Tag Archives: Crime

GENOMICS — THE FUTURE OF FORENSIC DNA PROFILING

A3Genomics is the scientific study of the molecular instructions encoded in your cells.  It maps your entire genetic structure. Till now, forensic science has focused on only identifying your cell’s nuclei signature — your inner DNA (deoxyribonucleic acid) and, to a degree, your outer miDNA (mitochondrial DNA) — not your genes. The old method of forensically profiling your biological fingerprint by DNA analysis is being replaced by a computerized 3D genome recreation of your entire being.

A17Genomics is a concept first developed in the 1970’s. It led to the Human Genome Project (HGP) being completed in 2003. The HGP was a massive international research venture that sequenced and mapped all of the human cell genes — together known as the genome. The HGP gave us the ability to read nature’s complete genetic blueprint for building a human being. Like you.

So what’s a genome?

A14A genome is the whole ensemble of your genetic material. It’s the molecular guide of your DNA, your chromosomes, and your genes that tells how to make your cells. It’s the instruction manual for your body. That book is your genome and the study of that book is termed genomics. It’s pretty much a math exercise. And it’s deadly stuff for identifying criminals with.

Let’s take a quick look at your biology.

A35Deoxyribonucleic acid is the chemical compound that contains the instructions to develop and direct your life as an organism. DNA molecules are made of two twisting, paired strands, often referred to as a double helix.

Each DNA strand is made of four chemical units, called nucleotide bases, which comprise the genetic “alphabet.” The bases are adenine (A), thymine (T), guanine (G), and cytosine (C). Bases on opposite strands pair specifically — an A always pairs with a T — a C always pairs with a G. The order of the As, Ts, Cs, and Gs determines the meaning of the information encoded in that part of a DNA molecule. It’s just like the order of letters determine the meaning of a word, only DNA is written out in a barcode locus.

Every single cell in your body contains a complete copy of the 3.2 billion DNA base pairs, or letters, that code your human genome.

DNA’s four-letter language contains information needed to build your physical body. A gene refers to the unit of DNA that carries the instructions for making a specific protein, or set of proteins, and there’s 23,000 genes in your genome code. Each gene directs an average of three proteins.

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If you could peer inside your cells, you’d see your genome contained in 46 tightly packed bundles of DNA — 23 came from your mother and 23 from your father. These DNA bundles, called chromosomes, provide instructions that enable a one-cell embryo to develop into a 100 trillion-cell adult. So, every time the human body produces a sperm or an egg, 3 billion DNA letters must be copied and packaged so they can be passed along to future offspring.

A31Humans come in many shapes and sizes, but we’re all very similar at the DNA level. In fact, the genomes of any two people are more than 99% the same. Still, the tiny fraction of the genome that varies among humans is critical when it comes to forensically identifying a particular individual. DNA variations are part of what makes each of us unique, but it’s in the genes that the real difference lies. They direct what you look like.

Okay. Enough of the biology lecture. How is genomics gonna catch some crooks?

It’s not just genomics. Science now has a great handle on how your DNA is formed and how your genes fine-tune your uniqueness. The problem has been in how to process a staggering forensic workload that has bottlenecked the crime labs and the courts — and how to put a face and a name to an unidentified DNA profile..

A26The answer lies in genomic computerization. The good news is that technological progress is being made faster than anyone ever dreamed possible. Now the labs are looking at your entire genome package for identification, not just at that little bit of nucleic or mitochondrial DNA which is dirty, volatile, and time-consuming stuff to process.

Advancements in computerized processing are allowing crime labs to build an entire picture of you as a suspect — not just an impersonal, academic graph of the matching points in either your biological evidence sample that you left behind at the scene, or your known reference sample that investigators obtained from you.

A2Think about how many cold cases there are where the investigators have a clear DNA profile of you as the perpetrator, but they have absolutely no clue what you look like. They have no idea whether you’re young or old, black or white, have green eyes or brown. They don’t know your hair color or texture. They don’t know if you’re tall or short. And, in some cases, they don’t know if you’re male or female.

