what I have to look for something better? I don’t know — is it? Who can make that decision but you? But even by DECIDING TO LOOK, you go a long way toward making the choice.

AA11If I don’t call this to a halt, I’m going to find myself writing a book. I hope it’s not as confusing as it looks at first glance. Keep in mind, of course, that this is MY WAY of looking at things. I happen to think that it’s pretty generally applicable, but you may not. Each of us has to create our own credo — this merely happens to be mine.

If any part of it doesn’t seem to make sense, by all means call it to my attention. I’m not trying to send you out “on the road” in search of Valhalla, but merely pointing out that it is not necessary to accept the choices handed down to you by life as you know it.

AA1There is more to it than that — no one HAS to do something he doesn’t want to do for the rest of his life. But then again, if that’s what you wind up doing, by all means convince yourself that you HAD to do it. You’ll have lots of company. 

And that’s it for now. Until I hear from you again, I remain,

your friend,

Hunter S. Thompson