Genomic profiling is going to change the game. Computers will speed it up. 

A25Illumina Corporation of San Diego is a world leader in Forensic Genomic technology. They’ve developed a process called Next Generation Sequencing (NGS) that can simultaneously analyze every locus-point in a traditional DNA barcode using less than 1 nanogram of a sample in a fraction of traditional turn-around time that it’s currently taking.

Illumina is also at the forefront of developing the new cornerstone of contemporary forensic science — being able to generate a physical description of the DNA’s donor based on their genome profile.

A22Think about the ramifications. It’s not only going to assist in solving current cases. It’s going to give a physical look at the perpetrators of cold cases. Identify found remains with no names. Help in sorting disaster victims. And make accurate aging estimations for missing children.

The speed and accuracy of forensic genomic profiling will have far reaching effect on the costs in the criminal justice system. Faster and higher rates of identification will remove more dangerous offenders from society and the reliability of their forensic identifications will result in less trial time. It will reduce investigator workload in chasing blind leads. And it will, undoubtedly, save lives.

A29I think we’re in a fascinating time, watching technological advancements in forensic sciences. Genomic profiling is a fantastic breakthrough. We’re close to the day when your tiny biological dropping at the scene of your crime will go into a machine, the button pressed, and not just will your virtual mugshot come out — it’ll build a full-color, 3D image of your entire person right from your molecules to your moles.

Yes, science has come a long, long way in understanding how your human genome instruction book is written.

God knows who wrote it.

MARRED – NEW PSYCHOLOGICAL THRILLER FROM SUE COLETTA

AA8Marred is the new psychological thriller from New Hampshire crime writer, Sue Coletta, who is my close internet friend and cohort. Sue’s an exceptionally talented writer with a great sense of humor. In fact, she’s silly enough to drop by the DyingWords shack for a chat about herself and her newest novel which just came online for prerelease on Amazon and other digital retailers. Great to see you! *waves at Sue* Tell us… What’s Marred all about? And what’s with the woman hanging from the barn rafters on the cover?

Hey Garry. *waves back* I think the best thing I can say is what’s on Marred’s jacket blurb.

When a serial killer breaks into the home of bestselling author, Sage Quintano, she barely escapes with her life. Her husband, Niko, a homicide detective, insists they move to rural New Hampshire, where he accepts a position as Grafton County Sheriff. Sage buries secrets from that night—secrets she swears to take to her deathbed.

Three years of anguish and painful memories pass, and a grisly murder case lands on Niko’s desk. A strange caller begins tormenting Sage—she can’t outrun the past.

When Sage’s twin sister suddenly goes missing, Sage searches Niko’s case files and discovers similarities to the Boston killer. A sadistic psychopath is preying on innocent women, marring their bodies in unspeakable ways. And now, he has her sister.

Cryptic clues. Hidden messages. Is the killer hinting at his identity? Or is he trying to lure Sage into a deadly trap to end his reign of terror with a matching set of corpses?

Ooooo… Chilling! How much of yourself is in Sage Quintano, your protagonist?

I think all our characters have pieces of us. Don’t you?

AA1I used three main characters in Marred, alternating their point of views. I gave Sage Quintano parts of my heart and soul, the mushy part of me; her love for animals, family, writing, that sort of thing. But Sage lived through a brutal assault, which crushed her spirit. Deputy Frankie Campanelli, my snarky character, says things I only wish I could say. But at one time she would be a better representation of who I am. I’ve mellowed with age. Even Sheriff Niko Quintano, Sage’s husband, has a piece of me. His hard outer layer protects him from heartbreak, but when he loves he goes all in 100%.

When Marred is adopted into a screenplay, who do you want as the main characters? Now, c’mon. Every writer wants to see their book on the screen.

AA3Of course I do! When I wrote my first novel I would spend hours daydreaming about the screenplay version. Marred is my fourth novel, though, so I haven’t given it much thought. Let’s see. For Sage, Gillian Anderson, if she colored her hair sable brown. Jessica Alba for Frankie. She too would need to color her hair, dark with auburn highlights. Robert Downey Jr. for Niko, with short-cropped hair.

I used to own a hair salon, which is why I’m concentrating on the hair here.

You’re a bloody good writer, Sue. How were you as a student?

Aww. *blush* Thank you. As a student I was too busy socializing to worry about grades. Therefore, I got B’s and C’s rather than the A’s I should have gotten.

Ever take an IQ test?

No, but I’ve always wanted to.

What’s your typical writing day like?

AA7Crazy. I start early in the morning, around 4-5 a.m. Read for a while, then get to work by 7 a.m. and continue until 7 p.m., on average. Sometimes later. During the day I take a half hour to have lunch with my husband and two 15 min breaks, or one 30 min. break, to exercise.

Do you have a set process?

Writing process? Absolutely. First, I plan my novel. I use an Excel spreadsheet based on the principals in Story Engineering, Save the Cat, and a few other milestones from other craft books. Once I have my milestones mapped out, I write my scenes. Each scene should either setup the next one or pay it off. Each day I start by editing the scenes I wrote the day before, and then I continue on. This way, by the time I finish the first draft I have less overall editing to do. I realize that’s not the norm, but it works for me. Then I start my editing. First by searching for writing tics, words and phrases I tend to overuse, and then I do an overall read for continuity, hanging plot threads, clues, etc. I send it off to my critique partner and beta readers. Once I get it back I work on the suggestions/comments. One final read-through and it’s ready to go to the publisher.

You held out for a traditional publishing contract rather than going indie like a bunch of the rest of us. Why’d you make that choice?

AA2For a few reasons, actually. Number one, it’s always been my dream to be traditionally published. Number two, when you’re traditionally published more opportunities open up for you. Like going for prestigious awards, for example. Number three, I wanted to work with a team…cover designer, editor, proof reader, etc., without having to absorb the cost. It was a long, hard road, but well worth it.

How was your experience in working with a publishing house?

Great. Everyone has been so nice. It’s a fantastic feeling to know I have a talented team backing me, as well as offering support and encouragement. And, y’know, no more sending out query letters and hoping for a request.

What motivates you to get up in the morning?

AA4I love what I do. I get to kill people for a living and get away with it. What’s not to love?

Will you ever tell where you hide the bodies?

Never!

Hey – Would you attend an autopsy with me?

Sure. As long as it’s not mine.

Ha Ha! What’d you write before turning to crime?

Years ago, I wrote children’s stories. Odd combination, I know, but the stories were bursting to get out. I wrote a dozen or so. Someday I might publish them. Never refuse the muse.

Who’s your biggest writing-craft influences?

AA13Larry Brooks and Brandilyn Collins for craft advice. For authors, who I’ve learned from through reading their thrillers, Larry Brooks, Karin Slaughter, Lee Child, Thomas Harris, Katia Lief, I could go on and on.

Karin Slaughter. Love that crime writin’ name. What do you enjoy about the writing business?

The writing community rocks. I’ve never met so many caring, supportive people in my life.

Is there any one secret to great storytelling?

AA15Structure. It controls pace, creates empathy for your characters, aka rootability, and provides the reader a vicarious experience.

Hmmm… Great answer. What’s the best piece of life advice you’ve received and where’d you get it?

My mom told me repeatedly, “You can have anything you want out of life as long as you apply yourself and work hard. Dream big, because the sky’s the limit.”

Do you fit your Zodiac sign?

To a tee. I’m a double Libra, sun and moon.

Any tattoos?

Three. Back of my left shoulder, right ankle, and inside the right hip bone.

AA4Inside the hip bone? That musta hurt. Now, what’s the Top 3 on your bucket list?

I want to take a cruise to somewhere exotic. Visit Australia and smuggle home a Quokka. And hit #1 on the New York Times Bestsellers List. Not necessarily in that order.

Where do you see yourself in a year? In five? In ten?

In one year I hope to have three of my novels released. I’d love to win the John Creasey New Blood Dagger Award for Marred. Wouldn’t the cover look great here? In five years, I hope to hit the NYTBL. In ten, drop from exhaustion. LOL

AA5So what do you want your dying words to be?

I loved, laughed, cried, danced, and shared my experiences with the world through my books.

Nice! Hopefully that won’t be said for a long, long time. Lots more writing to leave behind, ya know. Speaking of time. What’s your biggest time-vulture?

Facebook. I can’t get enough of hilarious animal pics and videos. Like this…

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Awesome!  Okay, now it’s time to take the DyingWords 10-step psychological profile. You must answer all questions honestly, otherwise I’ll sic the hounds. And no phoning a friend. Ready?

  1. Pantster or plotter?  Plotter.
  1. Window or aisle?  Window.
  1. Print or digital?  Digital.
  1. Harley or Honda?  Harley.
  1. Coffee or tea?  Tea.
  1. Coyote or Roadrunner?  Coyote.
  1. Burial or Cremation?  Burial.
  1. Fine-tip pen or bold?  Bold.
  1. Handcuffs or leg-irons? Handcuffs.
  1. Orangutan or gorilla? Gorilla.

AA16Okay. Just a sec… have to plug them into the DyingWords Psycho-Analyzer… twirl the dials… press the button… wait a minute… and… hmmm… Yep! Saw this comin’. Says because you’re a methodical plotter, fearless with your view, progressive in technology, aggressive as a Hog rider yet refined as a tea drinker, persistent as Wile E. Coyote, choose longevity over being a flash in the pan, are bold with words, keep your hands cuffed to the keyboard, and have hide thicker than a frickin’ gorilla…

You’ll make a great best-selling, crime-thriller writer! Imagine that?

*Sue rolls eyes*

Alright, moving on. With Marred about to be released, what’s your next project?

Wings of Mayhem. About a forensics specialist who moonlights as a cat burglar and mistakenly steals a killer’s trophy box. Oops!

AA17Double Oops. You’ve got a great website, Sue. Tell us about it.

My site—www.suecoletta.com—is dedicated to crime. I post informative articles to help crime writers’ stories ring true, writing tips, editing tips, and feature guests from law enforcement and forensics fields. I also have a Crime Writer’s Resource, which anyone can use. But the site is not only for writers. For instance, I have the Crime Lovers Lounge. Subscribers will get a secret key code that will unlock— You’ll have to subscribe to see what I have in store. More on that coming soon. If you’re a writer with murder in your plot, grab a free pdf 60 Ways to Murder Your Fictional Characters.

AA19It’s been a long haul for you with it’s just-rewards finally happening. Tell us about your journey.

Actually, I’m wrote an entire post about my journey for Molly Greene. You can read it at: http://www.molly-greene.com.

I just did. Wow! What a story of determination and preserverence. You certainly earned your stripes. Now, last and most important, when and where can we get Marred?

To celebrate the pre-release, Marred is on sale for only 99 cents at these fine retailers. More retailers will become available in the coming weeks. Marred will automatically be delivered on 11/11/15.

Amazon US      Amazon UK      Smashwords

Thanks so much, Sue. Best wishes for Marred looking down from the top of the charts. I’ve had a sneak-peek at the ARC and it’s a top-notch, thrilling read. Great job!

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AA9Sue Coletta is a member of Mystery Writers of America and Sisters in Crime as well as the author of five novels. A 4K-word excerpt of Marred will be published in the upcoming anthology, Murder, USA. Her other titles will be available soon. Sue is also editing the How-To / No BS Guide Series on Crime Fiction Writing that are in progress. Connect with Sue on her social media sites:

Web/Blogsite  –  http://suecoletta.com/

Twitter –  https://twitter.com/SueColetta1

Pinterest –  http://www.pinterest.com/SueColetta1

Facebook – http://www.facebook.com/SueColetta1

Goodreads – http://www.goodreads.com/SueColetta

Amazon – http://www.amazon.com/Sue-Coletta/e/B015OYK5HO

Google+  –  http://www.plus.google.com/u/0/+SusanColetta/posts/

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FORENSIC BLOODSTAIN PATTERN ANALYSIS

AA43Bloodstain Pattern Analysis is the forensic interpretation of human blood evidence in crime scene investigations. It’s used to recreate actions that caused the bloodshed. Because blood has chemical properties that behave according to specific laws, trained analyists can examine the size, shape, and distribution of bloodstains to draw conclusions of what did—or did not—happen.

Bloodstain Pattern Analysis (BPA) applies the sciences of anatomy, biology, chemistry, mathematics, and physics to answer questions like:

  • Where’d the blood come from?
  • Who’d it belong to?
  • How’d it get there?
  • What caused the wound(s)?
  • From what direction was the victim assailed?
  • How were the victim and perpetrator positioned?
  • How many victims and perpetrators were there?
  • What movements were made after the bloodshed?

AA24You’ve seen the CSI shows where investigators, dressed in their ‘bunny suits’, photograph drops, streaks, smears, and pools of blood, then swab for DNA and String the room back to Area of Convergence points. Well, that’s pretty much how it happens, except today most Stringing is done by 3D computerization.

Bloodstain pattern interpretation is nothing new. It’s been around two hundred years and became increasing sophisticated as technology advanced. I’ve been involved in a number of BPA examinations during my time as a cop and coroner. One that really stands out was when Billy Ray Hennessey axe-murdered his ex-girlfriend and her new lover. The room looked like a bomb went off in a red paint factory. I’ll tell you more about it at the end of this article. First, let’s look at how blood behaves.

Blood has three components that are suspended in plasma.

AA25Erythrocytes are your red cells that transfer oxygen through hemoglobin. It’s what gives blood the red color. Leukocytes, your white cells, are your body’s defenders and support your immune system in fighting infection and disease. Platelets are formed in your bone marrow and play a major role in hemostasis, or plugging up breaches in vessels.

Blood composition is about 55% plasma and 45% formed elements, or cells, which remain suspended due to agitation caused by your circulatory system. That’s called viscosity—it’s density or internal friction. Once blood leaves your body’s pressurized containment, it’s subject to the forces of gravity and surface tension which dictates its resting shape. That can be in drops, streaks, or pools.

Crime scene bloodstains take different forms due to factors like velocity and distance of travel, amount of blood flow, angle of impact, and type of surface or target it lands on. There are eight categories of bloodstain patterns:

AA26Single Drop – These stains are typically from a vertical fall and under low velocity, like when your cut your finger and blood drips to the floor. Blood molecules are very cohesive. They attract and bind in a surface tension that makes a sphere. The drop stays in a ball until it strikes an object or a force acts on it. This is called bleed-out.

AA21Impact Spatter – These result from forceful impacts between an object and wet blood, causing the blood to break into little droplets. Greater force produces smaller droplets. The study of impact staining provides huge insight into the relative positions of individuals and objects involved in the crime. There are three sub-categories of impacts:

  1. Low Velocity Impact Spatter (LVIS)

AA4Also called Passive Impact Spatters, these are the largest bloodstain drops with a diameter of 4mm or greater. They travel at a slow speed, no greater than 1.5 m/s. They’re associated with being struck by a large, blunt instrument such as a chair or leaking from an open wound. They’re also formed when a large amount of blood has been transferred to another surface and the excess drips down.

  1. Medium Velocity Impact Spatter (MVIS)

AA1These spatters are associated with an intense beating like from a club, a hammer, a gun butt, or a bag of frozen pork chops. (Yes, I once had a homicide case where a guy’s head was caved-in with a bag of frozen pork chops.) MVIS drops are less than 4mm and get propelled at speeds between 1.5 and 7.5 m/s. The further from the target surface that blood is expelled, the larger the drops will be.

  1. High Velocity Impact Spatter (HVIS)

AA2This stain pattern is caused by gunshots, explosions, or contact with high-speed objects like having your throat cut with an electric carving knife. (Had one of those, too.) They’re evident by masses of tiny droplets less than 2mm in diameter and occur at velocities far in excess of 7.5 m/s. There’s no mistaking this type of bloodstain. The angle of impact is evident by an elongated shape – the longer the stain, the longer the angle from vertical.

AA19Cast-Off Stains – COS are common in scenes such as Billy Ray Hennessey’s axe-murders where straight and curved lines of blood are made on the walls and ceiling by the centrifugal force of back-and-forth swings. They produce tear-shaped or oblong stains with ‘tails’ that point in the direction of travel. By reversing the line of travel, the path can be traced or stringed to its area of convergence.

 

AA18Transfer Bloodstains – These are generally patches and smears of blood deposited secondary to the main, violent event. They say a lot about sequence. It can be when a victim tried to crawl away, the body was dragged, the perpetrator placed a bloody hand on a wall, or when he hid the axe in a closet like Billy Ray did. Tell you more about him soon.

AA20Projected Pattern  This is from arterial damage, such as severed carotids, femorals, radials, and brachials where pressurized blood ejaculates via the still-beating heart. You’ll see groups of big to small splotches, usually in an arc pattern. Very common in stabbings.

Pooling – Usually occurs once the victim is unconscious and passively exsanguinates. That’s the fancy term for bleeding to death. Something telling to a Bloodstain Pattern Analyst is where large pools of blood occur in different locations—no doubt the body’s been moved.

AA28Insect Stains – Not long after death, the bugs show up. They land in the bloodstains and make little tracks all over the place. These are easily confused with HVIS to the untrained eye and known in the industry as Flyspeck.

Expiration Stains – These are incidental bloodstains associated with injuries to the respiratory and abdominal tracts where a gasping victim expels through the mouth or nose. They appear diluted, more brownish in color due to mixture with saliva or mucous, and look like a fine mist.

Examination of a bloody crime scene is a slow and methodical procedure.

AA3The area is still-photographed from wide, medium, and close-up angles as well as videoed. Each stain pattern is marked, catalogued, and a swab taken for serology or DNA typing. The patterns are then Strung to their Point Of Origin, or area of convergence, and a complex application of trigonometry begins to tell a compelling tale of just what went down.

The visual absence of blood can be misleading.

Criminals occasionally clean up a scene or there may be only a small bit of blood emitted. Chemical reactive agents like luminol and phenolphthalein can be applied which visualize latent stains. Light spectrum tools, such as LumiLights, are also used to amplify spots not visible to the naked eye.

AA40Getting back to Billy Ray Hennessey — This guy hid in his ex’s attic with an axe for two and a half days, waiting to catch her screwing a new beau. Sure enough, she brought one home from the bar. At 3:00 am, Billy Ray crept down from the hatch, snuck into the bedroom, and chopped them to pieces. Like I said, the crime scene looked like a bomb exploded in a red paint factory.

It took us three days to catch Billy Ray. He did the right thing and fessed-up, then reenacted the murders on video. It was the coldest thing I’ve seen. Billy Ray described what he did as if he were watching Jason or The Shining, going through repeated motions of chopping, and back-swinging, and chopping some more. He demonstrated with a 2×2 stick as a prop. (We were nervous about giving him a real axe.) He showed how he modified body positions after death, where he hid his axe in the closet, and where he cleaned himself up.

Billy Ray did the right thing again. He pleaded guilty, receiving two life sentences.

AA30During the three days that we hunted for Billy Ray, the Forensic Identification team had sealed the crime scene and independently conducted their Bloodstain Pattern Analysis. Once Billy Ray was done, we (the detective team) compared notes with the forensic team and — unbeknownst to what Billy Ray reenacted — the forensic folks got it bang-on. They’d reconstructed how many blows each victim received, various positions everyone was in, and… who fought back.

I’ve been sold on the science ever since.

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Here links to more information on Forensic Bloodstain Pattern Analysis:

A Simplified Guide To Bloodstain Pattern Analysis

The Forensics Library – Bloodstain Pattern Analysis

Principles Of Bloodstain Pattern Analysis – Theory and Practice

Bloodstain Pattern Analysis – Crime Scene Reconstruction